Summer Loving

It’s been a short sharp second they’re since I’ve been here.

I’ve been enjoying the fruits of summer. The long hot days and nights. The light. The carefree feeling that a summer breeze brings. Being off the clock and not having to worry about the time.

I’ve also been busy working on the BALTIC commission and really enjoying the process. I’m loving seeing ideas come to fruition.

But this time can’t last forever. I know season’s change but so learning to live in the present with gratitude and grace.

In The Thick Of It

BALTIC commission process journal

“The most effective way to do it is to do it.”

Toni Cade Bambara

I set myself the task of touching the Hinterlands commission every day for the next 100 days from the beginning of July. And on the whole, I have succeeded so far in this task. Day 23 of July and I’ll be honest, this commission is filling my waking and sleeping hours, as I agonise over how to bring my ideas and concepts to fruition. How to communicate what I think, or feel or see to others. How to make that connection of understanding, empathy and solidarity when exploring the Black woman’s body with/in nature.

This is not an easy task. And I think I’ve made the task more difficult for myself by trying to incorporate multiple and diverse art form into the brief. It’s that same old story, that fear of never getting another chance like this so I have to say everything I’ve ever wanted to say on the subject all at once to make sure I get my message across. That I use this opportunity to it’s limits as this might be my only shot, my only slot, my only opportunity to speak and shine.

Of course this is not based on fantasy. This is based on fact. Did you know that just 2,000 artworks in the UK’s permanent art collections are by Black artists – most of which aren’t on display?

And even though over the last couple of years, there has been more visibility and opportunities for Black and People of Colour artists to be part of the British art scene/establishment, for example with Sonia Boyce winning the top prize, the Golden Lion as she became the first Black female artist to represent Britain at the Venice Biennale. This is still a rarity and not the norm.

“It seems almost ridiculous that it takes into the 21st century for a Black British female artist to be invited to do Venice,”

Sonia Boyce

We are still operating in a highly racist, discriminatory system. FACT. I can continue to keep chipping away at this. And I will. But …

For here and now, I think it comes down to confidence and belief in what I’m doing. To silence the outside noise. Ignore the internal critic and just do it. Do the things I want to do and move on.

At the end of these 100 days, I’ll have a collection of items, products, creations that I will then pull together into a whole. Into saying something about something.

We will have to wait and see. But I’m enjoying the process.

So already I feel as it I’m winning.

Stand Still and Rest

Llyn Ogwen, Capel Curig, Snowdonia

I’m in North Wales. On a swimming residency. The heat and crowds have been killing me though.

Planning to keep cool with water. Inside and out. But the scenery here is amazing. There’s an ancient vibe to the place. I really get the felling that these mountains have been here for centuries and will be here long after I’ve gone.

There’s a timelessness about mountains which force me to step off the busyness and into the calm and collected stance of stillness.

Just like a mountain. Over the next few weeks, as we ease into the summer holidays, I’ll be here in fits and starts. Not putting any pressure on myself to produce as I’m tired.

I’m tired and need to fall back in love with creativity. And I also need something to say. So enjoy the summer and maybe see you back here. But if not over the summer, see you in Autumn.

Soon come.

Walking and Writing Workshop

Presence 05/07/2022

I’m stepping back into The Sill: National Discovery Centre as past Writer in Residence for Northumberland National Park as well as current position as Creatrix in Residence for Hadrian’s Wall to facilitate a walking and writing workshop.

Taking inspiration from The Lost Spells: Listening to a Landscape of Voices exhibition, and book by Jackie Morris and Robert Macfarlane, this writing workshop will explore the power, glory and joy of nature.

Starting with the exhibition, we will use Jackie’s images as a field guide as we journey outside (in all weathers) to walk the landscape around The Sill and Hadrian’s Wall. With our sense of wonder stimulated and our creative pots full, we’ll return to The Sill to put pen to paper.

