I applied to Arts Council England for a Developing Your Creative Practice grant mid 2025. It was unsuccessful.
Undeterred, I resubmitted it under the project grant scheme. I was notified of being successful just before Christmas 2025.
Practicing Creative Fugitivity is its name, and it involves researching fugitive practice. It also involves reading in community Fugitive Feminism by Akwugo Emejulu.
A study circle of women of the global majority.
When did you first learn that you were a non-human?
The question that opens the first chapter of the text Fugitive Feminism.
A question that hits me in my gut with its open, blatant honesty and curiosity.
A question which niggles at a truth that I’ve not wanted to face up to as it would mean that I’ve spent a lifetime trying to demonstrate, prove, live up to an unattainable category of being human.
Human as a category was never created to include someone like me within it.
Human = Whiteness
Human v Non-Human
You can’t have the light without the dark.
All constructs to create hierarchies. A hierarchy where white, EuroAmerican, able bodied, middle class, cis-gendered, college educated and suburban men reign supreme. Superior.
Conceptual Other. No Humans Involved. The Lack of the Human.
Black women. Outside. Out Outside.
Our exclusion determines the borders/ boundaries of the human.
But consider this …
If Black women were free, it would mean that everyone else would have to be free since our freedom would necessitate the destruction of all systems of oppression.
Combahee River Collective
Where the excitement lies for me and others, is once we realise that Black women cannot be human, then with the support of this book in community, let’s consider what if ‘human’ cannot and should not be reclaimed?
Speculate. Speculation. Speculative.
How might we divest from the human?
That the non-human Other actually decentres the human. Move beyond human to something otherwise.
Something else.
Becoming ( something else).
Thinking of how to be/ how to live beyond the binary of human v non-human could produce the means of improving our community/society/our planet.
Centring the human ( v non-human/ othering all else) has got us into the shit we’re facing now in terms of ecological disaster.
Finding a way to decentre the human, divest from what this concept / construction means and how it operates has to be the way forward.
Fugitive Feminism is the doorway into another way of being. A portal into an alternative world built upon the Black Feminist politics of liberation.
The path ahead is not clear or defined. It’s slippery and ambiguous. It’s experiential and experimental. Yet full of possibilities. Caring not harmful possibilities.
Speculative. Suggestive. Spacious.
And it starts and continues with the act of refusal. Refusal of the way things are right now.
Refusal of being defined by others to fit into their definition of humanity ( whiteness).
Refusal of being extracted and exploited for the benefits of a few.
Refusal of being non-human.
Refusal of being outside of humanity.
Refusal of the whole concept of human/whiteness/ fascist.
Refusal of these limitations when i, we, i and i can be something else beyond humans.
Walking into North Shields to attend a useless ‘interview’, I gave thanks for the light after days of grey rain.
Walking and listening to music,and this song comes on and acts as a reminder.
I’ve been forgetting myself, forgetting who I come from.
What would my life feel like if I prioritised my creativity, always. That the risk taking I’m exploring in my creative sketchbook spread into my reality, my day to day life? What would my life feel like then?
Visual journaling in community is always time well spent.
Even if it’s their first rodeo, to witness the freedom, the mess, the expansion as paint meets paper meets card. Bliss. Magic. A gift.
Walking out with their own visual journals clutched close to their chests, promising to carry on the practice themselves, now they’ve got the power within their hands, hearts and soul.
A job well done any time the visual journaling practice is passed on.
I do believe it makes us better human beings. Better to each other and ourselves. Softer, caring and well-nourished.
With it being awards season and all, I felt called to watch Sinners again. This might have been my fifth or sixth time. I’m sorry, I’ve lost count. It still hasn’t lost its magic. The film just keeps on giving for me. To me.
This time, I’m struck by how many times freedom is mentioned. How to get free? How to be free? How to protect that freedom?
I think Sinners explores the price of freedom. The price of being free. There’s always a cost for attempting to live life on your own terms.
From the beginning, we might be introduced to sharecroppers, working for the white men, still on plantations. But this will be a self-sustaining community. More than bodies for working on the farms, the land they do not own. But they have each other. Each character is developed at the beginning of the film. The viewer is allowed to get to know them and see them in their element. They be vibrant and they be fixing to be free. Free from the restrictions of white supremacy culture, capitalism, patriarchy the whole shebang. And this isn’t without pain but also joy and laugher and love.
Sinners is what happens when a community, when people are living their own lives and are infiltrated by others, who want what they have. Outside threats come to ruin the day. Vampires come and covet what this community has. Sammie. Sammie has a gift, the gift of music that connects him with all ages. Griot.
Delta Slim’s says, “With this here ritual, we heal our people. And we be free.” This is the power of music and how a community can tell their stories through music. And outside forces, in this case vampires, who hear, see, realise this power, are threatened by it as well as want it. Want to control it take it away from this black community who are gain strength and sustainance through it all. And be free.
