I was reminded that I had this book in my stash while listening to Marquis Bey talk on an episode of This Is Hell!, titled ‘ To steal one’s life back: On the power of fugitive Blackness’
It made me run straight to the book and start reading it with the hope it will support my fugitivity practice as well as provide some juicy quotes for the workshop I’m facilitating with WOC Azadi Collective this Sunday about my fugitivity and visual journaling practices.
It’s all sold out but you can read about it here and get in touch if you’re interested in coming along to some other sessions in 2026.
At the same time as trying to break free, create and embody a life of my own making, on my own terms, I’m still embroiled within this insidious society called white supremacy culture/ racial capitalism.
At the same time as trying to get free, and so spend my time doing what I want to do rather than what I’m expected/supposed to do/be, I waste energy in pulling away which I’d rather spend in pushing forward, pushing on.
At the same time as trying to be free, breathing deeply, resting and dreaming of other possibilities, I’m still meshed into the lives of other people, who are not interested is taking flight or even dropping the protective cloak of scoring victim.
At the same time as I take flight into the unknown, I realise my resolve and reserves have been depleted in the fight, in the pleasing of others, in trying to fit in, in trying to be loved on my own terms.
At the same time as trying to save myself, I know now that I have to let go of my hold of you. The hold on what could have been instead of what is that is crying through my bones and blood’s knowing.
Summer Solstice came and gone. I had plans to hit the sea at sunrise, but didn’t make it because I had a restless night what with the heat and house and car alarms going off during the night? Are they sensitive to the heat? I do not know. I thought I was trapped in some kind of twilight zone with the incessant calling alarms and no one moving to switch them off. But I digress. maybe I’m just sensitive to senseless noise!
Mid-year reflections. What can I say? I’m not getting anywhere fast and I’m okay with that.
I FaceTimed with a very dear friend many miles away today and she asked and what’s happening with me. What’s happening in Sheree World?
At first I felt I needed to fill in the gaps with some of this shit and that. Or I’ve been asked to do this shit and that? That I had to show I was hustling and beating the grind real good. But shit ain’t happening in Sheree World and in all honesty I’m happy about that.
I hibernated well into April this year what with going to Paris and celebrating my babies’ birthdays. By the time I came out of my cave, everyone was well into their year, well into 2025. And I could do one of two things ( probably other things too but focusing on just the two for now!).
I could drop everything my heart desired and focused on catching up with everyone else. Max out my diary with jobs and commitments and watch the money roll in.
Or two, I could, continue to roll out of my SheCave slowly and mindfully, carefully and with a whole heap of love and grace for myself and just take things on a day to day basis. No rush no sense of urgency and definitely no panicking.
Which option do you think I chose to follow?
I’m not even sure it was a viable choice because I’m so used to practicing Slow Fugitivity now that it’s the only way I can operate and keep myself sane, safe and thriving.
I’m not measuring my success by how much my bank balance is telling me or more like alerting me to. I’m not measuring my success by how many people are singing my praises. By how many people have my name on this lips and are ready and willing to work with me. Promote me, award me, accept me.
I’m measuring my success on how good I feel moment to moment. How much joy and love am I feeling now? How much care am I giving to my self and those around me? How much am I showing up into situations, gatherings and meetings as myself? Transparent, honest, earnest and hopeful?
How much am I being open hearted, loved, loveable and loving towards myself and those around me?
This is my measure of success.
I’m not turning away from all the shit and cruelty and destruction that is happening around me and in this world. I’m feeling it for the people who are getting caught in the middle of men with big egos who are playing at being leaders and pretending to protect their people. I know what is happening in the name of religion, or history or land and justice. I’m listening and seeing genocide after genocide happening and those responsible not being held to account. I see it and feel it and I want to do more to stop it, to fight against it. So trust me when I say, I do not turn away or ignore it when I choose joy and care and love as my weapons of choice. I’m not living in a fantasy land of all happy happy joy Joy. I’m not being naive or flippant.
I’m choosing to refuse the stories we are being told. I’m refusing to perpetuate the capitalist structures and feed into the patriarchy and imperialist tendencies. I’m choosing to refuse the roles assigned to me as a black woman as just another body to be used and abused and disposed of after I’m no longer useful.
Fuck that fuckery.
So mid-year reflection is that:
* I’ve got no regular working gig on the horizon.
* I’m searching for my tribe.
* I’m dreaming of other possibilities, another way of being.
* I’m refusing the shit sandwich that is offer me again and again.
* I’m refusing what has already been refused of me.
* I’m creating spaces for creative fugitivity.
