To start living how I want the world to be

What’s one small improvement you can make in your life?

I’ve been noticing how my work/ being has been reactive. There’s been a sense of scarcity and time urgency that’s been guiding my thoughts and actions. There’s been a hopelessness. Because some incidents are out of my control but which have impacted me. There’s been feelings of not being appreciated, feeling a lack of trust and working without purpose, moving away from my core values and moral compass.

I might have been using food or drink to numb my way through the shit. Through the ‘work’, not allowing myself to feel and be present. Really present to all the feels.

Do you feel me?

I know I need to take a step back and really look at the life I’ve been living. This is the only life I have and cannot be relived. I have a deep desire to change the system. To abolish the system and live otherwise.

And yet in order to change the system, I have to change my life, how I live my life. The way / how I live has to reflect the way/ how I want the world to be.

What does this mean in reality?

How I am just as much as what I do within the system will have an effect on system change. I have to be living my life with intention and purpose. Making sure I’m living my values, that I’m not compromising my integrity. That each decision I make is coming from that place of love and trust and hope.

That I’m not shutting down but open to togetherness but also trusting my gut that when I say ‘no’ it’s not from a place of malice but from a place of capacity and boundaries.

I’m learning, I’m sharing and I’m growing. Alone and in collaboration.

And I’m feeling and shifting into the practice and recognition that this is coming from a place of love and care rather than exhaustion and pain.

Small steps. Small acts. Small makes up the large. Small scales up to large.

I’ve got to be practicing the world I want to see now in my own life. Daily. Practice.

Love not hate.

Cooperation not competition.

Conversation rather than condemnation.

More care less harm.

More listening less violence.

The turn towards Mother Nature rather than against her.

A recognition in the value and worth of every human being regardless of race, class, gender, religion, ethnicity, age, sexuality, body type and body and mind abilities.

Spiralling towards consciousness

This is why my favourite pattern within nature, apart from the wave, is the spiral. Again and again, experience shows me how we may feel that we are going around in circles doing the same things, making the same mistakes and never learning or moving forward.

But I beg to differ. I believe life’s journey is a spiral. Each year we go around, and it may feel as if we’re not moving. We’re not making any progress or making our mark. But I see it as coming back around over similar track but we have changed. Through the movement of time and experiences and knowledges, we’ve changed since the last time we were in this spot. It’s not the same spot. Things have shifted. and so we’ve changed. We’re not right back at the same point but moved further into the spiral. Not in a hierarchal way, , ascending or even descending, but more of a going deeper, more connected and centred movement of the journey.

Each rotation in the cycle, in the spiral throws up more learning and more insight that if we’re paying attention we can use on our life’s journey with more consciousness, connection and joy.

I share this because I’ve just recognised how I’ve moved through the spiral this year to come to further understandings and wisdom.

This time last year, preparing for anti-racism facilitation, I was reading What White People Can Do Next by Emma Dabiri.

It was from reading this slim volume of wisdom that I fell into ‘solidarity’ is needed within the anti-racism movement. In fact I started using a anti-racism is anti-capitalism. Solidarity between oppressed and marginalised groups in society is the way forward.

I went on a journey from here, maybe a spiralling into despair, as I searched for a group or organisation to be a member of, in solidarity across different sections of society. I was looking into the communist party, unions, anti-racism organisations, trying to find a place where I could belong and be in solidarity with others.

In my search, I found racism and sexism, individuals and groups still perpetuating the racial capitalist system. Still working with hierarchies and the unconscious bias that they were better than me, than they knew more than me therefore should control me.

I become demoralised and retreated. I put away my radical thoughts and ideas, convincing myself that it was better to be alone and true to my ideals than compromise and waste my time explaining or highlighting blind spots to so-called comrades.

And then these part few days, solidarity has raised its head again but through a different door. Through the door of abolitionism.

Ours is a fight against powerful systems of violence and terror.

 In recognising the interconnectedness of systems of state violence, abolition can be the basis of a new solidarity: one that acknowledges specific experiences of violence in particular communities, whilst building a unified, internationalist resistance.

