As the north-east is gripped in another cold snap, with wind and rain, in May, I’m desiring a return. A return to Faro, Portugal, where in March, I enjoyed a few days of warmth, relaxation and inspiration.





As the north-east is gripped in another cold snap, with wind and rain, in May, I’m desiring a return. A return to Faro, Portugal, where in March, I enjoyed a few days of warmth, relaxation and inspiration.






Our ability to reframe failure into something that aligns with growth is key. When I fail at my attempts to execute an idea, I now have more information and I can use that to move forward. If I allow myself to feel defeated and tell myself that I’m not very good at this, then failure becomes a toxic thought that limits me and ensures I do not grow. – Cheryl Taves
Today I am 150 days into my creative sketchbook practice. Ego speaking here, but I’m pretty proud of this achievement. It demonstrates to me that I can be consistent.
These 150 days are evidence that I can change the script. I can change the narrative from not being consistent enough in my art practice, hells bells in anything really.
I can change the narrative into something more true, more closer to my reality. I can change the narrative, I am changing the narrative toward recognising that I can be consistent.
My consistency muscle is being exercised, challenged and stretched.
With 150 days of turning up daily for my practice, I can quite rightly say, my consistency muscle has been strengthened.
What was the last live performance you saw?
It’s Friday night you all.

Good drink and food, feet up and TV binge time.
But hold up, something ain’t right.
Nothing I’m flicking through is feeding my desires. Nothing is filling the void of just wanting to switch off and forget my troubles. Pap TV is what I usually call it. The stuff that renders me brain dead.
And then I happen upon The Alabama Solution. This is how I be sometimes. I feed an itch, a curiosity.
I shared the other day about my abolitionist tendencies. Well this Oscar nominated documentary is furthering those occupations.
Man oh man, this documentary hard hitting. And I dare anyone to watch it and say those inmates deserve the inhumane treatments, the injustice they receive in prison. I dare you.
There is a tendency to think people who do the crime should do the time and deserve everything that comes their way. They’re in prison so must have done something to be there and what befalls them in there, well they had it coming.
They be evil. They be degenerate. They be monsters. Lock away, throw away the key. We say.
This indoctrinated, conditioned response to crime and punishment, criminals makes us, the general public, no better that the ‘monsters’ we are condemning. That we are putting away and not caring about.
They be human beings, with flaws, vulnerabilities dealing with issues with no help from anyone else.
No chance of redemption or rehabilitation because they are left to rot. Or are exploited, farmed out as cheap or free labour.
This here documentary The Alabama Solution explores the lives of the incarcerated. The viewer gets to see what it’s really like in the prisons in Alabama. How they are beaten and killed and no one is held to account.
What is remarkable is that these men are behind bars, classed as the underclass of society, the forgotten people, not by their families I may add, but they still manage to coordinate a mass strike across all of Alabama’s prisons in protest of the treatment they receive behind bars. In a peaceful way , they are demanding that their human rights be recognised and that the Federal Government steps in to compel the state of Alabama to treat their prisoners right, with respect and dignity.
Prisoners from all backgrounds, 20,000 strong refuse to work as slave labour anymore in 2022.
They downed tools. They rationalised that instead of meeting violence with violence they chose to hit them where it hurts, in the economics/ money, rather than hit them in the mouth.
Straight away the Governor was trying to break the strike. After a couple of days, rationing their food. Prolonging feeding for up to 14 hours a day and then when they did feed them just small amounts of food. But together the men shared the food they’d been stocking piling . As a community they came together to make sure no one starved. There was unity. Unity never see like it within prison system as it suits the system to have them fighting each other. Divide and rule. Divide and conquer.
But together, standing together strong, there’s power there and that’s dangerous. And has to be suppressed.
How come we, the general public, the majority not behind bars haven’t been able to organise a strike? A withdrawal of our labour to bring the system to a stop?
One of the main spokesperson for the prisoners, Robert Earl, who had already been beaten to near death for being an activist for prisoner’s rights and lost the sight in one eye for it, was taken from his cell in a head lock and taken to solitary confinement.
Again a similar tactic is being used, a tactic used from time in the Civil Rights Movement for example, cut off the head of the movement, the leaders and the strike will fold.
And you think it would happen, as the prisoners are vulnerable, no one can see what goes on behind closed doors. No one listens to them as they are criminals, they lie and are untrustworthy. Right?
They’re murderers and rapists. But that doesn’t happen. As this action, this strike is more than one man. Someone else steps in to take th baron, to keep rallying the cry that the strike continues until the demand are met.
And the demands are not unreasonable demands. They’re not asking to be all set free. They’re asking to be recognised as human beings with rights. To be respected and protected from violence within prison. Violence from the guards who are supposed to be supporting their rehabilitation.
But how are you gonna rehabilitate anyone if you’re beating on them?
I must go back and complete my watch of this programme now and see how the strike goes. However, this strike was in 2022 documented in The Alabama Solution documentary which was a decade long project of capturing the conditions in prison by the incarcerated cell phones.
I’ve just read that the 3 main instigators of this strike, including Robert Earl, have been placed back into solitary confinement as of January 2025 in retaliation for their activism and standing up for the rights of incarcerated citizens. And probably because of their involvement in the documentary.
You see what I did there. Citizens, human beings, not criminals. The language we use is part of our conditioning. Language is power. And I refuse to continue to use such dehumanising language in reference to people who are incarcerated. They are still people with needs and wants, desires drams, pain and sufferings.
Solitary confinement. No contact with family. This is an abuse of power behind bars. Out of public view and no reasons are given for these movements/ punishments. Solitary confinement is a form of torture. It is not a safety and security issue to the individual but it is an abuse of power by the authorities and highlights what a vulnerable position incarcerated people are in when behind the pros walls. This is another example of the denying of human rights.
There is talk of another strike happening this year, the withdrawal of labour. This can only mean that conditions have not improved within the Alabama Department of Corrections prison facilities. So I already know the ending, what the conclusion of this documentary will be. But I will watch it to the end.
Not as a spectator in the spectacle but as a witness for these incarcerated citizens as they, by any means necessary, attempt to get their voices, their issues, concerns and fears outside of those walks. The least I can do is watch and listen and share.

