The Long Journey To Claiming Books

I was brought up to treat books as sacred. They were a source of knowledge. You get your education and you’d have choices in life. You’d move on in the world. Have a better life than your parents before you.

Books were the gateway into this Paradise.

Each week, we would walk into town from our maisonette, along the busy dual carriageway. Once in town, we’d go to the market, to the one book stall and pick out a book. They were the tradition fairy tales with pictures and text.

If not them, then Enid Blyton books. For some reason, I felt the importance of books and the connection of them to my dad. He’d read us bedtime stories and I’d just love to be in his presence then. As he was softer and loving. Different from the angry man he was at all other times.

For some reason, who knows what goes through a child’s mind, I took to doodling in one of these fairy tale books. I want to say it was Snow White, but I could wrong.

A whole heap of scribbles and doodles took over the pages of this book. Why use the book when I had plenty of blank white paper? As I said who knows what goes through a child’s mind.

I just know that my father found the book and shouted at me with rage. And beat me. I’d done something wrong. I’d ruined the book. I’d ruined my chances of getting on in the world. I’d gone against the unwritten rule( or was a spoken one?) around how to respect books.

Older now, I hunt for books. I buy my own books. I read then. Some I don’t. Some I keep or give away. And some I purposefully, consciously make the decision to repurpose. Reclaim them.

I tear out pages and I cut these up. I smear paint on the pages left in the book. I stick images in them, tape, stickers. And yes I write in them. I write out my hopes and fears. My desires and dreams. My memories and traumas.

I think I was brought up right. To treat books as sacred. But it’s what you do with those books that count, I think. And a book has multiple uses/ purposes. I think. Multiple ways and means of instilling knowledge and opportunities and freedom.

It’s been a long journey for me to get to this point of choices. But I claim them all.

An escape to the balcony with the pigeons was freedom

The West Indian Front Room, 1970s by Michael McMilan

Sunday afternoons, after fried curry and rice and West Indian dumplings,

we’d sit on a brushed flannel blanket covering the velvet settee. Legs too short to touch the multicoloured carpet beneath.

We’d sit straight, only our eyes moving, wandering over the bright yellow textured wallpaper, tracing patterns and exits until we were dizzy.

He sat in one armchair and her in the other. Armrests protected with white hugging linens. Dollies on head rest, sideboards, side tables. Everywhere.

Behind him hanging against the white washed wall was a black velvet scroll depicting the islands of Trinidad and Tobago. Home. A silence presence.

If he was in a good mood then there’d be port and a cigar and the gramophone sounding out with soul. Other times, black and white TV shows like Survival and the history of athletics, we had to watch. Still and silent.

We were his children brought up to do as we were told. To not ask why and call our elders uncle or Tantie . Any deviation from such a course of action would result in rage and beats.

My imagination became the place of expressing my range of emotions. My imagination became the place of power and choice. Freedom.

Pigeons. Standing there.

From a marionette flat

with a pebbledashed balcony

grey feathered birds, standing

there, there on the railings.

running free

Climbing trees, juicy mangoes

pliant flesh and ashy elbows

to be running free through the long grass

and burrs sticking to legs, gaze widening

no thought for shiny brown skin

causing hate, no thought for others

just green

All of Nature is Connected

In case you’re a kid who doesn’t have the right equipment,
and just in case you’re growing too big for your bones and
have to walk around in second-feet shoes,

take a moment to nestle in the autumn chilled grass,
lean in close, breathe in the slack conker smell and squint.
You might not have a magnifying glass but you can still

recognise kin. Ladybirds, beetles and ants.
Creatures of the earth. Overlooked and taken for granted,
caretake as you learn to nurture yourself into bloom.

Fear on the Playroom Floor

An oversized, blue fluffy bunny
is the things of nightmares.
Garish, stalks the playroom floor.

I hide behind the enlarged
building blocks, hands over ears and heart
busting my chest. Afraid

the bunny will hear me, find me
and beat me. Beat me for being me.
I didn’t do anything wrong.

I fear this fear. Not knowing
where the next blow from the taloned
paw is coming from and why.

Not knowing if my existence
is an affront or punishable offence.
I dream of other floors

with soft cushioned landings
blankets and warmth, like
under autumn leaves breathing orange.

