This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.
After this 2025 has been a period of extended rest and refusal.
But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.
I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.
But it satisfied this niggling feeling. Until it didn’t.
It was going back into the classroom. Completing a few days of supply that pushed me over the edge.
The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.
So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.
This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.
One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.
It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.
Just for my eyes, heart, and soul only.
So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.
Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.
From about mid November 2024, I took myself off on a self-directed hibernation. I might have had to do some work in a school in December but mostly from then until today, the end of March, I’ve been resting. I withdrew from the world of responsibilities and work to take some much needed alone time. I went within, into the darkness and stillness. And now as I attempt to resurface and re-engage with the world, with great difficulty I may add, I’m taking this time to reflect on this practice and process of disappearing from the world for months on end.
Firstly, I think everyone should do it. And I don’t like using ‘should’ but here I’m going to make an exception. I know it’s a privilege to take time out of work and from seeking money for a certain period of time, and I recognise that, but wouldn’t it be a better world for everyone and even living thing, if we all could hit that stop button and rest?
For me through this retreat practice, everything is put into perspective. I give myself the time and space to reflect and process all the shit thats happening in this world. And I may not come back with the solutions but I do come back with an expanded capacity for joy and grace instead of just the feelings of overwhelm and defeat.
My time away has been good for the soul because I’ve been able to remember and reclaim my body-soul-spirit connection. I’ve been able to reclaim my connection to self, nature and other people. I’m been able to come home to myself and work out, gently, what is important to myself. What are my values and morals and am I living my life by them. If not then let’s recalibrate and get back on track. And I don’t mean the capitalist make as much money and the least connection and impact kind of track. I mean the track of being the best version of myself so I can show up for others in my family and community as the best version of myself for them.
I’ve taken this time away for me but at the same time, I hope as a role model. As an example to follow. Yes money is always going to be an issue. There is always not going to be enough to go around and to do the things I want to do or live the life I want to live. But at the same time, I can live more frugal. I can spend my money on experiences rather than on material stuff. And I can take the risk and say I’m not going to work or actively seek work for a few months while I rest, while I work on myself, while I {BE}.
Of course, my bank balance is screaming at the lack of money therein. Credit owed might be rising. And I could slip into panic mode and think I’ve got to get work, quick and fill the pot back up. But if I slipped right back into this panic mode and ran around like a chicken with no head, what would have been the point of the rest and withdrawal? All that calm and serenity and centred-ness that I’ve created over the last few months would have been for nothing. Gone in the blink of an eye, just like this time away seems to have passed.
This practice of rest and slowness, is part of my practice forever! There’s no switch that I switch back on to go back into work mode. I’m not a machine or a robot. I’m a living, breathing, feeling human being, even though there are some who have made me believe otherwise. I want and need to make sure that my life reflects my priorities and values and not just plays into the system which has never got my back.
As I’ve mentioned before, I writing about fugitivity. And for me part of using fugitivity as a method or practice, is me to take my body out of the systems of production and run. Run away from the rat race, run away from extraction and exploration and stop. Or linger in the time and space of rest and nothingness. Breathe deep and allow my body to come back to life. Allow my joyathon-o-meter to rise by feeding my soul with beauty which is there to see in the every day if only we allow ourselves that time and space to {BE}.
I haven’t just been sitting on my arse and doing nothing during this hibernation, even though a lot of the time was spent on doing nothing, allowing myself to get bored and seeing how it feels and what comes up and seeing what are my go tos to stop feeling all the feels. This has been a period of getting to know myself again, which is difficult if you’re bouncing from one job to another, one project to another, where the aims and intentions are not in my control or even anything I’ve agreed to.
So yes day dreaming did enter the hibernation period. What also featured was reading and writing and walking. And sea swims and travel and alone time with nature. Home cooking, time with family and friends. Music and dancing and artwork and journalling. A lot of visual journalling. Nothing earth shattering but enough. Enough to make me realise that I’ve been running on empty, exhausted really and how harm was caused towards me and how I needed to heal.
Yes if anything, this time has been a time of healing. And this is an on-going process but I feel better equipped now to continue the healing journey.
So April is around the corner and I’ve really not got a lot of work on still. As I made the decision not to actively seek work while in hibernation also. Why take the time away from work commitments and then spend that time searching for work, applying here there and everywhere and getting stressed about finding work for my return? What nonsense is that.
So yes I might officially end my hibernation today, but I know I still have time for me as the work commitments are few and far between. But not stressing about the things I can’t control but will focus on the things I can control. I might start to gear up to putting our feelers for work but not full throttle. Not nice, don’t like. Again, I’m not going to waste this time away on moving out of zero effort into the max. I’m slowly easing out of my bear cave. I’m stretching slowly, reaching for the sky. Scratching my back against a tree trunk, and then I seat back down and admire the cherry blossom coming into bloom. I’m taking the time to thank Mother Earth for being with me and allowing me to rest and to resurface when I’m good and ready. I’m grateful for this time away. And I’m grateful to be able to return in my full glory as me.
I haven’t looked back since I left mailchimp and took Living Wild Studios Notes over to substack. To send out a missive, a newsletter, or even just a hello is so much more straightforward and simple. It makes the task less arduous and much more enjoyable.
