black women

Solvitur ambulando

| Sheree

Solvitur ambulando – “it is solved by walking.” Coined by the 4th-century-B.C. Greek philosopher Diogenes while attempting to response to the question of whether motion is real. Diogenes got up and started moving. He walked to try and solve the problem.

“It is solved by walking.”

The women from The Angelou Centre Walking

I read yesterday that there are no new beginnings. No beginnings because when we start something, we are already coming at it from the middle. We’ve already been in the thick of it, knee deep in the things that are important to our lives. The issues that hold our attentions and hearts. So when we start working on them, we’re already in the middle of the experience for us.

When we finish the project it’s not the end it’s just a marker on the journey. The journey will continue beyond this or that point. We keep on trying to make sense of our lives. To experience what is in our bodies, hearts and souls as long as we live. Is this not the whole point of our human existence? Of our creativity?

To get clear on our view of the world, or even our experience of the world as we move through the world and share these asides, moments and realisations with others through our creativity?

Solvitur ambulando

Diogenes of Sinope

There is nothing that cannot be solved through walking. There is a latin quote that says this phrase in just two words but who am I to know latin or even to hold this knowledge in my head. It is a foreign language, a foreign culture to me, living in my Black body but it is still passed off as something I should know. As an educated person in Western society that I should know. Not that it is alien to me and is not mine.

My heritage and culture, is denied to me, or is hidden, or re-constructed on a pile of lies. It takes my time and effort to unearth it all, for me and for others. Still through all that effort, to unearth and bring to light, fact and fiction, it’s not recognised. It’s not valued and is dismissed as not being good enough.

White Supremacy Culture is alive and kicking, And I keep kicking up against it no matter what I do or be. Try to do or try to be. I’ll always be found wanting.

Circulating My Preoccupations

| Sheree
Visual Journal 21/05

I’ve mentioned before how I’ve been granted a scholarship to participate in Susannah Conway’s Journal Love Club for a whole year.

It’s a gift that just keeps on giving. I get a prompt everyday, a growing community on Mighty Networks, people sharing practice and a live zoom call once a month.

Usually, I start my day with my visual journal practice as above and then by the time I’ve done that the prompt from Journal Love Club has come through so I can continue and respond to that.

Journal Love Club Prompt 21/05

In the past, I’d be on my case for using so many different journals. I would also get confused by what went where and then lose stuff, not knowing where to find the gems. Now, I’m much more of a mind that if I’m showing up to the page, at all or once or twice or more, it’s all a win.

The common denominator between all these different journals is me. And this practice helps me along on this journey of getting back to me. The core me. The authentic me.

After today’s prompt which asked me to look over my recent journal entries to pull out themes; what’s been grabbing my attention, this entry came out:

“Nothing is a surprise when I look back and see what issues and ideas keep circulating the journal pages.


Identity, fear, never being good enough.

But then I started to switch things up in response to this prompt.
I’ll never to good enough in a system which is stacked against me.
In a system wired for us to aim for perfection even when we know it doesn’t exist.
But more so, if it did exist it wouldn’t be available to me anyway.

So knowing this I surrender. I let go. Not give up, but surrender means not allowing time and energy to strive for this, to even fight it.
But to use this energy and channel it into the things that are important to me. Not even taking into account the system, the white gaze but making my audience that little Black girl inside and the one in my house now.

And maybe through this I can heal as well as be a better mother to myself and my daughter.

That feels good, that feels better.”

“Femme Noire” de Léopold Sédar Senghor / “Black Woman” by Léopold Sédar Senghor

| Sheree

Léopold Sédar Senghor I would like to share with you this poem of the late president of Senegal, Léopold Sédar Senghor. This poem is an ode to the…

“Femme Noire” de Léopold Sédar Senghor / “Black Woman” by Léopold Sédar Senghor

I reblog this post African Heritage here as a marker. As a tag. As a note to follow up in conjunction with a project/commission I’m working on. All will become clear when I create a new project page within my portfolio.

But for now, enjoy this beautiful poem from Léopold Sédar Senghor, which speaks of the Black Woman which can also be read as the country, Senegal. Enjoy. More details coming soon.

Let’s Go Outside

| Sheree
Visual journaling 04/05

At the moment, I’m using an altered (romance) book as my visual journal. I go with my moods when it comes to deciding what to use next for my visual journal. I listen to my gut and what she’s calling for in terms of size, shape, texture of page, of journal she needs in order to show up daily for the next month or so.