A Million Tiny Sherees

I feel like I’m holding a million little Sherees
in my arms and each one with a need to be fulfilled.


I’m lost, not knowing what to do for the best,
who to listen to the first. All are fragile and in pain.

They’re little me’s at different times in my life.

The little puffy afro-ed toddler.
The dreadlocked housewife.
The first school bunchies kind of kid.
The jet black straight haired newborn.
The baldy divorcee.

Mini Sherees all making noise
vying for my attention, craving love
wanting to be seen and healed.

I’m afraid one will slip through my fingers,
or I’ll break the neck of another.
It’s a huge responsibility to carry myself
alone. And not allowing one single Sheree in.

Becoming whole

After Megan Fernandes 

Sometimes, I could see Daddy,

liming along the sea walls of Trini

racing in the hills between the metal shacks 

clothed under a black blanket dotted

with diamonds holding wishes of England

whispered from thick black lips.

I’ve been waiting on Summer like a promise.

Sweating under breasts, I’m reluctant to cross

over the threshold, the weight of this black body

offending everybody and including me.

Some days, I imagine silver light shed 

along the shoreline. Probing sand eels

leaving spiralling piles of sand and shit.

Grace is not something I wear. Except

one time after pulling myself together again in

Iceland’s otherworldly landscape.

Daddy kept his island parcelled in fur, under 

the bed, never to drift out and cocoon me in home.

At midlife crisis, I’m knee-deep in this man-made

forest, serpents for hair, munching waxcaps, knowing 

it’s not wise, but mesmerised by their ruby rubber

ness, knowing there’s no escape looking in the mirror

I Dare You

I believe that the most important single thing, beyond discipline and creativity is daring to dare.” Maya Angelou

Today, I am daring myself to draw again. To allow myself to draw and dream and to be just curious again. To try things out, to practice with colour and not worry if it’s not right , if I get it wrong. I dare myself to get out my coloured pencils and to just try. To draw for me. And this is scary as it’s for nothing else I’m working on. It’s doing something for no other reason than to just try. And it doesn’t matter if I’ve got no time and other things are pressing. And it doesn’t matter if I don’t know where to start, or what I’m doing. I have an inkling to try so why not go with it. I dare myself today.

What are you daring yourself to do today?

Who’s afraid of the dark?

A 6.30am alarm wakes me. On a Sunday. And the gadget, a smart watch, ringing the alarm is somewhere on a desk somewhere hidden in a dark cold hotel room.
I stumble out of bed blind and unsteady, hand and arms outstretched in front of me, combing the black air, trying to touch something soild. Trying to stop the incessant noise.

I was brought up to fear the dark. It didn’t take my small imagination much to conjure up monsters under the bed and ghosts on landings. Lying perfectly still in my bunk bed pretending to be dead already, the dark dug deep into my psyche so that I grew up fearing my own reflection.

When I’m not watching my weight (come on, when am I not watching my weight?) I enjoy an extra cold pint of Guinness with a shot of blackcurrant to cut through the bitterness. A drink of pure iron. Thick like treacle, it works well as a lining on my stomach before multiple rounds of alcoholic concoctions follow. Who knows? Who cares? But as long as my core swims deep with the dark stuff I’m ready for anything.

On our living room wall in our maisonette flat in Bradford where I grew up, we had a velvet scroll depicting two islands. The land was made up of bright green stitched thread. The towns and villages were named in golden thread. Bright red blazed across the top, ‘The Islands of Trinidad and Tobago.’ I’m not sure if we were ever told but our dad came from those islands. It was a silent fact. I liked to touch the thread, when I got the chance. The stitching was tight and taut. My eyes, though, were pulled into the expansive black crushed velvet Caribbean Sea wondering how he survived the swim over to the U.K.

I thought these smart gadgets were supposed to make your life easier. Why wasn’t it flashing neon green, or red even, at the same time as sounding an alarm, giving me some clue as to it’s whereabouts? I felt I could have done better with my eyes shut. But I’ve been living that way for far too long. Now with eyes wide open to the dark, I’ve become wise to the tricks of history. I’m woke.