fugitivity

Life Writing

| Sheree

During my time of hibernation, (have I mentioned that here?) I’m resting of course but I’m also writing and dreaming and catching up on the things I want to do with my time and energy.

Another one of my abstracts was accepted for a special publication by Demeter Press around mothering and life writing. I completed an essay in 2023, around my Black Matrilineage and last year I complete an essay around Black Mothering and Creativity. This is probably going to have to be redrafted this year, but in all honesty I was just happy to submit something, as I had a major block around this essay. I think it was because I allowed my creativity and energy to be sucked into other people’s creative dreams and lost sight of my own last year. So when it came to writing the essay my well was dry.

Anyway, I’ve started the reading and writing around my third essay now which is all about Black mothering and fugitivity. I love fugitivity and it is one of the supporting words for 2025. As I mentioned before, I’ve been exploring fugitivity for the last few years and what this means as a practice. So I’m mighty pleased in having the time and space to explore it further and deeper through writing this essay.

While going over my abstract again and riffing off from it, I remember my creative non-fiction novella I created called rubedo. I think this came out in July 2016, after the 2015 shit hit the fan episode in my life. rubedo was my exploration of this time in my life and how I got through it. It was through finding myself after years of repression and not listening to my inner wisdom that I came to be who I am today.

Anyway, I revisited rubedo with this chapter/ essay in mind, realising that 2025 is 10 years since this episode in my life. It sometimes feels as if it was just yesterday. I know I felt it keenly last year when Darkling came out. Darkling is my first poetry collection since Laventille (2015) and the shitstorm episode. And to tell the truth, I’m waiting for the the shit to hit the fan again, as I’m sure there are people picking their way through Darkling as I type to try and find evidence of plagiarism again. As they say once a plagiarist always a plagiarist! It’s not a term or label I identified with then or do now. As that’s not me, that’s not who I am but that didn’t stop people then or now from looking for the evidence to prove/support it.

But I’m not here to talk about that. What struck me about rubedo is the raw honesty of it all. And how writing, writing it all out literally saved my life. I’m so grateful that Ian brae enough to pick up my pen and writing through the shit to now.

Here is what I wrote about my capacity to love no matter what:

“But something does inside die this day. And the days that follow. Something
inside of me, the capacity to have patience and make allowances for other
people’s bullshit was destroyed during this lynching. No doubt, using the term
‘lynching’ will invite criticism. I know when Andy Croft my publisher used the
term to condemn what was happening to me on social media he received a
fair amount of criticism. But I do not use this word lightly.


Ironically, in the months leading up to my death by social media, I was
researching and writing poems about lynchings in America. I was referring to
the postcard images that were collected as souvenirs by the spectators of
lynchings at the time. There were those people who got their hands dirty
during a lynching, who actually tied the knot of the noose, beat the victim,
mutilated the bodies. And there were those who came along to watch the
spectacle. Viewing the death of another human being as just another social
event, a festival, something to be enjoyed. Both killers and spectators relish
the sport.

This in my opinion is what happened to me. A public lynching and
souvenirs where taken. One person on Facebook, joined in the thread of
conversation with a comment as a means of marking it. This person was
rubbing their hands with relish, saying that they didn’t want to miss a thing as
this spectacle was just too good to let pass by.


When I died this cruel death something inside broke. I’ve recently come to
realise that is was my heart that broke that night. I’ve been visualising my
heart with a rose in the centre. This rose is closed. This I read as a symbol of

me shutting down, dying inside, shutting off the natural flow of love from my
heart for my family, friends, for the world around me. My heart was broken, so
I have been denying myself and others love. I’ve been living in fear, fear of it
being hurt again, fear of my heart being broken again, fear to love.
In a way, this had to happen to me. For one, I’ve always disliked that capacity
in me to keep forgiving others, letting them back into my life when they’d let
me down and not lived up to my expectations. I’ve taken on board the
responsibilities of others, thinking I’ve had too high standards and I’d been
unfair. That capacity has been obliterated. I can’t take anybody’s bull shit
anymore. But at the same time, this capacity to forgive is part of my large
capacity to love. And if this is who I’m really are , then I shouldn’t fight it any
longer but accept it.


