The Sinners Series – 005

With it being awards season and all, I felt called to watch Sinners again. This might have been my fifth or sixth time. I’m sorry, I’ve lost count. It still hasn’t lost its magic. The film just keeps on giving for me. To me.

This time, I’m struck by how many times freedom is mentioned. How to get free? How to be free? How to protect that freedom?

I think Sinners explores the price of freedom. The price of being free. There’s always a cost for attempting to live life on your own terms.

From the beginning, we might be introduced to sharecroppers, working for the white men, still on plantations. But this will be a self-sustaining community. More than bodies for working on the farms, the land they do not own. But they have each other. Each character is developed at the beginning of the film. The viewer is allowed to get to know them and see them in their element. They be vibrant and they be fixing to be free. Free from the restrictions of white supremacy culture, capitalism, patriarchy the whole shebang. And this isn’t without pain but also joy and laugher and love.

Sinners is what happens when a community, when people are living their own lives and are infiltrated by others, who want what they have. Outside threats come to ruin the day. Vampires come and covet what this community has. Sammie. Sammie has a gift, the gift of music that connects him with all ages. Griot.

Delta Slim’s says, “With this here ritual, we heal our people. And we be free.” This is the power of music and how a community can tell their stories through music. And outside forces, in this case vampires, who hear, see, realise this power, are threatened by it as well as want it. Want to control it take it away from this black community who are gain strength and sustainance through it all. And be free.

Sammie’s gift, the music, the very culture needs to be/ has to be protected from these outside threats at all costs. As culture, its very existence is threatened from being sucked dry by the devils coming tonight.

So as a people, as black people, we do whatever we can do to tell our own stories, protect and preserve our music, our culture as through this we heal. And we be free.

What I’m reading

I was reminded that I had this book in my stash while listening to Marquis Bey talk on an episode of This Is Hell!, titled ‘ To steal one’s life back: On the power of fugitive Blackness’

It made me run straight to the book and start reading it with the hope it will support my fugitivity practice as well as provide some juicy quotes for the workshop I’m facilitating with WOC Azadi Collective this Sunday about my fugitivity and visual journaling practices.

It’s all sold out but you can read about it here and get in touch if you’re interested in coming along to some other sessions in 2026.

#decemeberreflections2025

Fugitivity Study

Patreon Post

I love me a good crime novel. Or even a romance. I’ve loved them from time. I’ve used them as escape, distraction, research even as I’ve always harboured desires to write them. I’ve been on a reading spree this autumn and these genres of fiction have been my go to. Devouring them in a matter of days.
Now I see how I’ve been checking out. I’m not dissing the genres, the writing, the individual books. But I am dissing their intention. Yes they’re for escape but they are also there along with consumerism and mainstream media to numb us. To help us stay muddled in thought and actions, propping up the racial capitalist system.
I’m taking back my time and attention and I’m starting my personal study curriculum.

Continued over on Patreon, check it out

Protecting my peace

i ain’t smiling

I’ve been in a battle with myself.

The lessons I try and pass on to my kids are not to allow anyone else to change you. You go about your business as yourself. Don’t change for nobody.

I’ve been in a battle with myself.

I know my nature. I smile a lot. I lean into the joy of life because I’ve always said life is too short after being touched by death so young ( I now think life is long but that’s another conversation).

I’ve been in a battle with myself.

I’ve noticed I’m walking out now and not smiling. To myself or others. My face is fixed in a neutral stare, going about my business. I don’t not need/ want to look, speak or touch anyone else.

I’ve been in a battle with myself.

Is it my nature to smile and make contact with other (white) people because that’s who I am? Or do I do it to make them feel comfortable and not to think I’m a threat to their safety? Do I smile because I’m happy? Or do I smile to keep others happy?

I’ve been in a battle with myself.

Through speaking with a ( black female) friend recently things have become clearer and more resolute.

i ain’t smiling.

Not smiling, gazing or connection with (white) people while out walking/ coffee drinking/ shopping/whatever, is me, protecting my peace.

Black Aliveness


“We are not the idea of us, not even the idea that we hold of us. We are us, multiple and varied, becoming. The heterogeneity of us. Blackness in a Black world is everything, which means that it gets to be freed from being any one thing. We are ordinary beauty, Black people, and beauty must be allowed to do its beautiful work.” Kevin Quashie describes in Black Aliveness, or, A Black Poetics of Being.