when the world is burning, what can we do? we can make fucking art. that’s what we can do!
“You can’t help it. An artist’s duty, as far as I’m concerned, is to reflect the times.”
― Nina Simone
sometimes i feel so small and insignificant. and what can i do that would make a difference? the world is burning. people are being exterminated. genocide over and over around the world, not just Gaza.Sudan, Yemen, Syria, Democratic Republic of Congo. genocide is history repeating itself. just in the last few days, a landmark Aboriginal-led inquiry has found that british colonists committed genocide against australia’s Indigenous population in victoria in the 1830s. why has it taken so long for this to be vindicated when the people themselves know when they have been dehumanised and persecuted? nations/ governments commit genocide because they think they can get away with it. no one seems to hold them to account.
what can I do when, as an artist, when the world has gone to shit? make art. that’s what i can do and that’s what were supposed to do.
it’s out duty to reflect the times. but the world is making it really hard for us not to do this. the world is working really hard to silence us. to suppress us. to keep us operating on fear and to box us in. all these social media platforms are owned by oligarchs who own and control us. we are discouraged from telling the truth. and when we tell the truth is is filtered, distorted and manipulated.
and yet. i remember. we need art. people need art. art helps use process our feelings and emotions. through art we can learn, heal and feel. art helps us to be in touch with ourselves and each other. art connects. art helps us reflect.
art gives me the words or the language for the things i didn’t know i needed to express to process to reflect to share. here in my little space on tin-ternet, i’m not bought or controlled. i’m not silenced or afraid. i embrace my duty as an artist to make art by any means necessary.
i hope you will join me in creating and reflecting the times. let’s not sit in our fears but connect in our strengths.
Resistance, Steve McQueen, National Galleries of Scotland, 2025
the undercurrent has always been present, simmering like lava just below the surface ready to rise up at weak points, at moment of disarray and hopelessness. hate shimmers like jewels to those who have little but promised more. clinging to the sharp edges of hate because it’s something to feel, to use as a weapon against others instead of the self. hate with fear, a lethal concoction corroding within as well as without.
1936. October. With a chill in the air, the blackshirts ruffled through the East End of London, snaking their territory, their Ayran rights. With Police fronting, they still couldn’t take the streets. Jews, Irish, Communists, Blacks, Labour activists, workers unite. Stand firm. Shoulder to shoulder, they shall not pass. Blackshirts, angry scrunched up faces, hearts riddled with hate and fear, shall not pass.
You know I love the movie, Sinners. I’m onto my fifth watching of it.
One of my favourite songs within the movie is this one Dangerous sung by Hailee Steinfeld. I could rage on for hours about this song; it’s melody and words and underlining beat. But for now, I’m taking the word dangerous and running with it.
Within Sinners, what can be seen as dangerous is the invasion of vampires, a life or death situation. What could also be seen as dangerous is a community of sharecroppers having a safe space to listen to music and dance and eat and drink on their own terms. To be free. This could be seen as dangerous by the white supremacy culture they are living under.
For me what I see as dangerous are the white men who are still running around in their white hoods, calling themselves the brotherhood, the protectors of white women and democracy and who do whatever is takes to keep the black people( they do not use this nice a term for such people) in line even if it means killing them all.
These white men in hoods, the Ku Klux Klan, deal out justice as they see fit, creating terror as the deterrent to black people thinking of stepping out of line. And that could be just breathing.
These white men could meet you on the street one day and be burning down your house the very next day. But you wouldn’t know who they be. You know the enemy is a white man but it could be the smiling face neighbour who hides behind the hood, concealing their identity and cause havoc with no repercussions or justice or revenge on them. To live in this sense of fear is unimaginable.
Today these Federal Officials and Immigration and Customs Enforcement (ICE) marshals who are abusing their power, gifted by the Trump administration, to take people, children as well, from their homes, schools, work, off the streets and detain them, saying they are illegal, deport them, torture them for no reason except being seen as an ‘alien’ because they are brown and black are no better than the KKK. They wear the masks. They cover their faces. Conceal their identities and commit the crimes. The brown and black citizens of these communities are not committing any crimes except attempting to survive and thrive, living their lives.