My true self is my capacity to love, to love fiercely and powerfully. I accept
that now and I’m no longer blocking up my love. I can’t live in constant fear of
being hurt, of getting my heart broke again because then I would not be living
true to my capacity, true to me. I would just not be living at all.“

I’m so pleased that since then I have found others, such as bell hooks and Joy James, who write about revolutionary/ radical love and validate my ways of loving, which at times hurts me but also brings me a while heap of joy also. You can’t love without the expectation or knowledge of getting hurt.

Birthright

| Sheree

Our body-temples are divinely designed to restore themselves, but we must rest in order to do so. For rest is not a reward…it is our birthright. And rest helps us to indulge in soft sacred spaces where we are reminded that we are intrinsically worthy of love, concern, care, and pleasure. – Sensual Faith, Lyvonne Briggs

Supporting Words of the Year

| Sheree

My word of the year is LUSH. And I’ve shared about my reasoning around choosing LUSH, here. On a basic level, I just love saying the word. By the end of the year, I know those around me are going to be sick of hearing the word, LUSH. But I know I’m not going to stop saying/ using/ projecting LUSH.

LUSH needs support moving forward. LUSH needs to spread throughout my life and practice. LUSH is my mantra and I want to direct this energy into bringing about change in my life. Going with the flow at the same time as maybe directing the flow. For me it is all about energy, and for the last couple of years, my energy has been warped, abused, stagnant and awry. So 2025 is me taking it back.

LUSH is a start. And to support this feeling, I have three other words that are coming into the mix, which are coming to my aid and will be used as my guiding forces, this year and beyond, along with LUSH.

So what are these words I hear you ask?

DREAM
CONJURE
FUGITIVITY

For me these supporting words feed into LUSH as well as each other. They all I feel have a sense of magic and possibility about them.

TO DREAM. I think I do this daily through my visual journaling practice. Everything that comes to fruition in my life, things that I make happen for me and others, starts on the page, starts within my visual journalling. This year, I’m adding some more energy, potent energy into those pages as I intend to dream big, dream bold, dream beautiful.

TO CONJURE. This is where the magic lies. I love the word conjure. It has come to take on more meaning over the last couple of years as I’ve explored it in relation to Black Feminism, Black women and another way of knowing. Another way of being in this world which draws upon our ancestors, Mother Nature and our innate wisdom. I want to conjure with intention this year and be open to what appears, what happens. I want to step into my power as a CONJUR WOMAN ( See Romare Bearden) and appreciate all the layers.

FUGITIVITY. I have Dal Kular to thank for bringing this word into my life as well as supporting and inspiring me in the use of it too. Fugitivity is state of being and movement. It’s a way of moving through this world where you are your own authority and guide. You refuse that which has been refused. It’s a divestment from white supremacy culture, the structures and systems which state that I will never be good enough, white enough, human enough. Another life, another way of being is possible. And I’m exploring the possibilities.

I’m mighty happy with the supporting words this year I have with LUSH, because already sharing them here and thinking/ feeling on them, in the process they are already bringing about change, SLOWNESS as well as JOY.

Have you decide on your word of the year yet? Are you going to support that word with some other words? Let me know in the comments, I’m interested.

Morning Pages – 24/10/24

| Sheree
From a morning wander/ stagger!

I’ve just started a new course with Lighthouse Writers Workshop called Manifestations—Reading and Writing Speculative Nonfiction! with Kanika Agrawal. It works out that it’s early morning for me at its run on mountain time. This might help my speculative imaginings but maybe not. We’ll see.

After waking late this morning, I went to the page to complete my morning pages over coffee. And this is what came out:

Good morning, good morning. ( This sentence ran into the date I’d just wrote moments before).

Wow at least I’m just doing mistakes on the page & not in real life. Do I avoid real life? I know when I’m off social media or when I shy away from the news, it is to protect me from the real world because the ‘truth’ they are peeling is direct & fake and flawed. (And hurts me. My soul.)

But it’s still facts & information & journalism & biased & not ‘for real.’ I mean we say it’s a fact about the time and the date. But ‘time’ is a construct. It was a construct to make money – colonial time. I took it as a fact but really it’s all fake or a mechanism of control. The same for ‘race’.