Sammie’s gift, the music, the very culture needs to be/ has to be protected from these outside threats at all costs. As culture, its very existence is threatened from being sucked dry by the devils coming tonight.
So as a people, as black people, we do whatever we can do to tell our own stories, protect and preserve our music, our culture as through this we heal. And we be free.
This is one of my favourite images from my extensive collection.
I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.
This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.
It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.
I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.
I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.
I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.
I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.
This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.
What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.
“Reading across our curiosities, the story and imagination are testimonies grounded in the material expression of black life”
Excerpt From Dear Science and Other Stories Katherine McKittrick
I’m a multi-passionate Creatrix ( I don’t use artist because it’s a term historically linked to imperialism and colonialism and we need to unlearn that shit!).
Reading feeds these passions. I can get myself lost up in a book or trip on many different subjects/ disciplines .
Today I was reading a crime novel, then a self-help book around self-sabotage, a healing and grief article, a Substack newsletter on erotic engineering, permaculture design, a Black feminist thought anthology, and instructions on a tube of Polyfilla!
I’ve always been curious. I got beats as a child for asking questions. For asking why?
For me fugitivity flourishes in and with having the time and space to lean into my multi-passions without anybody else telling me to stop, or move along or get back to ‘work’.
During my favourite season of the year, I’m leaning into my reading. I’m devising my own reading list of self-study around getting free.
I’m reading across disciplines and I’m reading into black studies and black livingness. I realised today, while, reading Katherine McKittrick, what I’m doing and have been doing is searching for and following the breadcrumbs that are shared through the writings and practices of black scholars, creatives and beings that have at their centre/ purpose/ inspiration black freedom.
Good morning. I like being alone. I’m not lonely either. All the signs in society are saying I should be with someone. A man as that would make me complete but that just isn’t the case. It’s a trap. It’s patriarchy and it slowly kills us. Black women faster than white women. And I see it now. It’s an institution of control and power . And it’s passed off as the natural state of affairs. But really in nature it’s multiples, it’s community, it’s ecosystems.
That is what I’m taking away from BWCR ( Black women’s creative retreat) establishing my community, my ecosystem.
Black woman is always the original, the origins. And it’s about time we get/ no take our due as when we take we give. We share, we multiple, we make a path.
It’s a week since I’ve been here nearly. I’m not going to try and backtrack and fill in the gaps. Let them lie, because I’ve been healing. And today I’m beginning to feel more like myself again. This is my first image in a week. I ventured out not far from my front door into the sunshine, into my local park. It was glorious to get out as well as to feel a load or two dropping from my shoulders. I didn’t realise what stress and worries I’ve been carrying for the part month or so until they were let go.
More recent was an emergency extraction of a cracked wisdom tooth. Tooth hardly there at the back of my gum, but cracked on some food, cracked all the way down. I was advised to get it extracted. A simple procedure. Done in half an hour or so. Let’s just numb up the area. Little did the dentist know that my teeth are strong or that this little fucker was fused to the bone. An hour later or more and I stumble out of the chair into the growing dusk and I’ve got a gaping hole in my gum, held together by 4 stitches.
Fast forward to today, and me out walking in the sunshine and not allowing my self-pity to get the better of me. I look like a chipmunk and talk as if I’m drunk. But it could have been worse right. I daren’t think what would have happened if I’d left the cracked tooth and gotten an infection, not just teeth, gums but down to the bone. The dentist said I’m lucky. I said no I’m not. I’m intentional I said. Health is wealth, and I’m not going to mess around with mine, I said. The dentist said, he respects that. He said he liked my energy and made his evening, going in with my emergency. Made the time fly by.
Glad to be of service. Aren’t I always glad to be of service? Doesn’t a lot of people feed off my energy. Don’t I just bring my ‘A’ game for a lot of people. This Summer, I’m turning up for me. I’m giving myself the time and space to heal and breathe. My energy is low for other people, as I want it to be high for me.
I’m a shining light that creates space for other people’s lights to shine. I make people feel at ease and comfortable at the same time as inspired and tuned into themselves. I create space for people to air their cares and worries. For them to find a way back to themselves. And I don’t even get paid for this. This is just who I be. And I’m not complaining. I’m not having a ‘woe is me’ moment either. I’m just stating facts.
Fact is, this wisdom tooth brings wisdom. This wisdom tooth gone but left a wound, a wound I need to heal. A wound that needs time and care and space to heal. And I’m here to give it to myself as no one else will. Don’t worry I’ll still be turning up here as this is my space. I’ve not been bought by any corporation. I’m sharing my art not a commercial. I’m not selling you anything or getting paid. I’m free. I’m just sharing this little light of mine and my heart.
It was so good to have a deep dive into my practice, my work around fugitivity and refusing to perpetuate white supremacy culture. And it was all welcome at Feral Words. Nothing off limits and it was so liberating to try and make sense of all the concepts and ideas and feelings that are circulating within and without of me at the moment in time. A very disturbing time.
Living Wild Studios 