Why cover your faces if you believe in what you are doing? Why conceal your identity if you are doing what is right, following the law? Why hide if you are proud of your actions?
This is dangerous. White men or white baby-men again have been emboldened and empowered to run havoc through our communities in the name of the law. Believing that they are doing what’s right in terms of some warped sense of superiority and the belief that they have a right to do so.
This is dangerous and has to be stopped. How? That is what we have to work out.
This is the message sweeping across countries at the moment, around the world, as we continue to move further to the right in terms of politics and governing people. Suppressing people and voices.
Thinking about my weekend in London at the Defeating Narratives of Division conference hosted by the Ella Baker School of Organising, and coming home to see peaceful protests in L.A. around the over stretching arms of Federal Officials and illegal immigration raids on communities being portrayed as chaos and unruly and needs to be stopped with military force. Trump, man!
What the fuck is happening right now? What false narratives fuelled by fear and intimidation are catching like wildfire and are taking hold? What is happening to democracy and fairness and justice?
I too am scared. I’ve been told by some to have fear and anxiety and start panicking in order to take action. Time is running out. Passing on this narrative of fear is making us on the so-called left no better than those on the right whose fuel is fear.
We have to be pushing back against these fears. Not disallowing them but acknowledging them and choosing to fuel our movement with love and solidarity and joy. We can come together as we have the power and spread a message of love and welcome and togetherness and there is no way that message can be twisted or used against us.
It is plain to see that communities who stand together, even if from different cultures and races and heritages, are powerful and those who are crooked and authoritarian are scared of this. Scared of us taking back our power and saying no, enough!
I’ll be writing more on this in the weeks to come. But for now I just had to mark this moment of disgust at what is happening around the world but how there is much to be celebrating and reinforcing and elevating. Stories of love and solidarity and people taking back their agency and power. Thinking of Burkina Faso here and other African nations who are standing up and saying enough is enough.
But all in good time, and for me ‘good’ time is slow time. Taking the time to bring about lasting change on our own terms.
I’ve been thinking of moving to the Highlands, buying a small cottage by a loch and swim every morning.
There’s a river too, that haunts the glen, between my cottage and the mountains. I feel it, breathing within the shadow of mountains.
I know this is not just a pipe dream. I know someone who’s done it, made the move across the border, living a blessed life.
I’ve been thinking of an open fire where I’d bake bread with the sun rise and when ready sit sit out on the porch with thick slices, warm and buttered. Dripping butter and the air smelling like home.
My home.
I’m thinking there’s one village store miles away. I walk every other day for exercise. On the way, I bird spot. Blackbird, moorhen, blue tit, eagle.
Small talk with the store owner might be difficult after long moments of silence in my cottage by the loch. In the silence I can hear myself better.
Being a water woman and a mountain woman, I will welcome the solitude and the haunting rolling out before me as nothing would hold me back.
This piece originally was published over on Medium with Binderful. I’m drawing this piece into the Living Wild Studios archives. Because I can!
Image credit — Donovan Valdivia
“How difficult is it for one body to feel the injustice wheeled at another? Are the tensions, the recognition, the disappointments, and the failures that exploded in the riots too foreign?”
Claudia Rankin
In August 2014, there’s a summer of “hands up, don’t shoot” protests, in Ferguson, Missouri, in response to the unlawful shooting of Michael Brown Jr.. In November, Darren Wilson, the white Ferguson police officer responsible for Brown’s murder isn’t indicted. In December, filled with rage and helplessness, I organise the first ‘Black Lives Matter’ protest in the North of England; a political poetry reading at our city centre library. Together artists and writers, cram into a hot room on the top floor of a building made of glass, and pour out our rage and pain through our writings. Black people’s words. Our ancestors’ words.
