black women

I come to the page not knowing what I’m doing.

| Sheree

I come to the page not knowing what I’m doing.

I might have disrupted the page already with paint, or marks or collage. But this was done to eradicate the blank page. And this was done with that one purpose in mind and then left to see another day.

I come to the page not knowing what I’m going to do. Will I make a mark with paint, pencil, piece of paper, what? I just know I need to start.

I might want to cover the white spaces. I’m drawn to colour. So using colour excites me. So I drop a dollop of paint, red maybe and then I know I need to move it across the page. But how? Finger, card, roller? Each brings a different texture to the page, each brings a different coverage to the page.

So now I’ve started but still I have no idea what I’m doing or where this piece is going. But I start responding to the mark that has just gone before. What do I need to do next to work with this last mark or interruption? What would speak with it? What would speak against it?

If I have no idea, that I pick up a pencil and allow my hand to loosely move it over the page, making circular marks. This gives me a moment to think, to look at the page and see what is missing, what is needed.

But when I say thinking, I don’t mean conscious, logical thinking. Let’s call it musing or dreaming instead. As my mind is empty when I’m in the creative process. The outside world falls away. My cares and worries fall away. I’m just focusing on the page in front of me. And not in a concentrating way, or a hard stare kind of way. Just like my hand is holding that pencil, in a loose kind of way.

I come to the page not knowing what I’m doing. But I’m listening. Being attentive to what the page, the piece now coming together wants from me, wants next. One mark, then the next, communicating to each other and then the next.

At some points in the process, I’m up close, working on just one corner of the page. At other times, I take a step back and allow other parts of the page to come into my line of vision. At some points, I fall in love with just a section of the whole. I give it some care and attention. I bring it up and out further. I make it sing, because in the process, I sing through it too.

At this point, the rest of the page needs, deserves this care and attention so I start listening elsewhere. Keep coming back to the places I love and savouring their presence.

I come to the page not knowing what I’m doing but being open to the dance of possibilities. I make myself vulnerable to the process as I feel this it the only way I can move forward with the process.

I come with no expectations, no desires to make pretty art.

I come to the page to feel and express.

Walking In Search of Purple

| Sheree

I’ve started again. I think it happened a couple of weeks ago now. But I’ve started walking out and searching for the colour purple again. I first started this last year during lockdown, when I would take a daily walk, but walk with intention. My intention was to search out purple, usually purple flowers, pause give thanks and snap a photo.

As Alice Walker write in The Color Purple “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it. People think pleasing God is all God cares about. But any fool living in the world can see it always trying to please us back.”

Walking is a meditation. Like breathing. When I walk my footsteps fall into a rhythm with my breathing. I always feel better after a walk. During the troubling times of the Coronavirus pandemic and Black Lives Matter uprisings around the world, I’ve been searching for purple, more often than not. Does that mean I’m been looking for God? Looking for the reason maybe for all this suffering? But maybe there’s isn’t any reasoning for everything that’s happening. Maybe it’s just a case that this is how things are in the natural scheme of things. How it’s always has been and will be? That’s there’s meanness in the world and suffering and pain as well as beauty.

As more and more in society reopens after lockdown, and more and more people are making demands on my time and attention, I’ve slipped back into walking and searching for purple. And I think this is not to just fill my creative pot with joy, but also to makes sure I keep moving through this world at my own pace. Slowly. And when I lean into taking things slowly, doing things at my own pace, I know I’m in control of everything that is happening in my life.

It’s me taking back me power. And I think that’s what purple symbolises for me. As a colour, for centuries it has been associated with power. Not just regal power, but also because it was so expensive to make, purple was only worn by the select few, the echelons of society.

To be empowered from the inside out is real power for me. Power isn’t how much money or status you have in society. For me, it’s how much you value your own worth, protect your boundaries, lean into what makes you feel happy, what brings you joy and continue to relight your creative fire.

This is power to me. This is purple.

Emotional Labour

| Sheree

‘It’s hard to be calm in a world made for whiteness. ‘ Austin Channing Brown

My last post, Black Fatigue, was written in a moment of anger, hence all the mistakes. Not mistakes in the argument or feelings but in the spellings and grammar. But I make no apologies. Sometimes it’s good for the soul, or good for me to let the anger out that I’m carrying around, moment to moment, daily.