So I’ve just spent some time today creating the last note of the year for subscribers. And I added in an audio reading of it too, because I can.
It’s just me musing about the loss of words this year and then finding them again through listening outdoors and within. Go on over there and check it out. Warning: poetry included too!
And sign up as a subscriber if you fancy too. You’ll be more than welcome.
The last week has been a bit of a patchy presence here. It’s been a bit hit and miss. And I could beat myself up and think I’m falling behind or I could just look at it as going at my own pace.
I’m of the mind that with this challenge, connecting and sharing about my mixmoir each day, isn’t the kind that lends itself well to playing catch up. I think these words and images of catch-up would be hollow and lack much development for the whole book. They would be just filling up space and hitting that target of posting on the blog each day. Which in the scheme of things doesn’t really help/move forward the mixmoir.
So consider this going forward: if I don’t post here each day in June, I’m not going to play catch up in order to have 30 complete posts for the month. However, if on one day I feel the urge to post more than once, then so be it ( like today maybe?)
I just appreciate the flexibility I’m creating here for myself as well as offering myself patience and grace. This is a learning practice but I’m grateful that it is part of my practice now.
Many moons ago, I went to Washington State to visit a new friend, Sarah Spaeth, who I met while picking grapes on Monteleone in Lazio, Italy. That was over 10 years Aga now and we’ve been friends ever since. We’ve had some adventures in the States, over here in Scotland and also Iceland.
While I was in residence with the Jefferson Land Trust, where Sarah was the Executive Director at the time, I fell in love with Fort Walden which was just down the road from where I was staying. It’s a national park with the sea, beach and trees and a creative centre, called Centrum.
I remember Sarah talking about this centre while in Italy and how much I would love it there and to come and see. She was right, I felt right at home there. And when I took my family over there, we spent plenty of hours hanging out there. It was my dream to sometime return and do a writing retreat there, or attend their summer writing program.
The summer writing program is just like going back to college for a week. Writing workshops in the morning and afternoon and then evening readings. To be immersed in writing for a whole week, with other writers, bliss. Obviously this year, it’s had to be cancelled. So instead they’re offering a Summer Writing Intensive but virtually. The next best thing. And something I could so attend.
So I am, starting tomorrow, I’m going to writing college and going to spend the week in poetry and fiction workshops. Go to some readings in the evening, but totally live the writer’s life and I do so from the comfort of my own home. And what’s even neater is that I’ve been given a scholarship to take part for which I am so grateful.
So apologies not is you don’t see me here next week, as I’ll be soaking up the writing atmosphere and vibes from across the pond.
It feels an age since I’ve been here. But I’ve been busy. I’m been creating a podcast over at Earth Sea Love. The Earth Sea Love Podcast is a podcast for and about women of colour and their relationship with nature hosted by Sheree Mack. The Earth Sea Love Podcast is committed to exploring the experiences of women of colour with Mother Nature. We want to provide spaces where the hidden voices in the environmental/ conservation conversations can explore their relationship with the natural world.
Inspired by time spent outdoors, we amplify the voices of women of colour; our stories, conversations, interviews, photography, writing and artwork.
We’ll be exploring our legacies, histories and memories which have had an influence and effect upon how we perceive ourselves within the natural world and environmental/ climate justice movements.
This podcast is funded by the National Lottery Heritage Fund.
we go live tomorrow 13 July 2020. Be ready to listen in on all the major podcast platforms.
I had the pleasure of being part of the Prompted By Nature podcast this month. It was good to have a chat about my relationship with nature and the work I’ve been completing within the region, with Earth Sea Love, offering opportunities to Black, Asian and ethnic minority women and girls to enjoy experiences with/in nature.
* The importance of BAME visibility and representation in natural spaces and the marketing of nature-based brands as well as the need to motivate a new generation of black women leaders
* The financial side of accessibility in nature
* Land as holding trauma and associations with enslavement
* Nature as a space of oneness
I’ve just listened to the podcast for the first time and I was smiling along with the conversation, as it is so good. I share a lot and there are some words of wisdom that we could all take away. Check it out here. Thanks.
Since May, I’ve been sharing my writing on Medium. This is a platform I’ve tired a number of times before but for some reason the habit just didn’t stick. I now know this probably had something to do with having nothing really to say. But now I do.
I’ve been contributing to the Binderful Blog, which a small online community of women, started a few years ago, which offers classes to support women questioning their lives. Maybe shaking up the status quo from the kitchen table outwards. I’m due to create a class with Binderful but in the meantime, I’ve been writing on Medium for them.
If you’re interested in checking out what I’ve shared so far then click below to read the articles.
This month was a hard month to concentrate on any longer reads. My reading was bitty and more about current affairs with The Guardian newspaper getting many hits. Other featured websites were The New Yorker, The Atlantic, The Orion and The New York Times.
The readings was what it was, what it needed to be to get me through each moment, each day.
The one book I read, while I started many, was A Portable Paradise by Roger Robinson. A poetry collection exploring the Grenfell disaster intimately which went on to win the T S Eliot Prize in 2019.
Living Wild Studios 