Can’t sleep. Won’t sleep. Story of my life at the moment.
Could be the change. Could be tummy pains. Could be anxiety. Who knows.
I just know sleep will not come. So instead of mindlessly scrolling I got the journal out again and explored the thoughts and feelings that were at the forefront of my mind.
To go to Paris again in June or not? I fell in LOVE in Paris when I booked a few days there in August 2009 to complete the PhD.
I needed to get away and just focus on the manuscript and be done with it. And Paris was the ideal place to go as it was quick and easy and cheap to get to but it would have plenty of sights and sound and tastes so feed my soul as I dredged it all of everything goes in order to complete the PhD.
It was such a magical time where I would walk most of them day, stop for food and drink and work on the manuscript and then walk some more. Photos galore. And then I would run during the evening through the streets enjoying the fading light and voices and sights of families coming out to socialise.
It also holds a dear place in my heart as I was pregnant with Miss Ella during this trip and didn’t even know. She was definitely a gift.
So I’ve been itching to travel again and go back to Paris now as I’m much older and wiser and have more of a sense of self to really appreciate all this beautiful city has to offer my thirsty soul.
But as my late night/early morning muses explored, I can’t justify the expense of going at the moment, well June, as money is tight after a few weeks of little work due to sickness and tiredness and lack of forward planning on my behalf.
So I’ll continue to dream of Paris hopefully be able to share my plans to re-visit this magical place somewhere in the near future.
Until then I’ll dream about it with my eyes open. As there’s no sleep coming my way.
A poem can start with the sound of water falling onto my body. Allow it’s curious wet teeth to sink into my flesh, to pull out chucks of questions to fuel a conversations with myself, later.
The ability to be present was a luxury my mother never had as she worked 3 jobs with her hand down toilets and fixed smile for the men with keys and brutal laughs.
I claim the ability to be present. To allow my yearning for a past to awaken a future I will imagine, as I salver my arms and legs and belly, housing a familiar homesickness I’m not sure where from, with coconut oil.
Turning cold hard oil, soft and warm against my skin, I reconstruct fragments of history, lost in colluded archives, and turn them into bleeding scars and pickled memories of somethings rather than nothings.
When I’m ready to forgive and understand, I’ll conjure Dad back from the dead, sit him down, and ask why he never ever mentioned love, in all his administering of disciplined care.
Dressed, hair twisted and walking across green fields, and under cherry blossom, I swallow doubts to turn a phase over and over against the roof of my mouth, rewriting with each footstep. Slide stepping cliches, kicking around experimental metaphors.
Or the poem could hit me full force when I walk into the coffee shop. Glasses steamed, journal in hand, eyes on drinks board, but already knowing my order by heart, the table I’ll take – number 13, my lucky number.
Acting like the fugitive from my life, here, I steal time to soften my gaze and repurpose the image of the sea into an open window that will startle you, dear reader, into a new perspective, into a new way of holding your mind and your heart towards yourself.
A poem can start with the sound of water Falling onto my body Allow it’s curious wet teeth to sink into my flesh pulling out chucks of questions to fuel a conversations with myself later
The ability to be present was a luxury my mother never had as she worked 3 jobs with her hands down toilets and grinning at men with keys and brutal tongues
I claim the ability to be present To allow my yearning for a past To awaken a future as I salver my arms and legs with cocoa butter.
The rain pours down, the temperatures drop. And we’re inside.
Miss Ella has Covid again so we self-isolate. We do our bit to keep the infection rates down even if no one else does.
Forced to stay in door could play on my mind, could make me frustrated and resentful if I let it.
What I’ve been doing is getting creative. Creatrix in Residence @ HOME is me allowing my imagination to wander while my hands are busy. Even my body as I continue to knock out my 4 miles a day of walking, indoors. It takes a whole heap longer than when outdoors. So I mix things up with a bit singing and dancing to Silk Sonic.
Things could be a lot worse. But poor Miss Ella. Just getting better after her stay in hospital and now this is just another set back. She’s taking it well as she gets creative too with video games, you tube, make up and singing.
Apart from writing a poem a day for the month of April here, I’ve also been making a ZINE a day as I’ve been accepted to present at the Edinburgh Zine Festival 2022 in May. Getting all my creations ready to share, swap and sell hopefully.
Hopefully, all will be well by the time this comes along as Miss Ella is going to be my assistant, sharing in the non- profits.
My body has a yearning for the past. In this country, I am duped to believe and live as if we were nothing .
Nothing until they allowed us into existence. Nothing until they opened their arms, and allowed us to carry on being their slaves into the 21st century.
Search and recovery, my body reclaims her history. My mother transported it on her skin, buried in the stomach of the ship, boat, truck.
My father carried it in his voice, trapped in the belly of the ship, train, coffin.
I cannot rely on any colonial archives for finding me and my people. Now or in the future.
Colluded, concealed, constructed, the archives have fabricated the narrative that sees we as other.
Reduce us to a footnote, a scar, a tear.
My body is my archive. My presence is a testimony.
My imagination will do the rest.
*Quote from Toni Morrison
The Object of My Gaze, on going project by Marcia Michael. Me Remembering you – transformations, 2021
The West Indian Front Room, 1970s by Michael McMilan
Sunday afternoons, after fried curry and rice and West Indian dumplings,
we’d sit on a brushed flannel blanket covering the velvet settee. Legs too short to touch the multicoloured carpet beneath.
We’d sit straight, only our eyes moving, wandering over the bright yellow textured wallpaper, tracing patterns and exits until we were dizzy.
He sat in one armchair and her in the other. Armrests protected with white hugging linens. Dollies on head rest, sideboards, side tables. Everywhere.
Behind him hanging against the white washed wall was a black velvet scroll depicting the islands of Trinidad and Tobago. Home. A silence presence.
If he was in a good mood then there’d be port and a cigar and the gramophone sounding out with soul. Other times, black and white TV shows like Survival and the history of athletics, we had to watch. Still and silent.
We were his children brought up to do as we were told. To not ask why and call our elders uncle or Tantie . Any deviation from such a course of action would result in rage and beats.
My imagination became the place of expressing my range of emotions. My imagination became the place of power and choice. Freedom.
Since May, I’ve been sharing my writing on Medium. This is a platform I’ve tired a number of times before but for some reason the habit just didn’t stick. I now know this probably had something to do with having nothing really to say. But now I do.
I’ve been contributing to the Binderful Blog, which a small online community of women, started a few years ago, which offers classes to support women questioning their lives. Maybe shaking up the status quo from the kitchen table outwards. I’m due to create a class with Binderful but in the meantime, I’ve been writing on Medium for them.
If you’re interested in checking out what I’ve shared so far then click below to read the articles.