When I know I have a busy day, in commitment to others and outside the home, I make sure I claim back my time. I get up early and feed my pot first. I prioritise me.
This morning saw me up at 6am and out, down to the sea.
It was so beautiful this morning, with a slice of lemon on the horizon. I knew I’d made the right decision to get up and out, while the rest of the world was sleeping.
And of course I had to get in. June and the water is still cold. So it woke me up, job done. But it also calmed and focused the mind. When I’m with the sea, I can do anything. Nothing is an issue or a problem. It’s just gravy.
Once out of her embrace, I took to walking along the front, continuing my ultramarathon training, increasing my time on my feet each day.
Now home and completing my visual journaling over coffee. I’m satisfied. I know I’ve given myself the time to ease into the world on my own terms. This means I’m a happy bunny and for the rest of the day, I’ll be basking in this joyful light.
I went out walking this evening. After I stuffed my face and got settled down to watch some ultramarathon training videos on YouTube, I thought it would be more benefit to my body to get out and move her.
I tried an ultramarathon last year along the Pembrokeshire Coastal Path. I didn’t complete it because I ran out of time. I was just too slow to complete the 50k / 31 miles within the official timeframe. But I had a grand day out. It was glorious; the weather, the path, the sights and movement. I really enjoyed my day and I wasn’t too fussed about not completing it. I
knew I would try again.
And so it happened. I’d reached out to Into Ultra a couple of years ago for support for getting into ultra. I thought if not just advise then maybe some help financially with the kit and stuff. It hasn’t really happened till now.
They sent around an email offering free places in races coming up this year. And one took my fancy. SheRaces Trail Series Peak District 50K. There’s a 25K also which I know I can complete but it wouldn’t be as much as a challenge as the 50K.
A couple of days ago running coach Hannah Walsh shared a great Instagram post highlighting that just 0.007% of people have run an ultramarathon, and of these 0.0001% are women. That’s a really small number.
I like the idea of being able to complete an ultramarathon. I’ve completed 4 marathons, the last one being 2022 in Loch Ness.
To be amongst that small percentage of people, never mind women, never mind black women, who have ‘run’ an ultramarathon, is something to aim for.
And of course I’m not going to run it. I will run walk crawl as per usual. But this time, I know what to expect in terms of the pain, the terrain, the challenge, and toll it takes on the body.
I’m in training now. And there’s never enough time to get to my peak. But what is my peak? I’m an aging overweight black woman, but I’ve never felt more like myself and operating on my own terms. So that’s peak for me!
So this is as good a time as ever to give this ultra malarkey another try.
Consistency breeds confidence. This is my mantra. Consistency breeds confidence.
So as long as I get out walking each day build up the time I spend on my feet, I’ll be grand. And whatever else happens, it will be a grand day out!
Saturday 2nd August is the date of the gathering in the Peak District. You’re more than welcome to join me. Cheer me on. Supply the water and midget gems if you want!
So I said I would be back to share with you my current visual journal. Coming into the mix at the end of May after a weeks of zero colour, my soul and creativity were craving colour and space. A large space.
So I went back to Flying Tiger and purchased the A3 sketchbook I failed to purchase a couple of weeks before. The paper inside is creamy and reminds me of sugar paper from primary school. It’s a rough and ready kind of texture, rustic and low maintenance. Not too high quality to raise the fear levels of making mistakes or not being quite so perfect.
I’m been enjoying preparing the pages with colour. Throughout my day, I have the journal laid out on the table in the corner of my bedroom and when I walk past, I choose 2, 3 or 4 colours from my collection of little bottles of acrylic paint and make generous dollops on the page.
Then I bring out my trusted old faithful, the disused bank card and smear that paint around. This calms my nerves, stills the worries and brings me joy. I love how the different combinations of paint play out together on the page. It’s a true collaboration.
I know this journal is far too big to be carrying around with me as I go about my business outside: sea swims, coffee meets, trip to London at the moment. But still I carry it with me, enjoying tucking it under my arm or carrying it pressed against my chest.
Sometimes, as happened today, stray streams of paint, still wet and sticky, collect within the seams and edges of the pages, transferring to my fingers, smearing on my coat and t-shirt. Today, it was bright turquoise and sandy brown that ended up on my hands and clothes by the time I reached the metro station to get to Newcastle Central Station. I really couldn’t be annoyed as it goes with the territory. You play with paint and you’re bound to make a mess.
But I don’t care because I feel and know in my heart and gut that I’m making a whole heap of mess within my visual journal because that’s how I make sense, make joy, make a way for me to navigate through this world on my own terms.
I was reminded of my connection to the sea today by a stranger. The sea showed up in my work without me knowing so until it was pointed out to me. I thank this fellow poet for their observation as well as holding space for myself and others to break through. More to follow on this experience.
The second time I went to see Sinners, again it was fitting it in before going away somewhere else. But I knew I had to see it again.
A different cinema, and much fuller this time. I was sat between two black women out for one of theirs birthday’s and a white couple.
The black women introduced themselves to me. Something that has never happened before to me in the pictures. I thought it was a lovely gesture. It meant I could also tell them that they were in for a treat.
Again I got lost in the world of Sinners. Even thought I’d seen it before, I still jumped at the frightening bits. And I say frightening bits, the bits that are in there to make you jump. There’s blood but most of time the biting by the vampires is done off screen or you see it from behind and hear the noises.
I love this movie for so many reasons but I think the first thing is how Coogler plays with the genres and conventions and expectations. This is a mixture of genres ; horror, action, romance, musical etc. Coogler takes creative liberties with what’s gone before to create something rich, unique and full.
I love how this is a massive permission slip to any creative to go with their own flow. Bring in all the possibilities you want to express your point. It applies to the Creatrix in me because when the energy flows, when I’m in the zone and listening, the creations knows no boundaries or limits or rules. It just be.
Sinners is just that. And more. It’s layered , culturally and spiritually explorative and travels through time and space with music as the connection.
This second viewing of Sinners was important because for the first viewing, I had to rush off into try dark and catch a bus, therefore missing the multiple endings. So this time, I stayed put and also told those around who were fixing to leave, ‘there’s more.’
I’m not going to spoil the film for you by telling you what happens in the multiple endings but please don’t leave until the very end. Even if the lights come up, hang on in there to the very end. Even if they’re coming in to clean up after you, hang on in there to the very ends.
I’d seen the trailers. And forgot. It was already out a week or so when I realised and I only had a small window of time before I was off on my travels again.
So on the spur of the moment. I booked my ticket, walked and bussed there. A late night showing. I’d be coming home in the dark.
I should say, I have a love /hate relationship with horror movies. I get scared easily. I’m very impressionable. And images especially horrific ones haunt me afterwards. But I also enjoy being scared. In a weird twisted way. It’s an adrenaline rush.
This film has vampires. And I was travelling home alone. Considering walking ( I didn’t my after all).
The cinema wasn’t really full. I settled in and right from the beginning of Sinners directed my Ryan Coogler, I knew I was going to be in for a treat. The cinematic colours and quality of the film, shot in IMAX and 70mm film, pulled me into the world created.
Set on 1932 in the Mississippi Delta, during Jim Crow, a musical supernatural action film was a beauty to behold. Michael B Jordan playing a double role as the twins Smoke and Stake, I was gripped.
Of course I jumped and screamed all at the right parts but I also got lost in the characters and their relationships and the horror of it all. The death, grief, pain and joy.
If you haven’t seen Sinners, please go see it. Best movie for this year, best movie by far for a long time. This is a movie I have no qualms about haunting me.
Living Wild Studios 