An Archives of Memories, Feelings and Skyr

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

Deciding ahead of time to navigate the discomfort

I would say for the last quarter of 2025, I was getting myself into a spin because I wanted to get back to painting but wasn’t.

I was spending my spare time on Pinterest scrolling through all these beautiful artworks wishing I was painting and knowing that when I did, my work was never that good. I’d fail and fall into the comparison trap.

The more I spent on Pinterest the more I longed to be painting but the further away I became from my practice.

Until … as I mentioned in a previous post, I gifted myself the 30 Day Sketchbook Challenge with Insight Creative created by Cheryl Taves.

At day 26 yesterday, and I came to the page late as it was the first day back at school after the Christmas break and girl was I tired. Still am and it was touch and go if I was going to make it to the sketchbook. But I thought to myself if I can get up and do the fucking dishes, then that shift of energy is going to get me into my cave a create.

And so be it. The focus was about risk taking. How we might be okay with it at the beginning of a piece, be loose and alive but to hold this energy to the end of the process, not to overwork things by holding on too tight but maybe take some risks was the challenge.

Using browns was the first risk for me – I’ve probably shared it before how I have a hating relationship with brown. But not so much now. My feelings are softening towards the colour. Practice using browns helps.

And then when I thought I was finishing up with this piece I just stopped. I didn’t carry on to complete or tidy up but left it edgy and raw in a way because I feel it still has a fresh energy and isn’t overworked or tight.

Keeping my sketchbook practice isn’t about making good or bad art pieces. It’s about information. What am I learning as a result of the time spent within my creative sketchbook?

Like yesterday, what have I learnt or better understand about the role risk-taking plays in the creative process? Keeping a creative sketchbook practice isn’t a great, safe space to take risks, explore my style and voice at the same time as really leaning into this place of discovery for me and of me.

I know for a fact that knowing this creative sketchbook is for my eyes only means I’m not performing or looking for feedback or admiration or criticism. It reduces the pressure to make art, formal art-making, good or bad art. It’s play and exploratory feeding my curiosity rather than my ego.

It’s a place where I can be alone in the company of my thoughts and feelings and offer myself kindness and compassion and no judgment at the same time.

I’m glad I said ‘yes’ to myself and my art-making practice. It’s strengthening that muscle of saying ‘yes’ to my art-making rather than ‘no’, more often than not.

A Creative Sketchbook, Dec 2025

My creative sketchbook
My creative sketchbook rules

I’m not sure how my creative sketchbook differs from my visual journal. Intention maybe.

Perhaps, I think , I’m attempting to develop my art practice within a designated space. A study maybe.

I haven’t really been in the thick of my art making practice since the preparation for my Baltic exhibition back in 2022-3.

This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.

After this 2025 has been a period of extended rest and refusal.

But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.

I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.

But it satisfied this niggling feeling. Until it didn’t.

It was going back into the classroom. Completing a few days of supply that pushed me over the edge.

The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.

So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.

This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.

One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.

It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.

Just for my eyes, heart, and soul only.

So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.

Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.

March Reading

March has come to an end. Even though it’s felt like the longest month from hell, someone on twitter mentioned 36 years and 9 months in length, my reading hasn’t been as steady as I’d like.

Please excuse me if my mind has been otherwise occupied. If news bulletins and articles and live updates were in book form then this month I would have consumed thousands of volumes as I seemed to have taken up residence at The Guardian news website. It is constantly on refresh. I’m taking care of myself though by having days when I do not consume the news, I stay away from social media and literally inhale positive, feel good art and literature and music. I highly recommend it during these troubling times. anyway, on to what I have read.

Completed March readings include:

1. Eyes Bottle Dark with a Mouthful of Flowers, poems by Jake Skeets

2. Swims by Elizabeth Jane Burnett

3. There are more beautiful things than Beyonce by Morgan Parker

4. Bone Map by Sara Eliza Johnson

5. Splinters are Children of Wood by Leia Penina Wilson

6. Life without Diabetes – Roy Taylor

7. Fleshing Out the Narrative – Marielle S. Smith

 

Ongoing March reading include;

1. The Last Wolf – Jim Crumley

2. Big Magic – Elizabeth Gilbert

3. Coastlines: The Story of Our Shore – Patrick Barkham

4. Blue Mind by Wallace J Nichols

5. The Northumbrians by Dan Jackson

6. 8 Master Lessons of Nature – by Gary Ferguson

The Centre For Life

Yesterday we took a trip to the Centre for Life in Newcastle, a Life Science Centre which was showing a whole heal of exhibitions and films about space and time travel and the night skies. We rocked up there not knowing what to expect but we weren’t disappointed. I can see how the entry fee would put people off, as it’s kind of steep, but really if you’re being savvy which we weren’t really, you could stay in there all day, take a packed lunch and get your money’s worth. As it was we were in there for nearly 5 hours and we hardly covered the place.

