Dear Future Self – Day 21

Dear Future Self

I hope you are well. Or as well as you can be, as I know you have a tendency to fall out of love with yourself. Waste time on not looking after yourself and beat yourself up for it too.

I just hope you’re learning because, at the moment, I think you’re doing remarkably well. You’re still here aren’t you? You’re still smiling? So you must be doing something good.

And even if you’re not, just remember that you are good. Good enough just the way you are. For reals.

And I know you have your current worries and concerns. No doubt worrying about where your next pay check is coming from and do you have to compromise your integrity to get it.

But listen, I know you and I know you always find a way. Because you are a fighter. You’re resourceful and determined and you love life far too much to just give up on it. To just give up on yourself.

I just love how you’re living your life on your own terms not being worried about what others think about you or what they might say.

I just love how you’re striving for what makes you happy to hell with everyone else. This is inspiring. This is you.

This year has seen you really lean into a morning routine to set you up for the rest of the day. And it’s been rewarding to see how this has helped you to move forward.

I say continue on this path of making sure your needs and wants are met each and every day first as this puts you in the best position to then help and support others.

Simple small things like enjoying that first cup of coffee. Listening to Love Devotion on repeat in Insight Timer. Small things that might seem insignificant but actually remind you that you are loved, loving and loveable by yourself, first and foremost.

And then look for that love from others as it is there. The love. It’s always there. Love.

Keep following those sparks that reveal joy. Which make you light up from the inside out. Solitude and quiet, just as much as company and music. Getting out in nature and moving that wonderful body of yours.

Someone said to you recently that life is long, instead of thinking of life being short, too short, so seize the moment now. And that still holds true but to think of life being long is to not only savour it now and to be grateful for it, it also means that we never really leave or die. We just transform and transcend into someone or something else in time. Over time. Through time.

This opens up whole new portals and possibilities and is exciting. Therefore, no need to panic or rush or run around like a chicken with no head. You’re okay resting, taking that afternoon nap, without fear of missing out.

Everything goes into the mix to make up this weird and wonderful life. You’ve just got to remain open, baby. You’ve just got to keep that beautiful heart of your open and welcome whatever comes your way. The good, the bad and the ugly.

Everything of this beautiful terrible life is welcome here because it is yours. Your terrifyingly beautiful life.

So go live it now hun. Go {BE}.

Love you

Sheree

An ars poetica poem* – Day 15

“I write only because

There is a voice within me

That will not be still.” ― Sylvia Plath

Poetry is where we are ourselves – Elizabeth Alexander

i try to connect beauty using words as healers of possibilities from the state within, the voice, a teacher, a sage, where my poetry winters, where I can see the ‘I’ like a clearing through the trees, where imagination lingers inch wide mile deep, conjuring for change and connection. i try language, not to trick or demonstrate my intellect, but to spark simple, stretching blossoms into ‘we’ rather than ‘them and us’. from the state without, i’m a beast, caged and muzzled. swallowed. cornered and supposedly cowered, i come out writing, wading into dangerous waters, owning my imagination to practice potential futures.

*“An ars poetica poem is a poem examining the role of poets themselves as subjects, their relationships to the poem, and the act of writing.” —Poets.org

Rest, Privilege and My Tender Heart ❤️

Where is this year going? It is moving fast. The time that is. I’m still knee deep in my SLOW practice and I’m loving it.

I know it’s getting to the point of going back out; of shifting my energies as I’m feeling a stirring. In my gut mostly. And an excitement fluttering in my chest. For what I do not know. But I’m happy to sit in/ with the feeling for now. Appreciating the joy it brings.

I know I’ve got certain privileges. To be able to turn my back on the world, on work commitments for the first three months of 2023 is a privilege. But I also want to make clear, that I worked my arse off at the back end of 2022 to be able to do this. I’m living frugally in order to reap the benefits of rest and self-care.

I’m so grateful for the time and space to rest and breathe deeply. As well as the capacity to dream and envision a future. I have much faith and trust in what the future will bring. I know I will have to fashion some happenings myself, work out some details and projects. But at the same time, I know that the Universe has a plan also. She’s got my back and I trust she will deliver what is best for me. It might not seem so at the time, and there may be challenges ahead. But I trust her, and I’m allowing my tender heart to mend.

I’ve mentioned before how I’m intentionally leaning into my healing journey. With social episodes each month released with The Earth Sea Love Podcast.

I’m just editing the next two instalments to drop next week and I created a quote for myself which I will share here to end.

My tender heart has been broken many times but, at the same time, I know my healing lives and breathes in the openness of my tender heart.

Sheree Mack

Part 2 – Exploring Rituals To Be More Present in My Life, Never Mind Writing

A poem can start with the sound of water falling onto my body. Allow it’s curious wet teeth to sink into my flesh, to pull out chucks of questions to fuel a conversations with myself, later. 

The ability to be present was a luxury my mother never had as she worked 3 jobs with her hand down toilets and fixed smile for the men with keys and brutal laughs. 

I claim the ability to be present. To allow my yearning for a past to awaken a future I will imagine, as I salver my arms and legs and belly, housing a familiar homesickness I’m not sure where from, with coconut oil. 

Turning cold hard oil, soft and warm against my skin, I reconstruct fragments of history, lost in colluded archives, and turn them into bleeding scars and pickled memories of somethings rather than nothings.

When I’m ready to forgive and understand, I’ll conjure Dad back from the dead, sit him down, and ask why he never ever mentioned love, in all his administering of disciplined care. 

Dressed, hair twisted and walking across green fields, and under cherry blossom, I swallow doubts to turn a phase over and over against the roof of my mouth, rewriting with each footstep. Slide stepping cliches, kicking around experimental metaphors. 

Or the poem could hit me full force when I walk into the coffee shop. Glasses steamed, journal in hand,  eyes on drinks board, but already knowing my order by heart, the table I’ll take – number 13, my lucky number.

Acting like the fugitive from my life, here, I steal time to soften my gaze and repurpose the image of  the sea into an open window that will startle you, dear reader, into a new perspective, into a new way of holding your mind and your heart towards yourself.

What are some of your essential tools?

Recently I’ve been asked a few questions about my practice and process with my artwork. One question which struck a cord was, what are some of your essential tools for creating?

 

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My practice changes but what I can say is that I’ve fallen in love with mark-making while completing #100daysofabstracts, so anything that can manipulate paint on the page is something I want to get my hands on.

My trusty old disused credit card is always by my side as I use it to create the background for my visual journaling, but lately this has been accompanied by a Catalyst pebble sculptor No.6 white, a plaster’s trowel and a spaghetti scoop.

I love creating mixed media layers of papers, pencil, pastels, gesso and acrylic paint and then scraping layers away so the past is revealed.

Take the term, palimpsest which I’ve come to understand through my writing practice as a piece of paper where the text has been scraped or washed off so that it can be reused but each use is still visible, like a ghost.

I see the abstracts I’ve been creating in the same light when I create layers and scrap areas back so previous layers or versions haunt the finished piece. I’ve always been interested in how to read history and heritage in light of the present so we can learn for the future, through these abstracts I’ve been exploring these concepts visually.