exploration

On A Reading Tip

| Sheree

Quantity over quality is a characteristic of whet supremacy culture. Say like with social media, we are wired to focus on the numbers. The number and amount of followers, likes, comments gives us the buzz. Keeps us returning usually. Rather than the quality of interactions. The quality of connections.

But in this instant when I say I’m on a reading tip and boast that I’ve read 12 books already this year, fiction, poetry and non-fiction, I’m taking the buzz of the numbers because I know they were quality reads.

Last year saw me fall off my reading horse. Reading was only happening when I had an extended amounts of time off the clock. Summer reading mostly. I didn’t have the bandwidth or desire to read at any other times. I was too antsy and not able to settle, as too many demands were pulling on my attention.

So I’m really happy that this hibernation season has seen me dive back into books. Physical and digital books. I do not care which as long as I’m reading, expanding my thinking and formulating new pathways of understanding and connection.

So White Tears Brown Scars by Ruby Hamad was completed yesterday. And it so feeds into my experiences with white women. Even though they’ve caused offence, been racist that is, it’s me who’s consoling them and making sure their feelings are not too hurt. Or it’s me having to apologise because my reaction to their racism or them touching my hair without my consent has been deemed far too aggressive and not very collaborative by the organisation or group I was working with.

They are used as a weapon, white tears, to shut down the conversation. To get the white person out of an uncomfortable situation and out of having to look at themselves and their behaviours.

It was so validating to read this book and recognise that it doesn’t just happen to me and that this is a centuries old tactic of the damsel in distress. And that damsel is white as Black and Brown women have never been deemed woman enough to protect. And all this shit is wearing thin with Black and Brown women. Believe.

This book was an extension of an article Ruby Hamad wrote back in 2018 for The Guardian. You can read it there and just know that one Black woman, Lisa Benson, who was working as a journalist at the time got fired for simply sharing this article because it was deemed ‘an attack on white women’. White tears in action right there!

How might we divest from the human?

| Sheree

I’ve been reading. When I read, I feed my wonder and imagination. When I read, I fill up with ideas and dreams and plans.

Reading expands my mind and expands my understanding of the world I navigate.

I cannot stress or emphasise enough how much my world has been rocked or even burnt down since my reading and continued reading of Fugitive Feminism by Akwugo Emejulu.

This isn’t like anything I’ve read before because it goes against everything I’ve been trying to do for the last 50 years; to prove the humanity of Black people, of myself so we can finally be accepted and loved.

But what if we’ll never be accepted? Never be accepted as human beings because who gets to claim humanity is bound up with whiteness, bound up with white supremacy culture?

What if being a human is a construct and is defined by those with the power and was never constructed to allow us, people of the global majority to be as such?

So if I claim non-human what are the possibilities for my being?

This is where I’m heading. This is the space I’m navigating now. I’m making changes from the inside out. In a cellular level this speaks truth and blessings to me. How I {BE} is changing and it includes a whole more ‘fuck offs’. Well that’s how it’s shown up my so far!

Poem A Day – Reflections

| Sheree
New Visual Journal for May

April was National Poetry Month in the States. I attempted to complete and share a poem a day for the month.

On the whole, I just missed a few days towards the end of the month. Things went a bit off the boil, when things got a bit busy. What with birthday celebrations and friends visiting, my attentions were distracted and my energy levels were depleted.

But hey 20+ new poems which didn’t exist before this month is always a win in my book. I feel when I do these challenges, what I produce is hit and miss. Because of the necessity of creating something everyday, the time needed to go deep into a subject or issue is lacking. Surface shenanigans are usually the case.

Speed is needed rather than depth. But now, as May rolls along there is time to revisit and redraft and build upon what is already there.

It’s time to slow down the poetry creation process and spend some quality time going deep. Do some more research, collect some more stories and facts as inspiration and see what happens from there. Let the poems sit and fester and start to speak for themselves.

My poetry writing muscles have been flexed and they’re primed to continue lifting heavier weights of meaning and impact now.

I’m looking forward to see which pieces develop, which ones will fall by the way side and which ones will become pure steel.

PAD/007 – History Repeating Itself

| Sheree

“There can be no repetition because the essence of that expression is insistence, and if you insist you must each time use emphasis and if you use emphasis it is not possible while anybody is alive that they should use exactly the same emphasis.”