So with an altered book as my journal I was calling for space to explore colours but also layering, composition and found text.

There will be pages that are heavy with colour and my handwriting while others I’ll crave colour with space and some text cut ups applied.

I’m using Toni Morrison’s The Bluest Eye at the moment to create found poetry for double page spreads. The Bluest Eye was the first book I read in which I found someone who looked like me and who felt the same self-hate I was experiencing around growing up in a predominately white society being within a Black body. It was revolutionary for me and my personal development to find this book when I did.

I suppose using a copy of the book now to cut up and repurpose is saying something about how I’m feeling at the moment and how I want to see myself on the page. How I want to take back the space, take up space and be validated. But on my own terms.

I love how powerful visual journaling is to my psyche and how I move my body through this world but does so through such a simple process. It never ceases to amaze me what comes to light and fruition through this practice.

La Jablesse

| Sheree
La Jablesse, Zak Ove

After Zak Ove

Come, follow me, young man, into the forest. Come. You like the sway of my hips, and my secret smile?

Then come, follow me, if you want to see more, to touch more. I’ll be all yours in the hidden forest away from the waging tongues.

Pay no mind to my necklace of antique nails or the weathered ropes I wear like a scarf or shawl. It’s just my unique style.

Come. Not yet. Don’t peak under my wide brimmed hat or under my long skirts. Patience, you naughty boy.

Come follow me and I’ll be all yours in time. Brass horns and trumpets I adorn because I love to make merry and dance.

African mask I wear because I know where my people come from. Smelling of jasmine and rose with a hint of decay. Come.

Pay no mind to the way I walk, one foot on the road and one beached tree trunk for a cow’s hoof in the grass. Come.

Come into the forest, deep into the forest where the trees are tall and thick and no one will hear you scream as you are lost and fall down a ravine.

Listen, I need you, handsome young soul, to keep my own beautiful. I feed off your fear and lostness and fall.

Listen I’m happy to own my own narrative again. They call me La Jablesse- she-devil.

Listen, I say, I’m a woman in control of who she be and who she chooses to take to forest, to bed, and to death.

Colour is Mine

| Sheree
Van Gogh, 1959 by Althea McNish

After Althea McNish

Sunflowers

big and bold

inspired by Van Gogh’s

brandished

across a

yellow and white

striped field

black lines

outline floppy leaves

and dozing closed heads

bright colour carried to

this grey isle

not a luxury but a necessity

for survival

for blooming

another time

uprooted

sunflowers

An Alternative Narrative

| Sheree

As mentioned in my last post, we have the Black Nature In Residence Showcase coming up on the evening of 28 October.

This is the first event in a series that identity on tyne through their Earth Sea Love project are collaborating with Northumberland National Park to host.

Other events offered as an alternative to the Future Landscape Programme that will run at the same tine at COP26 in Glasgow, will provide diverse voices to the environmental and conservation movement and makes those all important links between the local and global in terms of the climate crisis.

Starting on 11 November, 7.30-8.30pm – Decolonising the Environmental Movement

I’ll be hosting a conversation with Sarah Hussain and Serayna Solanki

Through their projects and research, both Sarah Hussain and Serayna
Solanki are providing spaces for marginalised communities and people of
colour to engage with nature as a means of changing the narrative around
who has a say in the Climate Change Movement. They are working within
education and research, community and organisational partnerships, to create
and highlight dialogue around climate justice through personal and community
storytelling.

Then 18 November, 7-8pm, Nature Writing Reading

Join me , as host again, with Jo Clement and Zakiya McKenzie for a reading and discussion of literature which explores place, environment, belonging and identity as both writers read from and talk about their recent collections.

Then on 22 November, 7-8pm – A keynote lecture with Grace Hull, Holistic Sustainability

What is holistic sustainability?

Grace Hull created Green Grace Soul to share her journey to living sustainably in a holistic way. Grace attempts to balance the food she eats, the products she uses and the things she buys with the most beneficial outcomes for her health, the health of the planet, and the others living on it.

Sustainable living and Climate Change activism have many faces, and by centring holistic sustainability Grace engages with intersectionality and the social and historical context of climate change through the reflections of her journey that she shares on her website, podcast and DIY projects.

This will be a keynote lecture followed by a Q and A.