free

The Sinners Series – 005

| Sheree

With it being awards season and all, I felt called to watch Sinners again. This might have been my fifth or sixth time. I’m sorry, I’ve lost count. It still hasn’t lost its magic. The film just keeps on giving for me. To me.

This time, I’m struck by how many times freedom is mentioned. How to get free? How to be free? How to protect that freedom?

I think Sinners explores the price of freedom. The price of being free. There’s always a cost for attempting to live life on your own terms.

From the beginning, we might be introduced to sharecroppers, working for the white men, still on plantations. But this will be a self-sustaining community. More than bodies for working on the farms, the land they do not own. But they have each other. Each character is developed at the beginning of the film. The viewer is allowed to get to know them and see them in their element. They be vibrant and they be fixing to be free. Free from the restrictions of white supremacy culture, capitalism, patriarchy the whole shebang. And this isn’t without pain but also joy and laugher and love.

Sinners is what happens when a community, when people are living their own lives and are infiltrated by others, who want what they have. Outside threats come to ruin the day. Vampires come and covet what this community has. Sammie. Sammie has a gift, the gift of music that connects him with all ages. Griot.

Delta Slim’s says, “With this here ritual, we heal our people. And we be free.” This is the power of music and how a community can tell their stories through music. And outside forces, in this case vampires, who hear, see, realise this power, are threatened by it as well as want it. Want to control it take it away from this black community who are gain strength and sustainance through it all. And be free.

Sammie’s gift, the music, the very culture needs to be/ has to be protected from these outside threats at all costs. As culture, its very existence is threatened from being sucked dry by the devils coming tonight.

So as a people, as black people, we do whatever we can do to tell our own stories, protect and preserve our music, our culture as through this we heal. And we be free.

An Archives of Memories, Feelings and Skyr

| Sheree

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

the season of self-study

| Sheree

“Reading across our curiosities, the story and imagination are testimonies grounded in the material expression of black life”

Excerpt From
Dear Science and Other Stories
Katherine McKittrick

I’m a multi-passionate Creatrix ( I don’t use artist because it’s a term historically linked to imperialism and colonialism and we need to unlearn that shit!).

Reading feeds these passions. I can get myself lost up in a book or trip on many different subjects/ disciplines .

Today I was reading a crime novel, then a self-help book around self-sabotage, a healing and grief article, a Substack newsletter on erotic engineering, permaculture design, a Black feminist thought anthology, and instructions on a tube of Polyfilla!

I’ve always been curious. I got beats as a child for asking questions. For asking why?

For me fugitivity flourishes in and with having the time and space to lean into my multi-passions without anybody else telling me to stop, or move along or get back to ‘work’.

During my favourite season of the year, I’m leaning into my reading. I’m devising my own reading list of self-study around getting free.

I’m reading across disciplines and I’m reading into black studies and black livingness. I realised today, while, reading Katherine McKittrick, what I’m doing and have been doing is searching for and following the breadcrumbs that are shared through the writings and practices of black scholars, creatives and beings that have at their centre/ purpose/ inspiration black freedom.

My morning pages read …

| Sheree

Good morning. I like being alone. I’m not lonely either. All the signs in society are saying I should be with someone. A man as that would make me complete but that just isn’t the case. It’s a trap. It’s patriarchy and it slowly kills us. Black women faster than white women. And I see it now. It’s an institution of control and power . And it’s passed off as the natural state of affairs. But really in nature it’s multiples, it’s community, it’s ecosystems.

That is what I’m taking away from BWCR ( Black women’s creative retreat) establishing my community, my ecosystem.

Black woman is always the original, the origins. And it’s about time we get/ no take our due as when we take we give. We share, we multiple, we make a path.

what’s happenin’ is wisdom

| Sheree

It’s a week since I’ve been here nearly. I’m not going to try and backtrack and fill in the gaps. Let them lie, because I’ve been healing. And today I’m beginning to feel more like myself again. This is my first image in a week. I ventured out not far from my front door into the sunshine, into my local park. It was glorious to get out as well as to feel a load or two dropping from my shoulders. I didn’t realise what stress and worries I’ve been carrying for the part month or so until they were let go.

More recent was an emergency extraction of a cracked wisdom tooth. Tooth hardly there at the back of my gum, but cracked on some food, cracked all the way down. I was advised to get it extracted. A simple procedure. Done in half an hour or so. Let’s just numb up the area. Little did the dentist know that my teeth are strong or that this little fucker was fused to the bone. An hour later or more and I stumble out of the chair into the growing dusk and I’ve got a gaping hole in my gum, held together by 4 stitches.