It’s a place where your inner kid can roam. I suggest you take some kids along with you because then you have no choice but to get down to their level and look around the experiment stations, the brain exhibitions, the play stations and the displays with wonder and curiosity.

The best part for me was sitting in the Planetarium with my head right back so I could watch the night sky to its fullest on the dome screen. The presentation on the stars and constellations and our universe was so amazing. And I just found myself, like a kid again, exclaiming ‘wow’ at every new image and cool fact. This is the second time this year that I’ve had the opportunity to learn about the night skies and I’m sure it’s not going to be my last as these happenings are working to open up a door inside me which always said I was too stupid to know anything about our universe or life beyond us. But maybe it was a case of just not giving this field of knowledge and research enough attention. It’s science right? And black girls don’t do science! Wrong!

Well I’m learning now and I’m definitely not too stupid to take it all in and run with it.

Miss Ella touching a piece of the moon

I Dare You

I believe that the most important single thing, beyond discipline and creativity is daring to dare.” Maya Angelou

Today, I am daring myself to draw again. To allow myself to draw and dream and to be just curious again. To try things out, to practice with colour and not worry if it’s not right , if I get it wrong. I dare myself to get out my coloured pencils and to just try. To draw for me. And this is scary as it’s for nothing else I’m working on. It’s doing something for no other reason than to just try. And it doesn’t matter if I’ve got no time and other things are pressing. And it doesn’t matter if I don’t know where to start, or what I’m doing. I have an inkling to try so why not go with it. I dare myself today.

What are you daring yourself to do today?

January Reading

I didn’t set out into 2020 with a reading goal. I didn’t set any numbers but I did say I wanted to read more. Vague I know. And not the ‘proper’ way to set goals that you want to succeed at but at the time it was enough for me. And it’s been working.

January saw me curled up with actual books and the iPad sporting the kindle a lot more times than I felt I did at the back end of 2019. Could I say the whole of 2019? I’m not sure. Maybe my memory fails me here.

But the reading habit, the muscle memory of turning off all distractions and getting lost in a good book, fiction, non-fiction even poetry, seems weak in relation to the last couple of years to be honest.

Hopefully, with January now behind us, I can say that the drought is over as I hurtled through a number of books this month. I’m pretty proud of my numbers but also about how expanded I feel in terms of ideas and language and joy. The joy of reading has paid a long overdue visit and I want it to continue. So look forward to a monthly round up of books read each month. You might even find a book you’re interested in reading along the way.

I’ll list the books read and then give a review or details about just one of the books, as if I did it for all of them read this month, we’ll be here all day and come on, it’s the weekend.

Completed January books include:

1. Eat and Run- My Unlikely Journey to Ultramarathon Greatness – Scott Jurek ( started in December and completed at the beginning of January)

2. Turned Out Nice AgainOne Living with the Weather– Richard Mabey

3. Heavenfield – LJ Ross

4. Angel – LJ Ross

5. High Force – LJ Ross

6. Cragside – LJ Ross

7. Dark Skies – LJ Ross

8. Seven Bridges – LJ Ross

Ongoing January reading include;

1. The Last Wolf – Jim Crumley

2. Big Magic – Elizabeth Gilbert

3. Coastlines: The Story of Our Shore – Patrick Barkham

4. Blogging Basics For Authors – Nina Amir

Book review in the next post. Thanks.

Art Journal Play

When things get overwhelming, I take to colour. I think this is the reason I love Autumn so much. The myriad of colours; crimson, pumpkin, golden and umber. See what I did there? I elevated my vocabulary as sometimes I can be lazy and just use the obvious.

Anyhow. Back to the colour fields. Playing with colour fills my pot. Shifts my energy. And makes me happy. A simple task but well worth the effort.

Lately, I’ve started new journals. Square journals. Altered books. Notebooks. Any blank page I can fill with colour I will. I share some of the results here to inspire you to play. To let go and just lose yourself in the process. Forget the result. Forget perfection. And surrender to the joy of play.