beauty

A 50 day streak

| Sheree

Yesterday marked 50 days of my creative sketchbook practice. 50 days of consistently turning up to the page to play and experiment.

What I’m learning is that I can trust myself to turn up for myself. I’m learning that my practice muscles can be strengthened. I’m learning that I love creating colour fields. It like what I create with visual journaling but different.

Here with these colour fields, there’s layers built up and then stripped back. Marked into. Scratched away to leave textures I like to see and feel. This practice is definitely expanding my palimpsest exploration and obsession.

I’m learning that I want this my creativity to be the main focus of my day and everything else is the add on, not the priority. Not the main meal. My creativity is my life source/force.

I’m practicing taking my creative sketchbook practice into my life. The attitudes, the risk-taking, the consistency, the trust in self and my art-making, these values and practices I’m carrying with me throughout my day, no matter who I come into contact with.

This creative sketchbook practice keeps me centred and focused on my feelings of joy and abundance. This practice keeps me present and checked in with myself, moment to moment.

On top of my visual journaling practice, this safe space of play and to {BE} me, is enough. Is more than enough to fill my day with bliss and connection. A practice that I’m finding opens up doors inside and outside of me, for me and others.

An Archives of Memories, Feelings and Skyr

| Sheree

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

A Creative Sketchbook, Dec 2025

| Sheree
My creative sketchbook
My creative sketchbook rules

I’m not sure how my creative sketchbook differs from my visual journal. Intention maybe.

Perhaps, I think , I’m attempting to develop my art practice within a designated space. A study maybe.

I haven’t really been in the thick of my art making practice since the preparation for my Baltic exhibition back in 2022-3.

This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.

After this 2025 has been a period of extended rest and refusal.

But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.

I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.

But it satisfied this niggling feeling. Until it didn’t.

It was going back into the classroom. Completing a few days of supply that pushed me over the edge.

The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.

So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.

This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.

One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.

It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.

Just for my eyes, heart, and soul only.

So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.

Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.

Daily walk/008

| Sheree

Unto the deep, the deepness of calling

stepping out as a battered sojourner,

into the beauty and stillness of autumn,

strength comes from struggle and speaking the uncomfortable.

Anger but also grace in the refusal.

Going Berserk for The Snæfellsnes Peninsula

| Sheree

The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes.

A break in the clouds at Ytri-Tunga- a seal watching place. I saw no seals!

At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Today this was hidden in cloud.

Arnarstapi

Arnarstapi is a picturesque fishing village on the southern side of the Snaefellsnes peninsula. It’s dominated by a stunning coastline of natural formations.

Arnarstapi

Dramatic coastline, shaped by centuries of volcanic activity and relentless ocean waves, is lined with towering basalt cliffs, natural arches, and sea caves that shelter a variety of seabirds, so says the Guide of Iceland and I cannot disagree. Being here and walking the trail, I finally felt as if I’d arrived. Settled into Iceland, in this body, in this moment.

Arnarstapi

Following the peninsula along we reached through lava fields the black-pebble Djúpalónssandur Beach.

Djúpalónssandur
Djúpalónssandur

The roar of the ocean and the power and the spray. It was magical. It was all consuming and I just wanted more. The rain was battering me on the wind and the water was getting closer to my feet. It was cold and wet and windy and wonderful. It was overpowering and exhilarating.

Kirkjufell

Final major stop was at Kirkjufell. Kirkjufell is a 463 m high hill on the north coast of Iceland’s Snæfellsnes peninsula, near the town of Grundarfjörður. Seen in Game of Thrones and called the “arrowhead mountain”, this was impressive and bold. Especially when playing background to the nearby Kirkjufellsfoss Waterfall. Beautiful.

Berserkjahraun, or the Berserks’ Lava Field, apparently, if you believe the stories.

Berserkjahraun, or the Berserks’ Lava Field, a story from the Eyrbyggja Saga. According to the saga, two Swedish berserkers cleared a path through the lava field, but were later killed by a local leader. He wore them out first in order to kill them. Strategy.

I don’t hold to the negative connotations of going berserk. However, I do lose all control when it comes to the Icelandic landscape. It floors me every time.

Blossom Diptych – Day 26

| Sheree

1.

Blink twice and I miss you. Not wanting to make this mistake again, I watch for your arrival. Then once here, bask in your delicate beauty. Each bursting cluster unique. Soft and curled petals, blush and flush, fuchsia, rose, and pink.

I pray for the wind to stay away, to go away as with each gust you are forced to separate from your centre pistil and disperse like confetti. Floating upon the air to land anywhere. And then it’s over for another year. Short-lived gone in the wind.

2.

Each year you return with an open palm, gentle and vulnerable. I see you watching me. I wait for my time. I put on a display of tight fisted pink buds as a promise. A promise that soon comes. To blaze in my glory is a gift I cherish. As soon gone. Drifting off in the wind to become more in time.