freedom dreams are you dreaming?


Afro-Surreal was the word I chose for 2026. My guiding word of the year. I might not have posted a lot about it here, and yet, it has been a constant so far, bubbling away in the background. Shimmering away just beneath the surface, ready to boil to the top, or over when something happens to question or disrupt my reality.
I chose Afr0-Surreal as my word of the year because I was doing it already. I had finally found a word for what I was experiencing and I wanted to explore it further. Unpick it, hold it up to the light and examine it closely.
In a sense, it’s an attempt to go back to the beginning, go back to the source of this term and its meaning and how it does show up in my life and practice.
D. Scot Miller in 2009 wrote “The Afro-surreal Manifesto”. He is the source who coined the term. He could only find the term being used one time before this by Amiri Baraka, who used the term to describe the work of Henry Dumas. Miller went to Baraka asking him if he had any issue with him using Afro-Surreal and running with the term and concept. Miller asked permission and was granted it. Since then Afro-Surreal / Afro-Surrealism has gone on to be a genre or school of art and literature.
I’ll start my study with looking at what Miller has to say about Afro-Surreal and continue from there as since 2009, Miller came out in October 2024 to say that Afro-Surrealism is dead. And when I read this I was like, noooooo. I’ve just come to the party and it’s over? But then on further reading I totally get why Miller is saying this.
Go back re-read the paragraphs I have already written about the inception, the birth of Afro-Surrealism. And then imagine or consider this, predominately white institutions, universities, academics trying to erase the work, trying to erase the manifesto created by Miller in 2009 as the beginning of Afro-Surrealism, trying to change the history of Afro-Surrealism, sound familiar?
We’ll be exploring this and more but let’s get things straight from the start, the names we need to know and give credit to. Amiri Baraka and D. Scot Miller. Remember those names as we insert them back into history, into their rightful places of the founding fathers of Afro-surrealism. And as Miller has said lately, in 2024:
So what to do?
When Brooklyn Rail contacted me, I understood the impact and reach of the publication, and after some serious reflection, it came to me that if I brought Afrosurrealism to life, I was the only person to be able to announce its demise in order to divorce my vision from this white-led hostile takeover. So I killed Afrosurrealism in front of the very people who need it alive in order to feed off of it.