* I’m creating gaps or breaks in the capitalist dome from which we can break free into the land of possibilities filled with imagination and play.
* I’m embracing craftivism. My word are my weapons. Always have been, always will be.
* I’m lingering in the midst of flight.
* I’m taking MY TIME to stretch OUT my tired limbs. Limbs reaching for the sky, eyes focused on the stars above as I’m breathing deeply, and allowing my deep belly laugh to roll out over the landscape as I pick a rhythm to my own beat and I’m shaking shake shake shaking OUT by big beautiful black behind.
Come join me if you dare. Make sure to bring a plate of food and story to tell as we gonna be gathering around the fire soon to build a free community, or as my dear friend Dal was saying just the other day, build a village. Yes thank you, indeedy!
Let’s get to shaking, shake shake, shaking this shit up!
This short piece is a mash up of a certain clip from Joaquina de Angola: Memory of a Liberation by Aida Bueno Sarduy and music from Insight Timer, called You.
Seen recently in Barcelona at CCCB, Joaquina de Angola: Memory of a Liberation by Aida Bueno Sarduy is an audiovisual installation that recovers the story of Joaquina, a young woman enslaved on a plantation in Brazil, and her escape.
“A work about archived, forgotten, and silenced voices in the history of slavery and colonialism. This audiovisual installation brings to life the act of “unarchiving” an event recorded in colonial history as an escape. A 15-year-old enslaved girl fled the plantation where she lived, and her owner, after an unsuccessful search, placed an ad in the newspaper offering a reward to whoever found her. The archive reveals nothing more about this incident: it merely collects it as a piece of data. This piece challenges the oblivion, archiving, and silencing of this character. To unarchive, in this context, becomes an artistic and political act that brings Joaquina de Angola out of the shadows of the document, removing her gag and chains so that she can tell her own story. This act not only questions the record but also raises questions and delves into its details. It is an inquiry that brings Joaquina back to life and acknowledges her as a cimarrona, calling upon ancestral memory as well as imagination, intuition, and spirituality. Since the beginning of colonization in Brazil, alliances and exchanges of extraordinary significance have taken place between Indigenous peoples and enslaved Africans, but these have also been silenced. The presence of entities known as caboclos (Indigenous spirits) in all Afro-Brazilian religions is perhaps the most consistent and profound evidence of this. Amazonian peoples, Indigenous peoples from across Brazil, and quilombola communities—formed by Afro-descendant peoples—have shared ancestral struggles for the defense of their territories and against colonization and exploitation. The installation speculates on these possible Afro-Indigenous alliances in Joaquina de Angola’s journey toward freedom.”
This extracted masheup with music created above by myself, hence a found poetry film, is my take at a beginning of exploring fugitivity. I’ve been living, breathing, talking, practicing fugitivity for a few years now. I’ve mentioned it before, and it was Dal Kular who first introduced the term of me via her then newsletter, Field Notes. Dal said at the beginning of Jan 2023,
“Whatever the out-there-in-the-world fuckery is going on in 2023, I declare myself a CREATIVE FUGITIVE. A way of living in this world but not of it.”
Her take on creative fugitivity has stuck with me. I’ve gone on to read more around fugitivity. I’m even writing a chapter, at the moment, around black mothering and fugitivity. Fugitivity is taking over my life. And again I’m creating a project here in my portfolio to collect my wanderings and wonderings around this concept and way of being.
For me in a nutshell, fugitivity is the act of flight. It is the withdrawing of my labour and consent in the current system of white supremacy culture, capitalism, imperialism, colonialism. Fugivitiy is refusal and resistance. Divesting from the current way things are playing out as the few hoard the wealth of the world at the expense of the many.
Originally the fugitive was the runaway, the escapee. Hence why the audio-visual installation and consequent fugitive poetry film was created. I’m starting from the origins of the escaping enslaved. Running, fleeing captivity towards freedom. Freedom being the end point, the destination but in the process of escaping, there is the in-between space between what they were fleeing from and fleeing to. And here in this liminal space is where fugitivity is ripe.
There/ here is the lingering in the midst of flight, where I choose to SLOW down and be. To linger with nature. To seek my joy and pleasure in the world around me on my own terms. Fred Moten in conversation with Saidiya Hartman, both of whom we will be exploring further, said,
“I often use – and I always think of it in relation to Fannie Lou Hamer, because it’s just me giving a theoretical spin on a formulation she made in practice: to refuse that which has been refused to you. And that’s what I’m interested in.”
That is fugitivity as a method, kin-making and place-making, as a practice that I intend to explore within this project archive.
Living Wild Studios 