For the last two days I’ve been completing my refresher course in Outdoor First Aid Training.
First completed during the pandemic, my certificate had run out and I needed to retake the course.
It’s simple, First Aid saves lives.
Basic first aid can mean the difference between life and death. A Red Cross survey showed a staggering 59% of deaths from injuries would have beenpreventable had first aid been given before the emergency services arrived.
Only about 4-5% of the population in the UK are First Aid trained. This for me is not enough people taking responsibility. This for me is not enough people l caring about other people’s well-being. This for me is not enough people demonstrating care in community.
What maddens me further is that women are more likely to not receive life saving first aid because people, usually men, are uncomfortable about exposing women’s breasts in conducting life saving CPR. So more women are dying without receiving first aid because of other people’s embarrassment. Fucking hell. I’m telling you now, if it’s the difference between showing my boobs and being able to live for another day, fucking get my top and bra off as soon as possible and start saving my life. You have my consent now.
I’m now trained up for another 3 years. But I won’t be leaving it there. I’ll make sure I’m refreshing my skills more frequently as well as moving onto an advanced first aid skills training course. I don’t think you can ever be prepared enough for saving a life , as who knows what scenarios will present themselves in real life, but at least I will have the confidence and the know how to try and save a life.
A book is much more faithful than a lover I think.
A book can open you up to so many different experiences at the same time as reaffirming everything you’ve been feeling and thinking and struggling with.
I’m not sure a lover can do all that for me. But many more than one lover could?
Hence spending copious amounts of time in bed with books.
Reclaiming the Black Body: Nourishing the Home Within by Alisha McCullough is one of my current reads.
I used to be of the persuasion to read one book at a time. Devote all my time, focus and attention to one book in order to reap the glory/ knowledge/ whatever!
But these past few years, as I’ve become thirsty for stimulation and attempting to find like-minded people/ theories/ lovers, I’m moved into reading multiple books simultaneously, also known as “syntopical reading”.
And these books are not on the same topic either. They range from poetry around grief, non-fiction on gardening, personal essays around deep time, romantic and crime novels and short stories about myths and history. The list goes on!
I’m so enjoying this eclectic and multiple reading practice as it’s keeping me engaged, creating unique and original connections and it’s keeping me feeling loved.
By me.
So one of my current squeezes is Reclaiming the Black Body and I’m devouring it in small digestible bites because it is speaking to my soul.
This book is calling to attention the deep-seated, long-time, disproportionate amount of trauma, violence, marginalisation, discrimination, and adverse childhood experiences of Black women and femmes, and confounded by misognoir and racism, how we have learned to cope with it all through increased imbalanced eating behaviours.
Usually called “eating disorders” but even using that language implies that the individual is to blame and implying that some of us are just not equipped to nourish our bodies and do not know how to look after ourselves.
‘Disorder’ implies stigma and comes from the Western health ‘care’ system which from time has excluded and harmed Black people.
So this book is a balm for the wounds of silent struggles Black women and femmes have been going through around eating imbalances including myself. And is a vindication that we’re not fucked up and broken and just beasts, being less than human but that we are doing our best with the tools that we have to strive and thrive within a system that is hell-bent, historically and now, to demonise the Black body.
I will continue to cosy up with this book and others in bed, night and day, as reading is hitting the spot!
As they become known and accepted to ourselves, our feelings, and the honest exploration of them, become sanctuaries and fortresses and spawning grounds for the most radical and daring of ideas, the house of difference so necessary to change and the conceptualization of any meaningful action. Right now, I could name at least ten ideas I would have once found intolerable or incomprehensible and frightening, except as they came after dreams and poems. This is not idle fantasy, but the true meaning of “it feels right to me.” We can train ourselves to respect our feelings, and to discipline (transpose) them into a language that matches those feelings so they can be shared. And where that language does not yet exist, it is our poetry which helps to fashion it. Poetry is not only dream or vision, it is the skeleton architecture of our lives. It lays the foundations for a future if change, a bridge across our fears of what has never been before.