I was thinking it was a given but again ‘race’ is a construct. It was created to justify the exploitation & extraction & brutalisation of one group of people by another. “They can’t feel pain right so what we’re doing to them doesn’t matter”, they said. “They don’t exist on the same plain, the same level as us. So chill your boots. It’s okay. They’re not human.”

All this musing feeds into what I’ve been reading of late, especially Fugitive Feminism where Akwugo Emejulu who argues that because humanity is tied to whiteness, Black Women, who I am interested in, will never be human. So why bother? Why engage with society on their terms/ these terms hoping one day you’ll be accepted when you know that label, that status of being human will never be attained? Instead, why not speculative about alternatives, about other ways of being, other ways of knowing ( conjuring) which do not depend on being human?

What possibilities could I begin to conjure?

This is where I’m at this morning. Tired and drinking my coffee but already allowing my imaginings to run wild. To be fugitive.

After a busy and brutal period of being out in the world working for the man, I’m resting. But already just after a couple of days rest, I’m coming back to myself. Coming back to what floats my boat, and gets the creative juices flowing. Thank you.

An Ivory Tower Heart

| Sheree

I must make my heart, my queen for the love she once poured out, an ivory tower, a silent, giant, jagged-edge mountain of harsh rocks, wood and ruin.

Reaching up under a pale night sky, reaching for the stars, for some kind of spark, being witness to so much unnecessary, preventable violence, l choose to transmute fear into rage.

l choose to transmute fear into rage.

l choose to transmute fear into rage.

Do not mistake these rose-tinted cheeks as doll-like innocence or fairness. I’ve grappled with my myths and the myths you’ve fed me about my place. And passion, flames and fire have risen yet threatens to consume you more than it could ever harm me.

Burn whiteness to the ground. Burn that construction of whiteness and all that shit down to the ground once and for all. For all.

See I’m still carrying that tired old play script that a Black Woman is the mule of the world, saving everybody else when no one gives a fuck about me.

I’ll keep working on that, my queen, my heart, fixing that ivory tower to remain out of reach and impenetrable and safe.

How might we divest from the human?

| Sheree

I’ve been reading. When I read, I feed my wonder and imagination. When I read, I fill up with ideas and dreams and plans.

Reading expands my mind and expands my understanding of the world I navigate.

I cannot stress or emphasise enough how much my world has been rocked or even burnt down since my reading and continued reading of Fugitive Feminism by Akwugo Emejulu.

This isn’t like anything I’ve read before because it goes against everything I’ve been trying to do for the last 50 years; to prove the humanity of Black people, of myself so we can finally be accepted and loved.

But what if we’ll never be accepted? Never be accepted as human beings because who gets to claim humanity is bound up with whiteness, bound up with white supremacy culture?

What if being a human is a construct and is defined by those with the power and was never constructed to allow us, people of the global majority to be as such?

So if I claim non-human what are the possibilities for my being?

This is where I’m heading. This is the space I’m navigating now. I’m making changes from the inside out. In a cellular level this speaks truth and blessings to me. How I {BE} is changing and it includes a whole more ‘fuck offs’. Well that’s how it’s shown up my so far!

For Blackbirds

| Sheree
Book cover

Things are happening this Autumn.

I was invited to submit my chapbook, for blackbirds pushing against glass, to a new press, The Wildheart Press, created by Eleanor Cheetham.

I was part of Eleanor’s Soulbook course offering in 2023 where I had the time and space to explore my creative fugitivity. Breaking the rules were welcome.

So Eleanor was familiar with my work when she approached me to submit my feral words to her press. I jumped at the chance because the words were already created. This was an opportunity to share my words further. And I just love supporting a person and a press who recognises that I do not colour within the lines. My writing does not stay on the straight and narrow path. My words like to wander and meander and that is mighty fine with me.

I’m grateful to find a home for them in The Wildheart Press.

Website image

Please consider ordering an advance copy of the chapbook. There are four other chapbooks coming out for the Autumn series too. Go and check them out

There will be a launch reding event on the evening of 26th September if you’re interested in meeting the writers and hearing our words.

Check out The Wildheart Press for details.