when archie rowe asked me out in middle school, he wanted us to keep our courtship a secret. we met behind the garages, through the school yard. he kissed me & played with my tits. [did i just use the word tits? there i’ve done it again] tits. i was well developed for me age. full blown blossomed boobies. boys will be boys. behind the garages, sprigs of pussy willow wept. shhh it’s his secret. too ashamed to be seen with a Blackgirlwoman.
*taken from a longer piece called, ‘Playing Palimpsest’, which appears in my full collection Darkling.
My time of hibernation is coming to an end and there is a whole heap of resistance. It’s not as if I’ve got loads of work lined up. It’s the thought that my time will not be mine alone, to do with what I want come April and beyond.
I took a major risk taking/ making the time away to rest and dream. But for me there was no other choice. I think I was a bit burnt out around the edges and I needed to pull back and heal. And I have done that but there is no end point for healing. No rubber stamping a certificate.
I continue with my morning routine and hope to continue beyond the hibernation period. And this will be where the true test lies. To continue to love on myself daily before I have to meet the world will make the difference between continuing on the healing journey or coming to a full stop. As there can be no healing and growth and self-love if I don’t protect the time to {BE}.
During my time of hibernation, (have I mentioned that here?) I’m resting of course but I’m also writing and dreaming and catching up on the things I want to do with my time and energy.
Another one of my abstracts was accepted for a special publication by Demeter Press around mothering and life writing. I completed an essay in 2023, around my Black Matrilineage and last year I complete an essay around Black Mothering and Creativity. This is probably going to have to be redrafted this year, but in all honesty I was just happy to submit something, as I had a major block around this essay. I think it was because I allowed my creativity and energy to be sucked into other people’s creative dreams and lost sight of my own last year. So when it came to writing the essay my well was dry.
Anyway, I’ve started the reading and writing around my third essay now which is all about Black mothering and fugitivity. I love fugitivity and it is one of the supporting words for 2025. As I mentioned before, I’ve been exploring fugitivity for the last few years and what this means as a practice. So I’m mighty pleased in having the time and space to explore it further and deeper through writing this essay.
While going over my abstract again and riffing off from it, I remember my creative non-fiction novella I created called rubedo. I think this came out in July 2016, after the 2015 shit hit the fan episode in my life. rubedo was my exploration of this time in my life and how I got through it. It was through finding myself after years of repression and not listening to my inner wisdom that I came to be who I am today.
Anyway, I revisited rubedo with this chapter/ essay in mind, realising that 2025 is 10 years since this episode in my life. It sometimes feels as if it was just yesterday. I know I felt it keenly last year when Darkling came out. Darkling is my first poetry collection since Laventille (2015) and the shitstorm episode. And to tell the truth, I’m waiting for the the shit to hit the fan again, as I’m sure there are people picking their way through Darkling as I type to try and find evidence of plagiarism again. As they say once a plagiarist always a plagiarist! It’s not a term or label I identified with then or do now. As that’s not me, that’s not who I am but that didn’t stop people then or now from looking for the evidence to prove/support it.
But I’m not here to talk about that. What struck me about rubedo is the raw honesty of it all. And how writing, writing it all out literally saved my life. I’m so grateful that Ian brae enough to pick up my pen and writing through the shit to now.
Here is what I wrote about my capacity to love no matter what:
“But something does inside die this day. And the days that follow. Something inside of me, the capacity to have patience and make allowances for other people’s bullshit was destroyed during this lynching. No doubt, using the term ‘lynching’ will invite criticism. I know when Andy Croft my publisher used the term to condemn what was happening to me on social media he received a fair amount of criticism. But I do not use this word lightly.
Ironically, in the months leading up to my death by social media, I was researching and writing poems about lynchings in America. I was referring to the postcard images that were collected as souvenirs by the spectators of lynchings at the time. There were those people who got their hands dirty during a lynching, who actually tied the knot of the noose, beat the victim, mutilated the bodies. And there were those who came along to watch the spectacle. Viewing the death of another human being as just another social event, a festival, something to be enjoyed. Both killers and spectators relish the sport.