Abolition doesn’t understand the concept of solidarity as an airy-fairy call for different oppressed groups to ‘just get along’. Solidarity is a vital strategic response to the prevalence and ubiquity of state violence

Abolition Revolution by Aviah Sarah Day and Shanice Octavia McBean

As we have witnessed in the recent council elections, with the surge in the popularity of Reform. This isn’t because this party has set out a manifesto of policies that will solve the issues of poverty, unemployment, economic crisis, the state of the NHS, the policing in our schools and stop crime such as rapes and murders. No this party, it just playing out the age out trick of creating the ‘enemies within’. The ‘enemies within’ can carry all the responsibility for what’s wrong within British society today. The immigrants, the refugees, the gangs, the nasty women, the people with darker skin who are innately hardwired for crime. The general public, usually predominately working class white people, can blame others, other oppressed and marginalised people for all the woes of society. Smokescreens and mirrors, instead of people coming together, across class, race, gender, sexuality, religious lines, in solidarity and challenging racial capitalism and state control and violence which are geared towards keeping the majority of people in poverty at each other’s throats instead. While a few, usually white cis-gendered men, retain wealth, control and power.

I say Reform, but the present ‘Labour’ government operates the same way. They’re all apparatus of the State working to keep power and control through violence and terror in the hands of the few.

 So for them the problem is not the historic experience of racism and the legacies of slavery and colonialism: it’s Black ‘gangsters’ on our streets. It’s not disinvestment from and neglect of working class communities: it’s Syrian migrants in our hospitals. It’s not military and imperial domination of vast swathes of the world: it’s Muslim extremists in our schools. Constructed ‘enemies within’ like these provide a constant justification for the use and expansion of state violence in order to maintain control; they tie people’s lived experience of the world to divisive narratives that weaken the collective consciousness of ordinary people. – Abolition Revolution by Aviah Sarah Day and Shanice Octavia McBean

I see the value of solidarity now, in building power in the direction of marginalised groups because it weakens the State’s power and control which is based on divisive narratives that weaken the collective consciousness of everyday people. The marginalised and oppressed.

Now maybe if I had this knowledge, last year, cycling and spiralling looking for my tribe, I might have stuck it out a little longer. Allowed our differences and bias to take a back seat because I believed we were working together across solidarity lines. Maybe.

This year though, with another trip around the sun under my belt, and another spiral deeper into my learning, I believe my solidarity within these groups would have still faltered as within and outside of these groups because they are not spurred on from the foundations upwards and onward with an abolitionist revolutionary thought and praxis.

I see now that these groups are looking toward reform rather than abolition. They are satisfied with tinkering with the edges. Gaining small concessions rather than a total overhaul. It’s like asking for and being satisfied with a more comfortable prison cell as a demonstration of change in how the State handles inmates instead of defunding/ abolishing the prison industrial complex all together.

I see that now as I continue to spiral towards consciousness, again and again. Onwards.

The Alabama Solution

What was the last live performance you saw?

It’s Friday night you all.

Good drink and food, feet up and TV binge time.

But hold up, something ain’t right.

Nothing I’m flicking through is feeding my desires. Nothing is filling the void of just wanting to switch off and forget my troubles. Pap TV is what I usually call it. The stuff that renders me brain dead.

And then I happen upon The Alabama Solution. This is how I be sometimes. I feed an itch, a curiosity.

I shared the other day about my abolitionist tendencies. Well this Oscar nominated documentary is furthering those occupations.

Man oh man, this documentary hard hitting. And I dare anyone to watch it and say those inmates deserve the inhumane treatments, the injustice they receive in prison. I dare you.

There is a tendency to think people who do the crime should do the time and deserve everything that comes their way. They’re in prison so must have done something to be there and what befalls them in there, well they had it coming.

They be evil. They be degenerate. They be monsters. Lock away, throw away the key. We say.

This indoctrinated, conditioned response to crime and punishment, criminals makes us, the general public, no better that the ‘monsters’ we are condemning. That we are putting away and not caring about.

They be human beings, with flaws, vulnerabilities dealing with issues with no help from anyone else.

No chance of redemption or rehabilitation because they are left to rot. Or are exploited, farmed out as cheap or free labour.

