beauty

A Creative Sketchbook, Dec 2025

| Sheree
My creative sketchbook
My creative sketchbook rules

I’m not sure how my creative sketchbook differs from my visual journal. Intention maybe.

Perhaps, I think , I’m attempting to develop my art practice within a designated space. A study maybe.

I haven’t really been in the thick of my art making practice since the preparation for my Baltic exhibition back in 2022-3.

This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.

After this 2025 has been a period of extended rest and refusal.

But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.

I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.

But it satisfied this niggling feeling. Until it didn’t.

It was going back into the classroom. Completing a few days of supply that pushed me over the edge.

The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.

So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.

This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.

One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.

It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.

Just for my eyes, heart, and soul only.

So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.

Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.

Daily walk/008

| Sheree

Unto the deep, the deepness of calling

stepping out as a battered sojourner,

into the beauty and stillness of autumn,

strength comes from struggle and speaking the uncomfortable.

Anger but also grace in the refusal.

Going Berserk for The Snæfellsnes Peninsula

| Sheree

The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes.

A break in the clouds at Ytri-Tunga- a seal watching place. I saw no seals!

At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Today this was hidden in cloud.

Arnarstapi

Arnarstapi is a picturesque fishing village on the southern side of the Snaefellsnes peninsula. It’s dominated by a stunning coastline of natural formations.

Arnarstapi

Dramatic coastline, shaped by centuries of volcanic activity and relentless ocean waves, is lined with towering basalt cliffs, natural arches, and sea caves that shelter a variety of seabirds, so says the Guide of Iceland and I cannot disagree. Being here and walking the trail, I finally felt as if I’d arrived. Settled into Iceland, in this body, in this moment.

Arnarstapi

Following the peninsula along we reached through lava fields the black-pebble Djúpalónssandur Beach.

Djúpalónssandur
Djúpalónssandur

The roar of the ocean and the power and the spray. It was magical. It was all consuming and I just wanted more. The rain was battering me on the wind and the water was getting closer to my feet. It was cold and wet and windy and wonderful. It was overpowering and exhilarating.

Kirkjufell

Final major stop was at Kirkjufell. Kirkjufell is a 463 m high hill on the north coast of Iceland’s Snæfellsnes peninsula, near the town of Grundarfjörður. Seen in Game of Thrones and called the “arrowhead mountain”, this was impressive and bold. Especially when playing background to the nearby Kirkjufellsfoss Waterfall. Beautiful.

Berserkjahraun, or the Berserks’ Lava Field, apparently, if you believe the stories.

Berserkjahraun, or the Berserks’ Lava Field, a story from the Eyrbyggja Saga. According to the saga, two Swedish berserkers cleared a path through the lava field, but were later killed by a local leader. He wore them out first in order to kill them. Strategy.

I don’t hold to the negative connotations of going berserk. However, I do lose all control when it comes to the Icelandic landscape. It floors me every time.

Blossom Diptych – Day 26

| Sheree

1.

Blink twice and I miss you. Not wanting to make this mistake again, I watch for your arrival. Then once here, bask in your delicate beauty. Each bursting cluster unique. Soft and curled petals, blush and flush, fuchsia, rose, and pink.

I pray for the wind to stay away, to go away as with each gust you are forced to separate from your centre pistil and disperse like confetti. Floating upon the air to land anywhere. And then it’s over for another year. Short-lived gone in the wind.

2.

Each year you return with an open palm, gentle and vulnerable. I see you watching me. I wait for my time. I put on a display of tight fisted pink buds as a promise. A promise that soon comes. To blaze in my glory is a gift I cherish. As soon gone. Drifting off in the wind to become more in time.

Sakura – Day 16

| Sheree

At the tail end of winter,

loaded with blousy, pink,

double flowers with frilly edges,

are Japanese blooming cherry

trees. At mere sight,

I become mooncalf,

mooning over their delicate

blooms. Reborn.

For a few weeks at least,

hope trembles through

the boughs.

The present moment

like each pink, soft cluster,

is cherished.

Fugitive Practice

| Sheree

For those of us who live at the shoreline… Audre Lorde

It will be 10 years this August that I started my visual journaling practice.

Then it was called Dreaming on Paper, as I completed the course of the same name by Lisa Sonora.

I needed a safe space to explore the tumult of my feelings and thoughts. I was going through a traumatic experience of escape really. Escape from the life I’d spent the past 12 years building up, that was took away in the flick of a Facebook post.

I ran away from the public, the writing community, my home as I travelled into the Scottish Highlands and Islands. To heal.

Visual journaling helped me heal. Helps me continue to heal.

Overtime, I’ve come to understand my visual journal practice as a fugitive practice. Within these paints, images and words, dreams of freedom are planned out and eventually come to fruition. Projects, happenings, events – all on my own terms.

I mean, the whole point about escape is that it’s an activity. It’s not an achievement. You don’t ever get escaped. – Fred Moten

Within these visual journal spreads, I work out how to escape, how to get outside white supremacy culture while still having to be living on the inside. Coming to terms with the thought of that the outside can only occur from the inside. Being here.

Visual journaling is me trying to create an opening, a break in the fabric in which to slip on through into the otherside/ outside, into the woods running between the trees with the dogs barking at my feet. Creating beauty, creating a beautiful space in which to linger in while the terror rages around me.

Visual journaling is a safe space, is a nurturing space, is a free space.