It’s probably one of the rare occasions, I’ve allowed myself to vent as I have learned through years and experiences being an angry Black woman gets me nowhere. But the flip side, where has being an amicable and amenable Black woman got me? Probably well down the road of mental health issues and questionable wellbeing.

A week on, and I’m still sick and tired of the things playing out in my life as I move through this world in the body of a Black woman but still not recognised or treated as a fellow human being. I could even say that things have gotten worse as with time, more slights and ignorance and lack of awareness of their actions and inactions accumulate. Continue to accumulate as I get older but also as I attempt and fight to be met eye to eye with others as a human being deserving of living and striving within this world.

I oscillate between exhaustion and anger. Being depleted and fired up. And the worse thing of all is those that cause this suffering are oblivious to it. And even when I take the time and energy to point it out to them, how their actions are being unfair, unjust, unreasonable, and not seeing the situation in it’s totality they get on the defensive, do not engage with the issue, but deflect it away with comments like, ‘ I won’t engage with you when you’re being so aggressive.’

I stand by my post Black Fatigue. I just wish I’d mentioned emotional labour too. I can see now, as I reach 50 years old this year, that I have spent my lifetime trying to fit in. That means trying to be white. That is the only way to be let / given an inch in this game/ society/ life. I’m expected to be white because this is the cultural way of being. White people believe being white is right and good. Anything ‘other’ is wrong and should do everything right to become more white.

Now as I continue to question this standard, the way of operating in society, in the world, I’m going to become more and more angry and exhausted because I’m constantly being judged for being a Black female in a world made for whiteness. Everywhere I turn, in the street, on social media, on the TV, my self-esteem is being chipped away while living with the disparities in job opportunities, health care, education, and in the justice system. And I’m supposed to be happy and grateful when someone white talks about diversity and offers a crumb as if it’s taking a risk.
And then if I have the audacity to ask for more, there’s tears.

I’ve taken a break from social media as I was falling into the comparison spiral trap as well as putting pressure on myself to produce. But I see now what I was doing was performing. This is my pain and this is my joy. I was striving for the viewer, for you, to see me, treat me, like a fellow human being. It appears it’s the only dance I know. I’ve spent a lifetime trying to be white at the same time as trying to convince/explain/ argue that I’m worthy, that I’m a fully functioning and feeling human being who deserves to be here for your discarded crumb. Fuck that for a game of soldiers.

I’m taking back control and my power so I can control my rage. Not to protect others but myself. I’ve got to make sure now that my anger doesn’t destroy me. I’m putting in emotional labour with me, for me now.

Black Fatigue

| Sheree

It’s been one hell of a week. And it isn’t over yet. I just feel exhausted, drained and a bit bruised and a battered with the world. Can I say the system?

No. I’ve stopped using these kind of non-descriptive terms along with the likes of ‘institutional racism’. As these are terms used to conceal the truth, to deflect attention away from the people who create racist policies and practices. Who act on their racists attitudes and ideas. Who internalise racism and reflect it outwards against others that look like them.

I’m so sick and tired of being made to feel grateful for the crumbs that are thrown my way. That I should shut up and put up and a smile sweetly if I’m invited to the table. That I shouldn’t rock the boat, that I should be shamed or struck by fear into silence. Smile sweetly and just nod my head.

I’ve played the game and helped others tick their boxes as at the time I believed it would bring about change. That once I’d convinced them of my humanity, explained my existence and displayed my intelligence and worth then they would have to listen to me and take me seriously.

I’m sick and tired of this being played out again and again. All I can do is speak up. All I can do is work hard to create opportunities and experiences that weren’t there before for others and myself.

All I can do is call out injustices and imbalances in power and access where I see them. To not stand on the sidelines bickering but creating change on my own terms to make society a more equitable place.

I’m no longer gonna allow others to be putting their labels, insecurities and lenses on me. I know what my intentions are and I know they come from my heart. And I’m not sure everyone can say that when we live in a world which celebrates the achievements of one over the many and rewards the ones who are amenable saying the words that others want to to hear rather than speak their truth.

Guilty was the verdict in the George Floyd murder trial for another bad apple. This is hardly justice if the murders of Black and People of Colour by the Police, through state sponsored terror continues. There needs to be more accountability, there needs to be a cutting down of the whole rotten tree, there needs to be a redistribution of power.