This here documentary The Alabama Solution explores the lives of the incarcerated. The viewer gets to see what it’s really like in the prisons in Alabama. How they are beaten and killed and no one is held to account.

What is remarkable is that these men are behind bars, classed as the underclass of society, the forgotten people, not by their families I may add, but they still manage to coordinate a mass strike across all of Alabama’s prisons in protest of the treatment they receive behind bars. In a peaceful way , they are demanding that their human rights be recognised and that the Federal Government steps in to compel the state of Alabama to treat their prisoners right, with respect and dignity.

Prisoners from all backgrounds, 20,000 strong refuse to work as slave labour anymore in 2022.

They downed tools. They rationalised that instead of meeting violence with violence they chose to hit them where it hurts, in the economics/ money, rather than hit them in the mouth.

Straight away the Governor was trying to break the strike. After a couple of days, rationing their food. Prolonging feeding for up to 14 hours a day and then when they did feed them just small amounts of food. But together the men shared the food they’d been stocking piling . As a community they came together to make sure no one starved. There was unity. Unity never see like it within prison system as it suits the system to have them fighting each other. Divide and rule. Divide and conquer.

But together, standing together strong, there’s power there and that’s dangerous. And has to be suppressed.

How come we, the general public, the majority not behind bars haven’t been able to organise a strike? A withdrawal of our labour to bring the system to a stop?

One of the main spokesperson for the prisoners, Robert Earl, who had already been beaten to near death for being an activist for prisoner’s rights and lost the sight in one eye for it, was taken from his cell in a head lock and taken to solitary confinement.

Again a similar tactic is being used, a tactic used from time in the Civil Rights Movement for example, cut off the head of the movement, the leaders and the strike will fold.

And you think it would happen, as the prisoners are vulnerable, no one can see what goes on behind closed doors. No one listens to them as they are criminals, they lie and are untrustworthy. Right?

They’re murderers and rapists. But that doesn’t happen. As this action, this strike is more than one man. Someone else steps in to take th baron, to keep rallying the cry that the strike continues until the demand are met.

And the demands are not unreasonable demands. They’re not asking to be all set free. They’re asking to be recognised as human beings with rights. To be respected and protected from violence within prison. Violence from the guards who are supposed to be supporting their rehabilitation.

But how are you gonna rehabilitate anyone if you’re beating on them?

I must go back and complete my watch of this programme now and see how the strike goes. However, this strike was in 2022 documented in The Alabama Solution documentary which was a decade long project of capturing the conditions in prison by the incarcerated cell phones.

I’ve just read that the 3 main instigators of this strike, including Robert Earl, have been placed back into solitary confinement as of January 2025 in retaliation for their activism and standing up for the rights of incarcerated citizens. And probably because of their involvement in the documentary.

You see what I did there. Citizens, human beings, not criminals. The language we use is part of our conditioning. Language is power. And I refuse to continue to use such dehumanising language in reference to people who are incarcerated. They are still people with needs and wants, desires drams, pain and sufferings.

Solitary confinement. No contact with family. This is an abuse of power behind bars. Out of public view and no reasons are given for these movements/ punishments. Solitary confinement is a form of torture. It is not a safety and security issue to the individual but it is an abuse of power by the authorities and highlights what a vulnerable position incarcerated people are in when behind the pros walls. This is another example of the denying of human rights.

There is talk of another strike happening this year, the withdrawal of labour. This can only mean that conditions have not improved within the Alabama Department of Corrections prison facilities. So I already know the ending, what the conclusion of this documentary will be. But I will watch it to the end.

Not as a spectator in the spectacle but as a witness for these incarcerated citizens as they, by any means necessary, attempt to get their voices, their issues, concerns and fears outside of those walks. The least I can do is watch and listen and share.

I Won’t Vote

Do you vote in political elections?

Oakmoss lichen is a sign of clean air quality in an area.

There’s a smear campaign against the current leader of the Green Party of England and Wales is Zack Polanski. It’s argued that Polanski, a Jew, is being anti-semitic because he’s arguing that Israel is committing genocide in Gaza against the Palestinian people.