Audre Lorde, ‘Poetry is not a Luxury’, on Sister Outsider: Essays and Speeches (Trumansburg, NY: The Crossing Press, 1984), 37.
I’ve got time on my hands to read. A reading week as we used to say at Uni. Why? Well that’s another story, I’ll tell you at another time, maybe.
For now, I’m getting my teeth into something that will make me feel better, or feel as if I’m getting somewhere with my self-study/permaculture diploma design/ ways of being.
I’m reading The Black Feminist Reader edited by Joy James and T. Denean Sharpley-Whiting. And I’m heartened to read in the first essay in the collection by Barbara Christian, ‘The Race for Theory’, that along with her Black sisters, Christian has not rushed to create abstract theories around how to read Black women writers/ Black women’s literature. The argument goes that there are countless Black women around the world, women colour around the world, and one single set of ideas cannot be applied to such diversity.
As Christian goes on to argue, “There is, therefore, a caution we feel about pronouncing black feminist theory that might be seen as a decisive statement about third world women. This is not to say we are not theorizing. Certainly our literature is an indication of the ways in which our theorizing, of necessity, is based on our multiplicity of experiences.” ( p.20)
Instead of being seduced into the academy, being at the centre, desiring/ claiming what might seem like power within the hierarchy of old traditional departments of knowledge, where the Black female experience is subordinate to others, ” We can pursue ourselves as subjects”. ( p.21)
This is music to my ears as I have always found it difficult to pin down what is Black Feminist Theory. What does it entail? What are the tools of engagement? What methods should be employed to reading Black women writers?
But that’s where I’ve been going wrong, thinking about theory. As for me theory was legitimisation. Writing dies if it’s not being talking about, theorised. But now I understand that :
Theory has been their way, their terms, their approaches ( p. 16)
Theory has been more about how clever the theorist is than about the writing or writer
Theory is prescriptive and it ought to have something to do with practice (p.13)
Theory is about those masters who have long gone and not about the here and now.
And as Christian states, and I totally agree, “But what I write and how I write is done in order to save my own life. And for me I mean that literally. For me literature is a way of knowing that I am not hallucinating, that whatever I feel/ know is.”(p. 21)
So I’m following Christian in my pursuit of what Black Feminism(s) is by having no fixed method of enquiry or even results. My method relates to what I read and the historical context of the writers I read and “to the many critical activities in which I am engaged, which may or not involve writing.” ( p.22)
So there is no set method within Black Feminist Theory and is influenced by practice, no prerequisite of a new theory as every work suggests a new approach, forcing me to think differently.
“As risky as that might seem, it is, I believe, what intelligent means – a tuned sensitivity to that which is alive and therefore cannot be known until it is known.”( p. 22)
This piece originally was published over on Medium with Binderful. I’m drawing this piece into the Living Wild Studios archives. Because I can!
Image credit — Donovan Valdivia
“How difficult is it for one body to feel the injustice wheeled at another? Are the tensions, the recognition, the disappointments, and the failures that exploded in the riots too foreign?”
Claudia Rankin
In August 2014, there’s a summer of “hands up, don’t shoot” protests, in Ferguson, Missouri, in response to the unlawful shooting of Michael Brown Jr.. In November, Darren Wilson, the white Ferguson police officer responsible for Brown’s murder isn’t indicted. In December, filled with rage and helplessness, I organise the first ‘Black Lives Matter’ protest in the North of England; a political poetry reading at our city centre library. Together artists and writers, cram into a hot room on the top floor of a building made of glass, and pour out our rage and pain through our writings. Black people’s words. Our ancestors’ words.
