healing
Going back to old skool

Sometimes when I get a download, I just have to grab the first bit of paper and pen I can see and write.
It feels as if I haven’t got the time and patience for my visual journaling practice and I’ve just got to get the words on the page.
Like short, sharp, frenzied sex after a drought, a stream of consciousness shit comes rolling out of me. From my body. Onto the page. Words here. Paint there.
And within this pile of words/ marks are glimmers, signs, clues for next steps, moves forward. Invitations.
I’m been resting, after a full on time of exams and work and in that resting time, I did nothing creative except breathe. Breathe a little deeper and longer. Fuller.
There are still times when I have that moment of dread, that I’ve forgotten something. That I should be doing something else instead of doing nothing.
I know time will heal the wound. Time will suture the skin over the rupture and this period will become a memory. A trace left in an ache running down my neck and shoulder. A dull tugging at my soul.
Anyway, I’m back here. And I’m not going to try and fill in the gaps. The gaps are important, these liminal spaces where possibility and potential are ripe.
I come back with plans to share a new series of posts which I’m loosely calling my ‘Summer Field Guide’. My plan to get intentional about the summer ahead ( or here already!) and offer myself space to play, get curious, dream and imagine. No pressure just {BEING} my inner child out loud.
I’m excited.
Keeping centred, keeping grounded






Protecting my peace



Current Reading
along with other themes and issues like abolition, emergence, black study, black anarchy, fugitivity, living archives , ancestral wisdom, African cosmologies

Already, just a few pages in, and I feel that this is going to shift my practice along even further down this path of refusal, stealing my body away through liberatory practices and beings.
A plot upon a plot

After my day retreat with WOC Azadi I came home with a date in the diary to play.
I’d set it up with Theresa Easton to go play with her letterpress printing gear again. I didn’t have so much as a plan as I did have a word: PLOT.
I rocked up with a number of different subtracts to play with and just wanted to explore what I mean when I use the word, PLOT.
We set up the printing plate with the word PLOT repeated in different type fonts. We arranged them into a neat A5 sized piece and then let the inking commence.
I played with different coloured inks, directions of papers, different papers and got myself into a meditative rhythm.
It was so much fun and I’m so grateful to Theresa to allowing me to play in her studio for free.
It was good to catch up too and chew the fat.
More. I want more play like this.

Good Morning Good Morning

I’ve just been over on my buy me a coffee page updating my supporters over there about where I’ve been.
Nothing major, just life man.
Go check it out and consider buying me a coffee. Thanks.
For Black Women and Girls UK
This photo essay comes from the Instagram account of For Black Women and Girls UK.
It is reproduced here to raise awareness of a troubling increase in the number of black women going missing and later found dead by/ within bodies of water.










Plotting is about questioning the scripts
“Plotting, like learning, is about “invention and re-invention…the restless, impatient, continuing, hopeful inquiry human beings pursue in the world, with the world, and with each other,” says Brazilian educator Paulo Freire. Your plot, too, doesn’t have to mean committing to only one thing. Whether digging deep or sowing seeds far and wide, plotting is about questioning the scripts you’ve been handed and scheming with others to do and be otherwise for the collective good of all.”
— Ruha Benjamin, Viral Justice: How We Grow the World We Want (2022), pg. 23-24