I was brought up on the argument that people died so we could have the vote. So we must vote.

Reform are running on the slogan is if you want to get rid of Starmer, Vote Reform.

It’s a privilege that many people around the world do not have. The right to vote. The right to have their say.

Many people are turning away from Labour because they’ve moved towards the right in their rhetoric and handling of immigration. And the cost of living is sky high.

Rain or shine, day and night, I would walk to my polling station and mark the box next to the red rose with a bold ‘X’.

The Conservative Party, known for its racism and classism, old school boy elitist network, has broken records with being the first political party in the UK to have a Black Woman as their leader.

My pooling card came a couple of weeks ago with the instructions to turn up to vote with photo ID.

Millions of people go to the polls today to decided on the councillors to control their neighbourhoods.

Voting on empty promises.

Voting on empty reforms.

Voting on different names but representing the same arsewipe policies.

Voting on keeping things as they are.

Voting on keeping the rich, rich and the poor, poor.

Voting cannot vote this away.

The tools we are given, granted and offered cannot build anything new.

The voting system was never meant for us to achieve any gains or resemblance of power.

Voting changed nothing.

W.E.B. Du Bois, disturbs the tale that all of our ancestors died for the right to vote. Du Bois echoed Parsons decades later in 1956, writing in a piece titled “I Won’t Vote,” “There is but one evil party with two names, and it will be elected despite all I can do or say.” – W.E.B. Du Bois, “I Won’t Vote,” The Nation, October 20, 1956.

I no longer believe in the voting system. I no longer choose to uphold the system. I choose to refuse.

The Afro-Surreal Manifesto

Considering D. Scot. Miller’s essay , Afrosurreal Manifesto
“I was there…” – Black is the New Black, a 21st century Manifesto
.

In an introduction to prophet Henry Dumas‘ 1974 book Ark Of Bones and Other StoriesAmiri Baraka puts forth a term for what he describes as Dumas’ “skill at creating an entirely different world organically connected to this one … the Black aesthetic in its actual contemporary and lived life.” The term he puts forth is Afro-Surreal Expressionism.

Dumas had seen it. Baraka had named it.

This is Afro-Surreal!

This was my first brush up against the term Afro-Surreal, even though as soon as I read what it means/ what it is, I knew in my bones that I’ve been living it, I’ve been experiencing it from time.

Miller takes the time to lay out what Afro-Surrealism is NOT.

Afro-Surrealism is not SURREALISM or AFRO-FUTURISM

SURREALISM is a white, European, literary and artistic movement that attempts to express the subconscious. It’s dreamlike, fantastic imagery and an illogical juxtaposition of subject matter.

Leopold Senghor, poet, first president of Senegal, and African Surrealist, made this distinction: “European Surrealism is empirical. African Surrealism is mystical and metaphorical. Jean-Paul Sartre said that the art of Senghor and the African Surrealist (or Negritude) movement “is revolutionary because it is surrealist, but itself is surrealist because it is black.”

AFRO-FUTURISM

Afro-Futurism is a diaspora intellectual and artistic movement that turns to science, technology, and science fiction to speculate on black possibilities in the future. 

Afro-Surrealism is about the present. There is no need to speculate about the disasters that are coming our way or are just around the corner, somewhere in the future. The worst case scenarios of bombs, genocide, floods, fires and destruction are here now.

What is the future? The future has been around so long it is now the past.

Afro-Surrealists expose this from a “future-past” called RIGHT NOW.

RIGHT NOW. Trump is President of USA and is destroying/ dismantling democracy over there, at the same time as creating wars and genocide around the world.

RIGHT NOW, Afro-Surreal is the best description to the reactions, the genuflections, the twists, and the unexpected turns this “browning” of White-Straight-Male-Western-Civilization has produced.

Miller, at the time of writing this manifesto, professes that San Francisco is the land of Afro-Surreal poet laureate Bob Kaufman. San Francisco where black artists are changing the narrative , to transform how we see things now, how we look at what happened then, and what we can expect to see in the future.”