I’m so sick and tired of the infighting, of the lack of listening, of the personal agendas and vested interests. Why are we living as if everything is scarcity, therefore everyone’s in cut-throat competition. Instead of embracing the reality of abundance. There is more than enough to go around except a few insist on hoarding a majority share. If everyone was given the right conditions, their rightful share/ place/ space to thrive, we would each fulfil our own potential.

Just like nature displays. Just as she sets the example. Today on International Earth Day, I just wish more individuals connected with nature, and therefore themselves and each other. The most powerful energy is love. But too many people continue to feed and act on hate.

And I’m just sick and tired of this being the case.

The Earth Sea Love Podcast

| Sheree

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It feels an age since I’ve been here. But I’ve been busy. I’m been creating a podcast over at Earth Sea Love.
The Earth Sea Love Podcast is a podcast for and about women of colour and their relationship with nature hosted by Sheree Mack. The Earth Sea Love Podcast is committed to exploring the experiences of women of colour with Mother Nature. We want to provide spaces where the hidden voices in the environmental/ conservation conversations can explore their relationship with the natural world.
Inspired by time spent outdoors, we amplify the voices of women of colour; our stories, conversations, interviews, photography, writing and artwork.
We’ll be exploring our legacies, histories and memories which have had an influence and effect upon how we perceive ourselves within the natural world and environmental/ climate justice movements.
This podcast is funded by the National Lottery Heritage Fund.
we go live tomorrow 13 July 2020. Be ready to listen in on all the major podcast platforms. 

Day 15 – NaPoWriMo – Musician

| Sheree

black and white bus stop sign
Photo by Autumn Dunne on Pexels.com

Ted Blaine, musician
After Gabrielle Calvocoressi

I journey back sometimes
and remember when I was riding
up front in that hot metal can.

I could see her in the rear mirror,
patting down here hair
and fixing her lipstick.

I should have done things
differently, little things,
like carried her bags

into the service elevator.
Let her know that I didn’t
think it was right, the way

they treated them Negroes.
One time, I heard her humming
while watching the world whizz by.

It was awful sweet the way
she could drift off into the music.
My mama was the same when she

had breath in her body. Sometimes
I dream of singing. Mostly
it’s that Billie’s comes back.

We’re traveling in the hot tin bus
but we’re upfront together
and she’s telling me

a thing or two about improvising
as the trumpet runs off
dancing with the piano.

Day 12 – NaPoWriMo – Triolet

| Sheree

Today’s prompt from NaPoWriMo is to write a triolet. I love just saying the word, ‘triolet’, never mind writing one.
The triolet form involves a fixed rhyming and line scheme which is pretty simple once you get your head around it. The first line is repeated in the fourth and seventh lines; the second line is repeated in the final line; there are only five original lines, and the rhyme scheme is ABaAabAB.

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Triolet: shooting at blossom is a spectacle

Why isn’t one bullet too many times to shoot anybody?
It’s a crime for cherry blossom to fall too soon,
How much gratuitous violence is taken by a blackbody?
Why isn’t one bullet too many times to shoot anybody?
Translucent and tender like the flesh of a fledging chickadee,
we are all bone and blood and teeth under the white of the moon.
Why isn’t one bullet too many times to shoot anybody?
It’s a crime to see the cherry blossom fall too soon.

Sharing Your Work – 002

| Sheree

“ I think deep down we know that our creativity is not just for us. The creative power flows through us and it’s not meant to stop there. We need to keep the faucets open and allow the gift of creativity to circulate, so that it can touch other people. So it can grow beyond our own limited reach. “ Anna Lovind, The Creative Doer

Spreading the Joy

The Creative Body

| Sheree

For the past few weeks, I’ve been itching to come to the canvas. To crack open the paints and create the images that have been streaming through my head usually when I put my head down to sleep. But in all honesty, I’ve been too mentally and emotionally exhausted to pick the paintbrush up.

Then I cut myself some slack and said to myself, you don’t have to get the paints out, just pick up a pencil or pen and draw something. So I did. And after the pencils came the charcoal and then the chalks and oil pastels and ink. Each stroke of line moved onto another and another medium to pick up and use. And before I knew it I’d created a body; a black woman’s body.

I’m now itching to do more. So the black women’s faces and bodies, one of my 100 day projects from 2019 are coming back for the official #The100dayproject which starts on 7th April till 15th July 2020.

To support me in this task, I’ve also signed up to Connie Solera’s Painting the Feminine again, which is always a rich space to create images from daily. Looking forward to exploring where these black women want to take me this year. Stay tuned.