I’m criticised by one Black woman, in particular, because I invite white poets to read. They could only read the words of Black people as this event is centring our lives. Black lives. A white people’s presence is not what this Black woman wants. She wants a safe Black only space. I respect and understand her views. We all want a safe space for Black people. But I feel we can achieve so much more when we work together, Black and white, to solve our society’s problems. I know where she’s coming from though; a place of pain and suffering and hatred. As Black people, for so long, we have endured so much hate and violence from the hands of white people. For far too long, we have been excluded from a share in the economic wealth our ancestors paid for with their lives to create. We’re sick and tired of being excluded from the abundantly spread societal table which our ancestors give the skins off their backs to forge. And this hurts.
In March 2017, there’s a ‘Stand Up to Racism’ demonstration in London, Miss Ella, my seven year old daughter, and I dance behind the sound system truck, towards Trafalgar Square. Crowds behind metal barricades line our route, with the Metropolitan Police shepherding us along. We shout, ‘Refugees are welcome here.’ Miss Ella, dressed as her superhero, Black Widow, looks as if she’s just stepped out of a Black Panther’s meeting. With her long brown hair blowing in the wind and her peachy fist punching the air, she’s learning long before I did how to use her voice to bring about change. She carries her homemade banner stating, ‘Black Lives Matter,’ high with pride and courage. Along the way, a white woman with screwed up face screams at us to shut up and go back home to where we come from. Disallowing our protests, devaluing our presence here.
I recognise where she’s coming from; a place of her ignorance and pain and hatred. As white working class, for so long, she’s been fed the lies that Black people and immigrants come over here and take their homes and jobs. For so long, the poverty they’re experiencing is down to these Black illegal criminal and not a capitalist system rigged in favour of a few priviledged people. We’re just as sick and tired of this too. And we know it hurts.
In May 2020, there’s ‘Black Lives Matter’, protests around the world. In response to the recent killings of George Floyd, Tony McDade, Ahmaud Arbery, and Breonna Taylor, to name just a few, the streets are talking through fire and smoke. Thousands take to the streets, Black and white, to demand justice for all our Black brothers and sisters who have been and continue to be murdered by state sanctioned violence.
I’ve grateful for their voices and bodies. This time, I protest through my words and art. As the Covid-19 pandemic still poses a real threat here in my part of the world. I’m a Black, fat woman carrying yet another target on my back. While protesting, the odds of getting molested and arrested, and not surviving the experience is higher for me than any white person. Just as the odds are greater for me of dying from the Coronavirus than a white person.
Black, Asian, and ethnic minorities in the Western world are dying at a disproportionately higher rate and number than white people during this pandemic. Many explanations for this reality have been voiced with the blame thrown at the feet of Black people. That it is our unhealthy bodies and behaviours which are spreading this disease, conveniently not addressing the inherent racism and systematic inequalities that have operated for over 400 years that has brought about this dis-ease, making our weathered bodies more susceptible to this virus.
‘We rather die on our feet than keep livin’ on our knees,’ taken from the James Brown song, ‘I’m black and I’m proud’, I feel this as we see thousands of Black people (and white people) take to the streets, even though there’s a greater risk to their lives than ever before. But I recognise where’s they’re coming from. We’ve had enough. We’ve endured enough. We’re not prepared to accept Black lives being devalued anymore.
This piece was written back in 2020 and published on Medium. I’ve brought it over here to be part of my writing archive. I also feel that the case needed restating frequently. Did I say daily?
We queue with our shopping basket. This is the norm now. But we don’t complain. It keeps everyone safe. We’re at the front of the queue, for a change. My daughter and I. We’ve only come to the one shop. I let her ride her bike into town. She needs the exercise as she’d be happy in front of her screen all day. I probably would too, as at least she’s inside safe, connecting with her friends, and I get a moment to myself.