“That is what makes life that the insistence is different, no matter how often you tell the same story if there is anything alive in the telling the emphasis is different.”

Gertrude Stein—from “Portraits and Repetition”

the sky feeds us continuous greys and harsh words from ugly white mouths, and yet we enter the frame

clasped hands in lap or right hand on chest, like in allegiance, mouth forced upwards as best clothes stiffen backs and resolve;

a practised pose, easy to send back home as proof of promises made good, mother country come good, it’s expected

the camera will point and lie for generations; the flash will blind us, to our naivety, to their hate and ungratefulness

PAD/005 – Protest

| Sheree

Cinnamon sky rumbles
as electric clouds jag
over glass shop fronts.
Scarlet waves fire street

corners, claiming them forever.
Coppers and politicians
worry the faultlines
left behind.

PAD/001 – A Month of Poetry

| Sheree

Happy April. Time for showers, blossom and light. Oh and poetry.

Forsythia

As I mentioned last week, I’m honouring National Poetry Month with the challenge of writing a poem a day.

I’ve set myself this task many times over the years, and I’ve always been amazed at the creations along the way. Poems have emerged onto the page that I didn’t even know were in me and needed expressing.

So today I come to the page with an open heart and a rough idea of the themes or issues I want to explore. But who knows with the creative process. Anything could happen.

Anyway day 1 – PAD/ 001

Trying to understand “the difference between poetry and rhetoric”

After Audre Lorde

The contested site of black settlement in England

is shrouded a heavy fog of amnesia. The wrong colour,

the wrong body, the wrong sound.

Read the history books, you’d think we just landed

the day before last. 400 years of being here, lost

in the mire, weighted down with size 10, Dr. Martens.

Like transplanted birds of paradise, West Indians

struggled to put down roots. Alien soil. On corners,

skylarking and limin’, jobs, homes and a little bit of peace

denied; harsh whispers on the bitterly cold wind.

The contested site of black settlement in England

is captured in stills. Images speak for themselves.

Black faces filling the frame; black blooms pressed

against hothouse glass. But still an absent presence in failed memories.

I don’t remember when I lost my most important treasure

| Sheree
The Goddess Series, 2023

I don’t remember when I started to hurt.

I don’t remember when I gave up on myself being enough, being worthy.

I don’t remember when I gave myself away to others at the expense of not keeping any goodness for me.

I don’t remember when I started to hate on myself and wishing myself away, wishing myself into something or someone else. Anything else but this. Anything other than who I really am.

I don’t remember when I started to hide myself away became secretive and dishonest as a means of protection and advancement.

I don’t remember when I stopped being my own best friend and started to seek this relationship, this love and attention elsewhere.

I don’t remember when I betrayed myself by thinking that I was someone who didn’t deserve to be here, as someone worthy of love and happiness and joy.

I don’t remember when I started to listen to others, the outside world and stopped listening to my heart, to my own wisdom.

I don’t remember when I stopped just {being} instead of doing. When {being} was enough.

I don’t remember when I stoped paying attention to what lights me up, my wants and needs, what makes me smile.

I don’t remember when I stopped being a child and took the burdens of the world on to my little shoulders like they belonged there.

I don’t remember when I stopped being in love with myself and gave this love to others who were not deserving of my love, who could not see me as me.

I don’t remember when I began to think I needed other people to love me instead of me just loving on me.

I don’t remember when or how or why all this happened, I just feel it. And now, here I am trying to get back to me, to me loving on me, the most important treasure, lost.

My Mother was the Moon, the Earth, the Song

| Sheree

As I pull into the roadside drenched in memory, I practice breathing. Cycle through the minutes trying to gain ground.

She was silence behind her smiles. Behind her ample flesh. I burnt down our bonds because she dropped before her time.

I’ve too much fire to ever accept her truth. Too much sense to feel the moon held her fullness.

Late into the night standing by the window, she waited for my return. Without fail. I took her love and joy without a backward glance.

I am dark. Too dark. But meaning comes with the light. My own light, learning to shine from the inside out.

I wish she had her chance. I take her picture sitting in the grass amongst the trees and seal it into memory.

The earth she could not give me. She didn’t know how as she laughed her soul into existence.

I am red. All of it. And not at all. But with eyes wide open, body claiming space daily, I listen to her song and bathe in the moonlight.