Briefly, the ‘A MANIFESTO OF AFRO-SURREAL’ includes:

  1. The unknown worlds and wonders are emerging in the works of Wifredo Lam, Jean-Michel Basquiat,Frantz Fanon to Jean Genet, Zora Neale, Chester Himes etc.
  2. Afro-Surreal presupposes that beyond this visible world, there is an invisible world striving to manifest, and it is our job to uncover it.
  3. Afro-Surrealists restore the cult of the past, revisiting the old ways with new eyes. Appropriating symbols of the past, conjuring the ancients for now.
  4. Like the collage of Romare Bearden and Wangechi Mutu, the use of excess is used as subversion. Hybridization is a form of rebellion, refusal, disobedience.
  5. Afro-Surrealists strive for rococo: the beautiful, the sensuous, and the whimsical. We turn to Sun Ra, Toni Morrison, and Ghostface Killa. We look to Kehinde Wiley.
  6. The Afro-Surrealist life is fluid, cannot be pinned down. Afro-Surrealists are ambiguous and reject servitude.
  7. The Afro-Surrealist wears a mask while reading Leopold Senghor.
  8. Think Prince. The Afro-Surrealist seeks definition in the absurdity of a “post-racial” world.
  9. In fashion (John Galliano; Yohji Yamamoto) and the theater (Suzan Lori-Parks), Afro-Surreal excavates the remnants of this post-apocalypse with dandified flair, a smooth tongue and a heartless heart.
  10. Afro-Surrealists create sensuous gods to hunt down beautiful collapsed icons.

This Afro-Surreal Manifesto is Afro-Surreal.

Where am I at with Afro-Surreal?

Afro-Surreal was the word I chose for 2026. My guiding word of the year. I might not have posted a lot about it here, and yet, it has been a constant so far, bubbling away in the background. Shimmering away just beneath the surface, ready to boil to the top, or over when something happens to question or disrupt my reality.

I chose Afr0-Surreal as my word of the year because I was doing it already. I had finally found a word for what I was experiencing and I wanted to explore it further. Unpick it, hold it up to the light and examine it closely.

In a sense, it’s an attempt to go back to the beginning, go back to the source of this term and its meaning and how it does show up in my life and practice.

D. Scot Miller in 2009 wrote “The Afro-surreal Manifesto”. He is the source who coined the term. He could only find the term being used one time before this by Amiri Baraka, who used the term to describe the work of Henry Dumas. Miller went to Baraka asking him if he had any issue with him using Afro-Surreal and running with the term and concept. Miller asked permission and was granted it. Since then Afro-Surreal / Afro-Surrealism has gone on to be a genre or school of art and literature.

I’ll start my study with looking at what Miller has to say about Afro-Surreal and continue from there as since 2009, Miller came out in October 2024 to say that Afro-Surrealism is dead. And when I read this I was like, noooooo. I’ve just come to the party and it’s over? But then on further reading I totally get why Miller is saying this.

Go back re-read the paragraphs I have already written about the inception, the birth of Afro-Surrealism. And then imagine or consider this, predominately white institutions, universities, academics trying to erase the work, trying to erase the manifesto created by Miller in 2009 as the beginning of Afro-Surrealism, trying to change the history of Afro-Surrealism, sound familiar?

We’ll be exploring this and more but let’s get things straight from the start, the names we need to know and give credit to. Amiri Baraka and D. Scot Miller. Remember those names as we insert them back into history, into their rightful places of the founding fathers of Afro-surrealism. And as Miller has said lately, in 2024:

So what to do?

When Brooklyn Rail contacted me, I understood the impact and reach of the publication, and after some serious reflection, it came to me that if I brought Afrosurrealism to life, I was the only person to be able to announce its demise in order to divorce my vision from this white-led hostile takeover. So I killed Afrosurrealism in front of the very people who need it alive in order to feed off of it.

AFROSURREALISM IS DEAD! LONG LIVE AFROSURREALISM!

It’s quitting time, quitting time @ Tara

Jot down the first thing that comes to your mind.

Sweeping violins. A Southern Belle, pretty and shallow, chatters on as young men flock around her feet, captive. *Fiddle de de.* Relishing in colour, technicolor; rich reds, blues and greens of the gallant Old South. Pan out see mansions surrounding by plantations. Bonnets and ribbons. Dances and horses. Cotton.