Front of the queue, but we hold back as the woman in front of us has just gone into the shop. There’s someone coming out at the same time. The store security guard is standing in the mix too. We allow a gap to form between us; the woman and the entrance and our bodies. Coming across from an adjacent shop, a man and woman stride. Stride into the front of the queue, ready to walk into the shop. I raise my voice just above my normal speaking voice to say to them, There’s a queue. We’re waiting to go into the shop too.
I think I’m smiling but how can they know? How can anyone tell if you’re smiling when you’re wearing face protection? By your eyes. I think by the eyes, you can tell if someone is smiling. It’s a warm, sunny day. I’m wearing sunglasses. Maybe they can’t see my eyes. They can only use my voice as means of communication.
Sorry, they say. We thought the queue was going the other way. They walk to join the queue behind us. I say, in a tone of voice which I think says I understand, No, the lady in front of us has just gone in and we’re waiting back here to giving everyone some space.
In the time it takes for the couple to walk and wait behind us, at the recommended 2 metres, the woman of the couple has already started saying in a loud enough voice for us to hear, Some people are just getting angry about the situation now, and there’s s no need for it. We walk into the shop.
Note: The angry Black woman stereotype portrays a black woman as sassy, ill-mannered, and ill-tempered by nature.
Walking back home, Ella walking with her bike, I approach what happened outside the shop, asking Ella if she heard what the woman said about people getting angry.
She was referring to me. I explained. She saw me as an angry Black woman. Do you think I was angry because you’ve seen me angry?
My daughter knows me. She knows I wasn’t angry and says so.
When you live in a society where you’re powerless, perceived as worthless and inferior, those who have power, believing themselves to be superior, spend their time telling others how they handle the situation isn’t right. They tell you that how you speak or act or response isn’t appropriate. You are wrong. They gaslight you, forcing you to doubt yourself; your actions and capabilities. You are at fault, always. You are wrong. You are silenced.
Back home, I talk to my husband, who’s a white man. I think if he’d been with us, the woman behind us, wouldn’t have uttered the angry line. He disagrees. She sounds like a woman who would have gotten annoyed if anyone had checked her behaviour, he said.
He has the right to think and say that. And maybe he’s right. Who knows? But to accept this explanation, I’d have to disallow what I feel about the situation. I’d have to make allowances once again for someone else’s behaviour, reaction and treatment of me. I’ve spent a lifetime of making allowances for other people’s treatment of me. How can I be sure that when they treat me unfairly, or discriminate against me that this isn’t how they treat everyone else? I don’t know. All I have is the way they make me feel. My lived experience as a Black woman.
All I know is that when I’m walking down the street and someone is coming towards me, it’s me who walks into the road to maintain social distancing. It’s me who walks into the gutter to keep us both safe. Would they do the same? I don’t know. I can’t take the risk to wait and find out either.
I’ve been socialised, fed the stereotype of the angry Black woman for so long, I police myself. I play my part. I don’t raise my voice. I don’t protest or question. It’s part of my make-up to check myself so I appear in society as passive and non-confrontational and unseen.
This piece was originally published on Medium with Binderful back in 2020. I’m sharing this piece here because I was reminded that it existed over there when I made some crackers and jam this morning. It was good to revisit it. I share it with you now.
During these quarantined times with Covid-19, I’m trying to find way to support my well-being. I’m making sure I take the time and space to tune into my needs and wants, beside those of my family. I’m finding joy and memories in my day when I make solitude. This happens, usually in the morning, when I make my breakfast. It’s nothing fancy either. Its crackers and jam and black decaf coffee. The plain taste of the hard crackers against the sweet soft stickiness of raspberry jam (no seeds) is divine. This is a little sweet treat and takes me back to two moments in time.