Fast forward to today, and me out walking in the sunshine and not allowing my self-pity to get the better of me. I look like a chipmunk and talk as if I’m drunk. But it could have been worse right. I daren’t think what would have happened if I’d left the cracked tooth and gotten an infection, not just teeth, gums but down to the bone. The dentist said I’m lucky. I said no I’m not. I’m intentional I said. Health is wealth, and I’m not going to mess around with mine, I said. The dentist said, he respects that. He said he liked my energy and made his evening, going in with my emergency. Made the time fly by.

Glad to be of service. Aren’t I always glad to be of service? Doesn’t a lot of people feed off my energy. Don’t I just bring my ‘A’ game for a lot of people. This Summer, I’m turning up for me. I’m giving myself the time and space to heal and breathe. My energy is low for other people, as I want it to be high for me.

I’m a shining light that creates space for other people’s lights to shine. I make people feel at ease and comfortable at the same time as inspired and tuned into themselves. I create space for people to air their cares and worries. For them to find a way back to themselves. And I don’t even get paid for this. This is just who I be. And I’m not complaining. I’m not having a ‘woe is me’ moment either. I’m just stating facts.

Fact is, this wisdom tooth brings wisdom. This wisdom tooth gone but left a wound, a wound I need to heal. A wound that needs time and care and space to heal. And I’m here to give it to myself as no one else will. Don’t worry I’ll still be turning up here as this is my space. I’ve not been bought by any corporation. I’m sharing my art not a commercial. I’m not selling you anything or getting paid. I’m free. I’m just sharing this little light of mine and my heart.

Feral Words POdcast

| Sheree

Ohhh I love coming on here and sharing goodness. 

I had the pleasure of talking to Eleanor Cheetham from The Wildheart Papers on their podcast Feral Words last week.

It was so good to have a deep dive into my practice, my work around fugitivity and refusing to perpetuate white supremacy culture. And it was all welcome at Feral Words. Nothing off limits and it was so liberating to try and make sense of all the concepts and ideas and feelings that are circulating within and without of me at the moment in time. A very disturbing time. 

Writing as Resistance, Reclamation and Ritual, is the episode.

I’d like to thanks Eleanor for again holding space for me and my creations with care, grace and joy.

Here’s the link for the podcast . Please take a minute when you get a minute or two. 

And also check out The Wildheart Papers here on Substack too.

The Sinners Series – 002

| Sheree

I’d seen the trailers. And forgot. It was already out a week or so when I realised and I only had a small window of time before I was off on my travels again.

So on the spur of the moment. I booked my ticket, walked and bussed there. A late night showing. I’d be coming home in the dark.

I should say, I have a love /hate relationship with horror movies. I get scared easily. I’m very impressionable. And images especially horrific ones haunt me afterwards. But I also enjoy being scared. In a weird twisted way. It’s an adrenaline rush.

This film has vampires. And I was travelling home alone. Considering walking ( I didn’t my after all).

The cinema wasn’t really full. I settled in and right from the beginning of Sinners directed my Ryan Coogler, I knew I was going to be in for a treat. The cinematic colours and quality of the film, shot in IMAX and 70mm film, pulled me into the world created.

Set on 1932 in the Mississippi Delta, during Jim Crow, a musical supernatural action film was a beauty to behold. Michael B Jordan playing a double role as the twins Smoke and Stake, I was gripped.

Of course I jumped and screamed all at the right parts but I also got lost in the characters and their relationships and the horror of it all. The death, grief, pain and joy.

If you haven’t seen Sinners, please go see it. Best movie for this year, best movie by far for a long time. This is a movie I have no qualms about haunting me.

My Wall of Fugitivity

| Sheree

I’ve got a chapter to write and it’s going nowhere fast.

I hate it when I think I have all the time in the world to complete a writing task and then I procrastinate.

I know I procrastinate because it’s important to me. Very important to me and I don’t want to get it wrong. So I do nothing instead.

Well not really nothing. This is my bedroom wall, where I’ve started to put up post-it notes to help me with the chapter on fugitivity.

This makes me feel as if I’m doing something. Seeing this everyday also, I hope, makes something go into my creative brain subconsciously. I’m hoping that living with it makes the wheels start turning and connections being made.

What I’m learning with fugitivity is that is’s not linear. Not a straight line from captivity to freedom, from unfreedom to freedom. It is argued that fugitivity performs freedom ‘as a constant struggle’ ( R. Slavitt cited in Davis, 2016).

This I hold close as I attempt ( struggle!) to write this chapter around fugitivity as this is not going to be a linear chapter from A to B to C etc. This chapter with its content and structure and form will be dancing with unfreedom and freedom, constantly struggling to convey meaning around fugitivity at the same time as remaining free from the academic frameworks and restricts and expectations.

In order to write about fugitivity I need to take on board fugitive methods and practices.

I’m spiralling and circling back and forth in a good way, in an honest way and hopefully the chapter will be the result.