I might also be forgiving if you don’t write every day. I drafted these essays in half an hour. There was something very pleasant about that—to have a little exercise. It’s not like you’re trying to write the best thing in the world. —Ross Gay
These past 30 days have flown by. If I’d stopped and really thought about it before this month, I probably would have talked myself out of writing a poem a day. I’d been in a dry spell and not reallly doing anything to be inspired.
I’m glad I didn’t give myself any time or space to think about it as I’ve so enjoyed this challenge. And as the quote says, I wasn’t trying to write the best poems in the world. I was just trying to write and enjoy it again.
So mission accomplished.
The final task for the month is to look over the creations and to see if there’s any themes or connections to pull them into some kind of whole. It doesn’t have to include everyone. But if it was going to be a collection what would the title be?
Initial thoughts – something that includes ‘Blossom’ as it’s been a reoccurring image/ focus I think throughout the month. Just saying ‘Blossom’ reminds me of a black and white movie I watch with my mum one Sunday afternoon when I was a kid. And it was about a Welsh mining village and a black man comes to work there. Of course there’s a pit accident and the black man is killed saving the others, if I remember rightly. Anyway the black man would say ‘ Blossom’ but like ‘Blossssooomm’ really exaggerating it.
I must find out what that film was called. Hold on …
Nah, can’t find it. Found Proud Valley with Paul Robson but I don’t think it was that. But I think there was singing in it. Does this mean I have to watch the film to see if he says ‘blossom’ in it?
Blossom is only here for a short time and I don’t want to waste that time on a black and white movie when I could be enjoying the delicate textured colours of real blossom.
So the title of the poems form the month would be titled: when lush becomes blossom
This weekend saw me away from home at The Outdoor Connections weekend. It’s a weekend away for grassroots groups who are working to diversify the outdoors. Groups and organisations who connect with grassroots communities to offer opportunities outdoors with nature.
So Earth Sea Love CIC, me as Creative Director, was invited along to take part. And I went with Kiwi, my converted campervan, with the hope of camping out on the site of the youth hostel where everything was taking place.
That didn’t go plan as sleeping in my campervan wasn’t allowed on site for what reason I do not know. So each evening, I left the group to try and find a park up for the night.
Stanage Edge, Park District
I’m not complaining though as I found some lush spots to park up and rest.
Now I have returned home, I’m still a bit out of sorts. Not quite landed yet after my time away. So a way for me to get grounded is to make another handmade journal to use for my daily pages moving forward.
Well no sooner than I’d finished it, yesterday evening, that it’s full today. All I can say is that I must have had a lot to process. I know I did use it as my next to-do list after my last journal was used for the same practice. And it’s just helps me get things straight. Clear the decks and start again. Begin to work my way through the things that need to be done.
i try to connect beauty using words as healers of possibilities from the state within, the voice, a teacher, a sage, where my poetry winters, where I can see the ‘I’ like a clearing through the trees, where imagination lingers inch wide mile deep, conjuring for change and connection. i try language, not to trick or demonstrate my intellect, but to spark simple, stretching blossoms into ‘we’ rather than ‘them and us’. from the state without, i’m a beast, caged and muzzled. swallowed. cornered and supposedly cowered, i come out writing, wading into dangerous waters, owning my imagination to practice potential futures.
*“An ars poetica poem is a poem examining the role of poets themselves as subjects, their relationships to the poem, and the act of writing.” —Poets.org
For those of us who live at the shoreline… Audre Lorde
It will be 10 years this August that I started my visual journaling practice.
Then it was called Dreaming on Paper, as I completed the course of the same name by Lisa Sonora.
I needed a safe space to explore the tumult of my feelings and thoughts. I was going through a traumatic experience of escape really. Escape from the life I’d spent the past 12 years building up, that was took away in the flick of a Facebook post.
I ran away from the public, the writing community, my home as I travelled into the Scottish Highlands and Islands. To heal.
Visual journaling helped me heal. Helps me continue to heal.
Overtime, I’ve come to understand my visual journal practice as a fugitive practice. Within these paints, images and words, dreams of freedom are planned out and eventually come to fruition. Projects, happenings, events – all on my own terms.
I mean, the whole point about escape is that it’s an activity. It’s not an achievement. You don’t ever get escaped. – Fred Moten
Within these visual journal spreads, I work out how to escape, how to get outside white supremacy culture while still having to be living on the inside. Coming to terms with the thought of that the outside can only occur from the inside. Being here.
Visual journaling is me trying to create an opening, a break in the fabric in which to slip on through into the otherside/ outside, into the woods running between the trees with the dogs barking at my feet. Creating beauty, creating a beautiful space in which to linger in while the terror rages around me.
Visual journaling is a safe space, is a nurturing space, is a free space.
Living Wild Studios 