I’m keeping my journals all in one place this year as I attempt to mark how many or how much I create and play and mark each day of 2025. And of course I missed my single week/day handmade journals that I’ve shared here and here. And of course I’ve moved onto another journal since my return from Paris. But this post is a marker.It’s a start in visually representing my visual journaling of 2025.
You said you would paint my nails. Red. Because red would looks good on my skin. Purple even. This man. You blew so much hot air up my arse I was floating. Floating on fucking air all the way down there. 260 miles. 260 miles of Soca hits, blaring out the mini speaker. Getting me in the mood to wind up my waist. I’ve never felt so much carnival in my blood. Jouvert, jumping up in the midnight light, throwing paint, bodies slick with sweat, couldn’t beat the heightened anticipation of our meet. Lips thick, juicy enough to suck on. Like pork belly off the bone. Thick and sweet. They could become addictive. If only you’d check your attitude. Rude. And you think you elevated. Wise beyond your years and I better listen. Educate. Please! You better check yourself because this arse is moving out faster than when I got here. As I recognise, you might not be so much one of those bots, but you sure can scam. Making out you’re the jealous type and now I’m off the market because I’m yours. Excuse me, but our time has to come to an end sooner than you might have been planning. You mighty fine, but I’ve seen your ugliness and I ain’t buying it no more. To think I wanted to suck on those lips for eternity. Fool that I am.
If you were to ask me to stop cleaning the bathroom and come and sit by you, I would.
I would gladly throw down this cloth, take off these rubber gloves and come cuddle up on the couch with you.
The sink can wait to be rinsed. The toilet can wait to smell piney. The bath can wait to gleam clean.
I’d forego to all, even the tiled floor, to come be by your side and let you whisper into my ear, caress my neck, stroke my forearm.
Tell me how lovely I am, and how you can’t get enough of me. That the stars have no contest when I smile. That your life was barren until I came along.
He’ll, I’d even leave the smudges in the mirror, to have you put your arm around my waist and pull me into a sweet slow kiss.
‘This year is gonna be about me. Never will I ever have a reason to doubt me.’ – Emily King
This year is gonna be about me, I’m gonna turn the tables, feeling all the feelings. Or maybe numb it out?
Car horns honking through the open window, sirens cutting through the heat haze, YouTube chatting while they play Mario Party, with the aim to lose. The only time when coming last makes you a winner.
I don’t wanna leave but this year is gonna be my year. I’m gonna love the music I love and I’m gonna love the words I love, words that open up worlds, one word at a time, each word moving further away from you and your crippling crap.
This year is gonna be all about me. Never am I gonna waste my time again trying to get your attention. I’m giving me all the attention. Chicken salad and all that stuff. Mayo too. Because nothing is off the agenda, for me, this year.
This year is gonna be me travelling and enjoying the experiences, alone and whoever comes along for the ride. You better have a ticket to ride as we’ll be crossing hostile borders and encountering enemies within. So you better be down for some deep shit, some deep emotional shit.
This year is gonna be all about me and no never again am I gonna doubt me and what I’m capable of. I’m allowing the cool breeze to caress the hairs on my arms and just breathe into the moment, budding into bloom.
This year you’re not gonna be able to handle this honesty, this raw heart of love and pain, again and again.
Weathering to shine through.
This year is gonna be all about me. And never again am I gonna double me. I’ll have no reason to, as I’m gonna shine through.
For those of us who live at the shoreline… Audre Lorde
It will be 10 years this August that I started my visual journaling practice.
Then it was called Dreaming on Paper, as I completed the course of the same name by Lisa Sonora.
I needed a safe space to explore the tumult of my feelings and thoughts. I was going through a traumatic experience of escape really. Escape from the life I’d spent the past 12 years building up, that was took away in the flick of a Facebook post.
I ran away from the public, the writing community, my home as I travelled into the Scottish Highlands and Islands. To heal.
Visual journaling helped me heal. Helps me continue to heal.
Overtime, I’ve come to understand my visual journal practice as a fugitive practice. Within these paints, images and words, dreams of freedom are planned out and eventually come to fruition. Projects, happenings, events – all on my own terms.
I mean, the whole point about escape is that it’s an activity. It’s not an achievement. You don’t ever get escaped. – Fred Moten
Within these visual journal spreads, I work out how to escape, how to get outside white supremacy culture while still having to be living on the inside. Coming to terms with the thought of that the outside can only occur from the inside. Being here.