The first is childhood. Crackers and jam was weekend breakfast when I was a kid. Dad would bring it to our bedroom, my sister and me, and we were allowed to eat them in bed. Crackers and jam is a poor man’s breakfast. But when I ate them as a child, I felt rich. I felt like a princess. I felt loved. Especially because my dad made it. A harsh Trinidadian man who ruled us with beats but who I idolised and always wanted to love me more. These Saturday mornings, tucked up in bed, I felt cosy and safe. As children most of our days were spent inside, with our imaginations and Enid Blyton. And this felt good. Now with my daughter, there isn’t any Enid Blyton more like David Walliams, but there‘s a generous amount of storytelling as we stay safe indoors. Learning from my childhood, when I received anger and beats for questioning why, our kids have been brought up wonder out loud and to receive a reason or answer rather than that feeling of saying or doing something wrong.
The second memory around crackers and jam takes me back to my first artist residency in Iceland. This would be my second time back to the island but the first time remaining in place, the remote Westfjords, for two weeks. Surrounded by white upon white. With the cold biting at all exposed flesh, I searched for any familiar signs, in the landscape, because I felt lost and adrift. I didn’t know why or what I was doing miles away from home, alone, in residence pretending to be an artist. I remember making crackers and jam and coffee one morning, knee deep in my unhinged being and remembering who I was. Memories came back about being a little girl craving love and safety and comfort. And how even though, I’d a harsh upbringing, in some respects, I know discipline and perseverance and self-preservation were forged then.
I suppose this mirrors how I feel and be now, in these uncertain times, and how making crackers and jam satisfies these urges and needs and fuels my desire to survive and thrive.
This piece was published over in Binderful’s Medium page back in 2020. I’m republishing them here as I revisiting the writing, the wisdom as well as create my archives.
What are you reading that is bringing you comfort during this pandemic?
When Amy (Mama Scout) asked me about what I’m reading during these troubling times of the pandemic, my first thought was, what am I NOT reading? As the spaciousness within my life has opened up, I’m grateful to be able to slow down and lose myself in practices that feed my soul.
I read the news, maybe once every two days, to keep abreast of developments around the world. I’ve always read world news, as I might live in the UK, an island, but I believe we’re all connected, humans and non-humans. What’s happening to you, is happening to me also. We are one. I love lingering over longer articles and reports in The Guardian,The New Yorker and The Atlantic. AlsoOrion Magazine is releasing daily previously unreleased articles from it’s archives to read for free. These are a welcomed gift.
My guilty pleasure is crime fiction. After a lifetime of reading about crimes happening around the world, I love Nordic Noir, I’ve recently gotten into the mystery series with DCI Ryan set on my doorstep in the Northeast of England by L J Ross. Taking iconic buildings and monuments within the region, such as Cragside House, the Sycamore Gap tree, the bridges over the River Tyne, as the settings, a series of murders are carried out and a team of detectives, who the reader grows to love, try to solve them while trying to have normal loving relationships themselves. I love recognising places and streets and people even within the pages of these novels.
My weak spot is personal essays. Probably because I’m in the process of creating a mixed-genre memoir which includes personal essays, poetry, images, collage, quotes and photography, I gravitate to those writers I wish I could write like such as Roxane Gay, Audre Lorde and Terry Tempest Williams.
So at the moment, I’m reading Alexandra Chee, How To Write An Autobiographical Novel which is so illuminating about his time growing up, in the 80s, through identity politics and navigating his way while unbelonging. I’ve just started, Thick, a collection of essays by Tressie McMillan Cottom, which have the black woman’s body at the centre of the debate for a change. A mixture between the personal and the academic, I find myself reading sections and nodding my head or even shouting out loud, ‘Yes.’
And finally, to my shame, I’ve just restarted Becoming, by Michelle Obama, after watching the documentary on Netflix. When the memoir first came out a couple of years ago, I started it but I didn’t get far. They say you fall into a book when it’s the right time for you; when you’re ready. Well I’m ready now. I’m absorbing Michelle’s vulnerable words of wisdom, checking in and checking myself. Reasons for reading; to keep checking in with myself, how I’m feeling, what is what I’m reading bringing up in me. At the same time as checking myself, doing the work on myself, to make sure I’m moving through this world as the best version of me.
Living Wild Studios 