This in my opinion is what happened to me. A public lynching and souvenirs where taken. One person on Facebook, joined in the thread of conversation with a comment as a means of marking it. This person was rubbing their hands with relish, saying that they didn’t want to miss a thing as this spectacle was just too good to let pass by.
When I died this cruel death something inside broke. I’ve recently come to realise that is was my heart that broke that night. I’ve been visualising my heart with a rose in the centre. This rose is closed. This I read as a symbol of
me shutting down, dying inside, shutting off the natural flow of love from my heart for my family, friends, for the world around me. My heart was broken, so I have been denying myself and others love. I’ve been living in fear, fear of it being hurt again, fear of my heart being broken again, fear to love. In a way, this had to happen to me. For one, I’ve always disliked that capacity in me to keep forgiving others, letting them back into my life when they’d let me down and not lived up to my expectations. I’ve taken on board the responsibilities of others, thinking I’ve had too high standards and I’d been unfair. That capacity has been obliterated. I can’t take anybody’s bull shit anymore. But at the same time, this capacity to forgive is part of my large capacity to love. And if this is who I’m really are , then I shouldn’t fight it any longer but accept it.
My true self is my capacity to love, to love fiercely and powerfully. I accept that now and I’m no longer blocking up my love. I can’t live in constant fear of being hurt, of getting my heart broke again because then I would not be living true to my capacity, true to me. I would just not be living at all.“
I’m so pleased that since then I have found others, such as bell hooks and Joy James, who write about revolutionary/ radical love and validate my ways of loving, which at times hurts me but also brings me a while heap of joy also. You can’t love without the expectation or knowledge of getting hurt.
“You know life is hard,” my mother once told me with resignation in her voice. She continued, “For years, I’ve been struggling. I’m just plain tired now.” I wasn’t sure if she was talking to me or herself , but once again I hardly listened. I was grown, I knew everything. I was a fool. Here one day, gone the next, I never got the chance to agree with my mother; that yes, life is hard. Too damn hard sometimes and there are people, put on this earth, who take it as a personal mission/ vendetta to make it even harder for some people. But hey I’m not here to complain.
This year, I made myself the promise to practice certain things, certain ways of being.
One, to quit the complaining as it only drains my energy.
Two, to stop saying to myself and others that time is flying, that time is going so fast, what’s that all about? (But come on, admit it, time is flying. We’re past mid March already!) Yes stop this stating that time is flying malarky as it’s energy sapping.
And three, to get my arse out of bed each morning, go to my creative corner and practice my visual journalling because this shifts/ boosts/ aligns my energy.
Some days I win, some days I lose but I know just like life, like everything really, it’s a practice. It’s about turning up each day for me and not having an agenda, or any idea what I’m going to create or know down which path my attention will flow. I just know that when I practice my visual journaling, intentionally showing up at my desk each morning, I feel better. Simple.
Yes there are all those insightful and wise deductions I could make about this practice and the effects of it on my creativity, life, work, relationship with self and others. But on the most simplest of levels, it makes me feel better. It sets me up to be present for the rest of my day.
Since November 2023, I’ve been practicing this little old practice of getting into my creative corner and creating/ being. Usually in altered books, or homemade junk journals or hand sewn books. Moving my hands to smear paint across a page, adding text and images, and stickers and sometimes even crafting found poems from cut-outs, makes me happy. I can say that now because I’ve had months of this practice under my belt. And I feel better because of it.
The one word that best describes me is ‘practice’ and I get to be me, daily, each morning with my visual journal practice which makes sure I’m myself from each moment to the next for the rest of the day. And for this I am grateful because my mother might not have found the secret and passed it on but I feel as if I’ve stumbled upon what makes this life less difficult, less hard, less soul destroying. Practice.
Keep checking back for the rest of the week as I’ll be sharing a spread each day from my visual journaling practice. And eventually all will be revealed in a new portfolio page around this practice. Thanks for reading. And see you again soon 🙂
Living Wild Studios 