Visual journaling is me trying to create an opening, a break in the fabric in which to slip on through into the otherside/ outside, into the woods running between the trees with the dogs barking at my feet. Creating beauty, creating a beautiful space in which to linger in while the terror rages around me.
Visual journaling is a safe space, is a nurturing space, is a free space.
I’m practicing how to show up in spaces, alone and with others, in fullness.
I’ve used wholeness before. Striving to get back to that sense of being whole, as we enter as already into this world. And then for the rest of our lives society and culture pull us away from our wholeness. When we realise, usually when much older and not giving a fuck, we spend our time and energy attempting to get back to that wholeness. This is a practice too, but to be whole sounds final and also out of reach.
Fullness. While fullness seems something that can be embraced now. In the present, moment to moment. Fullness for me gives the middle finger to those who have criticised me by saying I’m too much. Too Black. Too fat. Too loud. Too enthusiastic. Too Alive. Too much.
Fullness is me embracing my too-muchness and giving off that ‘don’t care less’ energy.
This piece was written back in 2020 and published on Medium. I’ve brought it over here to be part of my writing archive. I also feel that the case needed restating frequently. Did I say daily?
We queue with our shopping basket. This is the norm now. But we don’t complain. It keeps everyone safe. We’re at the front of the queue, for a change. My daughter and I. We’ve only come to the one shop. I let her ride her bike into town. She needs the exercise as she’d be happy in front of her screen all day. I probably would too, as at least she’s inside safe, connecting with her friends, and I get a moment to myself.
Front of the queue, but we hold back as the woman in front of us has just gone into the shop. There’s someone coming out at the same time. The store security guard is standing in the mix too. We allow a gap to form between us; the woman and the entrance and our bodies. Coming across from an adjacent shop, a man and woman stride. Stride into the front of the queue, ready to walk into the shop. I raise my voice just above my normal speaking voice to say to them, There’s a queue. We’re waiting to go into the shop too.
I think I’m smiling but how can they know? How can anyone tell if you’re smiling when you’re wearing face protection? By your eyes. I think by the eyes, you can tell if someone is smiling. It’s a warm, sunny day. I’m wearing sunglasses. Maybe they can’t see my eyes. They can only use my voice as means of communication.
Sorry, they say. We thought the queue was going the other way. They walk to join the queue behind us. I say, in a tone of voice which I think says I understand, No, the lady in front of us has just gone in and we’re waiting back here to giving everyone some space.
In the time it takes for the couple to walk and wait behind us, at the recommended 2 metres, the woman of the couple has already started saying in a loud enough voice for us to hear, Some people are just getting angry about the situation now, and there’s s no need for it. We walk into the shop.
Note: The angry Black woman stereotype portrays a black woman as sassy, ill-mannered, and ill-tempered by nature.
Walking back home, Ella walking with her bike, I approach what happened outside the shop, asking Ella if she heard what the woman said about people getting angry.
She was referring to me. I explained. She saw me as an angry Black woman. Do you think I was angry because you’ve seen me angry?
My daughter knows me. She knows I wasn’t angry and says so.
When you live in a society where you’re powerless, perceived as worthless and inferior, those who have power, believing themselves to be superior, spend their time telling others how they handle the situation isn’t right. They tell you that how you speak or act or response isn’t appropriate. You are wrong. They gaslight you, forcing you to doubt yourself; your actions and capabilities. You are at fault, always. You are wrong. You are silenced.
Back home, I talk to my husband, who’s a white man. I think if he’d been with us, the woman behind us, wouldn’t have uttered the angry line. He disagrees. She sounds like a woman who would have gotten annoyed if anyone had checked her behaviour, he said.
He has the right to think and say that. And maybe he’s right. Who knows? But to accept this explanation, I’d have to disallow what I feel about the situation. I’d have to make allowances once again for someone else’s behaviour, reaction and treatment of me. I’ve spent a lifetime of making allowances for other people’s treatment of me. How can I be sure that when they treat me unfairly, or discriminate against me that this isn’t how they treat everyone else? I don’t know. All I have is the way they make me feel. My lived experience as a Black woman.
All I know is that when I’m walking down the street and someone is coming towards me, it’s me who walks into the road to maintain social distancing. It’s me who walks into the gutter to keep us both safe. Would they do the same? I don’t know. I can’t take the risk to wait and find out either.
I’ve been socialised, fed the stereotype of the angry Black woman for so long, I police myself. I play my part. I don’t raise my voice. I don’t protest or question. It’s part of my make-up to check myself so I appear in society as passive and non-confrontational and unseen.
Living Wild Studios 