Extract from: The Melodrama of Gone With The Wind

Found poem: 

Source: http://www.art21.org/texts/kara-walker/interview-kara-walker-the-melodrama-of-gone-with-the-wind

I first read Gone with the Wind by Margaret Mitchell while completing an extra year at college. Gaining extra ‘A’ levels while I waited on my then boyfriend to make the grades.

I identified with Scarlett O’Hara, the bitch of a heroine, not Mammy. I definitely was no mammy. Not here to fetch and clean and be loyal. I definitely was not obese and coarse and ugly, or ‘have a shiny, glossy face of contentment as she be the most happy slave alive.

Of course as I’ve gotten older, I’ve learned where I’m placed in society. It’s okay to fantasise being the white heroine but I’ll never really be her. Better learn my place – to be there for the pleasure and enjoyment and whim of the white folk – and smile.

But what about my own pleasures and pains? Apparently they don’t exist. Apparently I’m incapable of such things, such finer characteristics. My reality states/shows otherwise.

It’s quitting time. I’m retreating into the woods in Aberdeenshire for the next week. I’m taking this opportunity as a reset. A chance to focus on my pleasures and pains. Drink on Mother Nature and give thanks for this life I have which isn’t being subservient/ submissive/ subjection to anybody.

I refuse the Mammy as well as the Scarlett, as they are both constructions and constrictions to control the female body.

I’m much more interested in the overspill, the excess, the unruly body. The blackwoman body that I live with/in daily and how nature supports me on this journey.

As a wind of flames sweeps through Georgia; menacing reds and oranges against a bleak dark sky swirl and crackle in time with fast ascending music. Real danger and Butterfly McQueen (real name not character name that would be Missy) flits around like a blue arsed fly worrying with no sense or plan.

Extract from: The Melodrama of Gone With The Wind

Found poem: 

Source: http://www.art21.org/texts/kara-walker/interview-kara-walker-the-melodrama-of-gone-with-the-wind

I’m no Missy either.

Taking the time to play

I’ve always loved drawing.

At different times of my life, I was either really into drawing or gone off the boil from drawing.

Basically, if I allowed my drawings to come into contact with other people, that’s when my drawing would go off the boil. I wouldn’t do it, I’d let the practice slide because someone or other had said my drawing wasn’t very/any good.

Or they’d looked at what I’d shared and start giving me pointers on how to improve it. How to shade ‘properly’ or how to get things into ‘proportion’. Basically saying that what I was doing, instinctively and true to me, was wrong.

For large stretches of time, I didn’t allow myself to draw, to play because in comparison to others, my work just didn’t match up. Didn’t look like theirs.

And then one time, while feeling less than, while feeling the odd one out, not accepted or appreciated, I picked up a pen and started drawing again. I found solace and safety in the lines I drew.

Faces, I love drawing faces. Usually of black women. Seeing myself reflected.

I completed a 100 days of black women one time, a few years ago now and I loved where this challenge took me. It took me to a place and peace of accepting my drawings. My style, my subjects and themes, my shading and perspectives.

Fuck man, we’re all individuals, unique and no way are we supposed to or should be drawing all alike, to a certain standard or brief.

My drawings are an expression of me, and how I see/ move through this world.

I’m dealing with it. I’m embracing it. And fuck everyone else!

overlapping/ layering of loss

In the time it takes me to write this sentence,

my ­ mum must have lost her capacity to breathe.

Quick and unexpected, her passing.

Here one day and then gone the next.

I’m keeping close to the bone as the wound is raw,

27 years later.

Up until now, there’s been a balance –

the years I had her with me versus the years without.

Loss constitutes a black mother’s life, but what about their daughters?

Mourning in the early morning, when the news found me,

sleepless and fearful, until this Autumn when I will have to learn

how to navigate this life beyond without.

Loss splits time into the before and after.

A rupture fires the heart, triggers

the already-always -thereness of loss,

the always-already-thereness of the ghosts

we carry with us into our many battles

and violent (work)spaces.