April was the reset month.
After making plans for the year, 2026, April was a time to reflect and reset after the first quarter of the year.
April didn’t go to plan.
April is always a funny, awkward, weird month for me, what with it being cut up with Easter holidays. And both my babies being born in April. This year was also another April birthday as we welcomed Nath’s partner into the fold.
April is something and nothing.
April, I thought it would be a good time to review the situation. It happened I suppose but not to the depth and width that I would have like. That I probably needed.
April has come and gone.
Come the end of the month and I don’t feel any further forward. And it feels like last year, when I couldn’t get traction after an elongated winter hibernation. Every month that came along was like a reset, a restart as I had no momentum.
I’m not sure if I’m that bad this year but there’s that lingering feeling of what am I doing? Where am I going?
April, Who am I?
I could blame the menopause as I feel as if I’m in that stage of life now. Everything is slowing down or giving up working ‘properly’ bodily, emotionally and psychologically.
Some days I’m missing the plot , dropping the ball, checking all the way out.
In these moments of losing myself, or any kind of sense of self and direction, I fall back into trusted routines and rituals.
I go back to the start, back to ‘go’ and don’t collect my £200. But restart anyway.
I invest in my morning rituals. Those habits that ground me and set me up for the rest of the day.
Waking up early, getting some fresh air into the house and my lungs. Making fresh ground coffee and grabbing my visual journal and letting everything spill onto the page. Get ready and walk out. Walk where? Anywhere. Just be outside and give thanks to be able to {BE}.
May. This is my plan for May.
To stick close to my morning routine and everything else can follow. The sea and Mother Nature are in there too, no doubt.
Hopefully, putting down this trusted track will help support getting me back to myself.
after Ron Mueck

Here is a mass
of white upon white
skulls, tumbling
everywhere upon the galleries’ floor
a turning sea, resting
biting into another
black holes
shadowed sockets
promising questions without answers
a warning? a threat?
what remains long after our bodies have decayed
an impressive 100 skulls,
dwarfing visitors as they loom
here and here, cool, corridors
as catacombs above ground
forcing us to face our mortality, yes,
but also a certain care is needed in life for each other. Yes?
Jot down the first thing that comes to your mind.

Sweeping violins. A Southern Belle, pretty and shallow, chatters on as young men flock around her feet, captive. *Fiddle de de.* Relishing in colour, technicolor; rich reds, blues and greens of the gallant Old South. Pan out see mansions surrounding by plantations. Bonnets and ribbons. Dances and horses. Cotton.
Extract from: The Melodrama of Gone With The Wind
Found poem:
Source: http://www.art21.org/texts/kara-walker/interview-kara-walker-the-melodrama-of-gone-with-the-wind
I first read Gone with the Wind by Margaret Mitchell while completing an extra year at college. Gaining extra ‘A’ levels while I waited on my then boyfriend to make the grades.
I identified with Scarlett O’Hara, the bitch of a heroine, not Mammy. I definitely was no mammy. Not here to fetch and clean and be loyal. I definitely was not obese and coarse and ugly, or ‘have a shiny, glossy face of contentment as she be the most happy slave alive.’
Of course as I’ve gotten older, I’ve learned where I’m placed in society. It’s okay to fantasise being the white heroine but I’ll never really be her. Better learn my place – to be there for the pleasure and enjoyment and whim of the white folk – and smile.
But what about my own pleasures and pains? Apparently they don’t exist. Apparently I’m incapable of such things, such finer characteristics. My reality states/shows otherwise.
It’s quitting time. I’m retreating into the woods in Aberdeenshire for the next week. I’m taking this opportunity as a reset. A chance to focus on my pleasures and pains. Drink on Mother Nature and give thanks for this life I have which isn’t being subservient/ submissive/ subjection to anybody.
I refuse the Mammy as well as the Scarlett, as they are both constructions and constrictions to control the female body.
I’m much more interested in the overspill, the excess, the unruly body. The blackwoman body that I live with/in daily and how nature supports me on this journey.
As a wind of flames sweeps through Georgia; menacing reds and oranges against a bleak dark sky swirl and crackle in time with fast ascending music. Real danger and Butterfly McQueen (real name not character name that would be Missy) flits around like a blue arsed fly worrying with no sense or plan.
Extract from: The Melodrama of Gone With The Wind
Found poem:
Source: http://www.art21.org/texts/kara-walker/interview-kara-walker-the-melodrama-of-gone-with-the-wind
I’m no Missy either.