I’m criticised by one Black woman, in particular, because I invite white poets to read. They could only read the words of Black people as this event is centring our lives. Black lives. A white people’s presence is not what this Black woman wants. She wants a safe Black only space. I respect and understand her views. We all want a safe space for Black people. But I feel we can achieve so much more when we work together, Black and white, to solve our society’s problems. I know where she’s coming from though; a place of pain and suffering and hatred. As Black people, for so long, we have endured so much hate and violence from the hands of white people. For far too long, we have been excluded from a share in the economic wealth our ancestors paid for with their lives to create. We’re sick and tired of being excluded from the abundantly spread societal table which our ancestors give the skins off their backs to forge. And this hurts.
In March 2017, there’s a ‘Stand Up to Racism’ demonstration in London, Miss Ella, my seven year old daughter, and I dance behind the sound system truck, towards Trafalgar Square. Crowds behind metal barricades line our route, with the Metropolitan Police shepherding us along. We shout, ‘Refugees are welcome here.’ Miss Ella, dressed as her superhero, Black Widow, looks as if she’s just stepped out of a Black Panther’s meeting. With her long brown hair blowing in the wind and her peachy fist punching the air, she’s learning long before I did how to use her voice to bring about change. She carries her homemade banner stating, ‘Black Lives Matter,’ high with pride and courage. Along the way, a white woman with screwed up face screams at us to shut up and go back home to where we come from. Disallowing our protests, devaluing our presence here.
I recognise where she’s coming from; a place of her ignorance and pain and hatred. As white working class, for so long, she’s been fed the lies that Black people and immigrants come over here and take their homes and jobs. For so long, the poverty they’re experiencing is down to these Black illegal criminal and not a capitalist system rigged in favour of a few priviledged people. We’re just as sick and tired of this too. And we know it hurts.
In May 2020, there’s ‘Black Lives Matter’, protests around the world. In response to the recent killings of George Floyd, Tony McDade, Ahmaud Arbery, and Breonna Taylor, to name just a few, the streets are talking through fire and smoke. Thousands take to the streets, Black and white, to demand justice for all our Black brothers and sisters who have been and continue to be murdered by state sanctioned violence.
I’ve grateful for their voices and bodies. This time, I protest through my words and art. As the Covid-19 pandemic still poses a real threat here in my part of the world. I’m a Black, fat woman carrying yet another target on my back. While protesting, the odds of getting molested and arrested, and not surviving the experience is higher for me than any white person. Just as the odds are greater for me of dying from the Coronavirus than a white person.
Black, Asian, and ethnic minorities in the Western world are dying at a disproportionately higher rate and number than white people during this pandemic. Many explanations for this reality have been voiced with the blame thrown at the feet of Black people. That it is our unhealthy bodies and behaviours which are spreading this disease, conveniently not addressing the inherent racism and systematic inequalities that have operated for over 400 years that has brought about this dis-ease, making our weathered bodies more susceptible to this virus.
‘We rather die on our feet than keep livin’ on our knees,’ taken from the James Brown song, ‘I’m black and I’m proud’, I feel this as we see thousands of Black people (and white people) take to the streets, even though there’s a greater risk to their lives than ever before. But I recognise where’s they’re coming from. We’ve had enough. We’ve endured enough. We’re not prepared to accept Black lives being devalued anymore.
I’m using my morning routine as an anchor. Each day comes and goes, but I can show up and repeat a selection of rituals which keep me present and bring me joy.
When there are days when I hit a funk, when the energy is low and I forget about the abundance in this world, I lean in a bit more fully or a bit longer into a certain practice until I come back to myself.
Today, I needed to move with the sea. It’s been two weeks since I’ve been into the sea what with being away and experiencing the come down. So I promised myself last night, today is the day to return. I kept this promise to myself, strengthening that muscle of trust in the self.
It was freezing and beyond. The wind chill was sharp and painful. The waves were high out there. But I walked in and out, did my acclimatising dance and gave thanks.
I thanked the sea for being here, always to greet me. No matter how long I’ve been away, or how broken I turn up. She is always there to greet me in all my fucked up glory and I thank her for holding me, for rocking me back home to myself. To her. To the universe.
Living Wild Studios 