All genres of writing, journaling, imagining and creating are welcome in this workshop which is led by Hadrian’s Wall Creatrix and The Sill’s first writer in Residence, Dr Sheree Mack. The aim is to leave with a renewed sense of awe at nature and ourselves, as are we not all connected with nature as one?

More information and sign up for ticket here.

I am learning to be an inner healer.

I am learning to heal myself.
I am leaning to turn pain into medicine.
I may be at another crossroads. And I may to taking longer to get up
as I am getting older and in need of rest.
But I am learning to walk in uncharted territory.
I am learning to let responsibility go.
I am learning to let the guilt go.

I’m learning to not be afraid of death.
I’m learning to accept myself.
I’m learning to love myself.
I’m learning to not limit myself.
I’m learning to be free.
I’m learning to fly.

I’m learning to shine my light for myself first and foremost.
I’m learning to shed past selves, past skins, past traumas,
in order to let my light shine brighter.

The First of July

This week has been a bit hit and miss around being here. I was tired after my return from Cornwall.

If you want to find out more about how that residency went please consider jumping over to my Patreon page and checking out my posts there. I shared my reflections daily while I was away. It was a good practice to keep up as I went through the experience.

Okay so today I’m going to spend time planning out the month so I can move forward with the Mixmoir. As I mentioned this week, I’m continue with this challenge of showing up daily for the Mixmoir but going to focus on the joy of nature connection.

I’ll pop back here later today with the updated plan. This is me making myself/ keeping myself accountable as God know’s I could let things slide just from tiredness. But I will rest this month but this is going to be radical joyful rest.

What this space!

Developments on July’s Commitment

Longsands, Tynemouth

“How can the antagonist’s flaw(s) / strength(s) best affect the story arc as a whole? (Draw a card for each.) ”

I pulled the Spirit Weaver card for the flaw aspect of this prompt. Wha does this mean in terms of the mixmoir?

This is indicating how what I’m trying to create, the story is affected by magic. Or more so the lack of magic as I’m not truly or fully drawing upon my magic and dreams in order to complete the project.

This card is showing its to me to communicate how I’m not utilising my full power in order to manifest this dream, this book because I’m looking at it the wrong way/ handling it the wrong way.

I’m floundering in low vibrational energies, negative thinking about this book, its content. The stuff I actually put in the book, what I’ve been writing about had been forcing on the negativity instead of focusing on the good.

Okay writing about racism and white supremacy culture isn’t good for the soul, my mental well-being for sure. And reading about it again and again isn’t good either. I know that higher vibrational energy would come through the joy of wanting to create/ write it.

The making out with my lover kind of feeling, which I have experienced with this project in the past has been missing of late. As well as within the content; the sharing the joy and pleasures of being in nature.

Maybe I could make a commitment for July when continuing with sharing about the mixmoir daily that I could focus on the good stories, the good experiences.

Maybe, I could be looking for the good news to share in the book. The good interchanges and interactions. No doubt this would help raise my vibrations and in turn flow into the book but also how I’m living my life in the present now.

Maybe I could every time I’m with nature , I could capture the experience, in words and image, and share them here and build my mixmoir around these moment. Being with her and cherishing her.

July is just around the corner

A393, Cornwall

June is coming to an end. My challenge for this month, through posting each day, was to share content from my mixmoir as well as sharing about the process. I know I haven’t posted here everyday, or touched my mixmoir everyday either. But I know I’ve been much more engaged in the project this month than any other month this year because of this challenge.

To give myself a fair chance in getting to grips with the mixmoir, and because we are easing into Summer, with the school holidays imminent, I intend to continue to turn up for this practice in July.

I’m factoring in energy levels, commitments and time in the forthcoming month, and rather than change track now when I feel as I’m just getting into the swing of things, I’d like to go deeper into the mixmoir, especially around my current thinking about healing.
I’m satisfied with my decision. And this has only inspired me to continue. #onwards