This short piece is a mash up of a certain clip from Joaquina de Angola: Memory of a Liberation by Aida Bueno Sarduy and music from Insight Timer, called You.
Seen recently in Barcelona at CCCB, Joaquina de Angola: Memory of a Liberation by Aida Bueno Sarduy is an audiovisual installation that recovers the story of Joaquina, a young woman enslaved on a plantation in Brazil, and her escape.
“A work about archived, forgotten, and silenced voices in the history of slavery and colonialism. This audiovisual installation brings to life the act of “unarchiving” an event recorded in colonial history as an escape. A 15-year-old enslaved girl fled the plantation where she lived, and her owner, after an unsuccessful search, placed an ad in the newspaper offering a reward to whoever found her. The archive reveals nothing more about this incident: it merely collects it as a piece of data. This piece challenges the oblivion, archiving, and silencing of this character. To unarchive, in this context, becomes an artistic and political act that brings Joaquina de Angola out of the shadows of the document, removing her gag and chains so that she can tell her own story. This act not only questions the record but also raises questions and delves into its details. It is an inquiry that brings Joaquina back to life and acknowledges her as a cimarrona, calling upon ancestral memory as well as imagination, intuition, and spirituality. Since the beginning of colonization in Brazil, alliances and exchanges of extraordinary significance have taken place between Indigenous peoples and enslaved Africans, but these have also been silenced. The presence of entities known as caboclos (Indigenous spirits) in all Afro-Brazilian religions is perhaps the most consistent and profound evidence of this. Amazonian peoples, Indigenous peoples from across Brazil, and quilombola communities—formed by Afro-descendant peoples—have shared ancestral struggles for the defense of their territories and against colonization and exploitation. The installation speculates on these possible Afro-Indigenous alliances in Joaquina de Angola’s journey toward freedom.”
This extracted masheup with music created above by myself, hence a found poetry film, is my take at a beginning of exploring fugitivity. I’ve been living, breathing, talking, practicing fugitivity for a few years now. I’ve mentioned it before, and it was Dal Kular who first introduced the term of me via her then newsletter, Field Notes. Dal said at the beginning of Jan 2023,
“Whatever the out-there-in-the-world fuckery is going on in 2023, I declare myself a CREATIVE FUGITIVE. A way of living in this world but not of it.”
Her take on creative fugitivity has stuck with me. I’ve gone on to read more around fugitivity. I’m even writing a chapter, at the moment, around black mothering and fugitivity. Fugitivity is taking over my life. And again I’m creating a project here in my portfolio to collect my wanderings and wonderings around this concept and way of being.
For me in a nutshell, fugitivity is the act of flight. It is the withdrawing of my labour and consent in the current system of white supremacy culture, capitalism, imperialism, colonialism. Fugivitiy is refusal and resistance. Divesting from the current way things are playing out as the few hoard the wealth of the world at the expense of the many.
Originally the fugitive was the runaway, the escapee. Hence why the audio-visual installation and consequent fugitive poetry film was created. I’m starting from the origins of the escaping enslaved. Running, fleeing captivity towards freedom. Freedom being the end point, the destination but in the process of escaping, there is the in-between space between what they were fleeing from and fleeing to. And here in this liminal space is where fugitivity is ripe.
There/ here is the lingering in the midst of flight, where I choose to SLOW down and be. To linger with nature. To seek my joy and pleasure in the world around me on my own terms. Fred Moten in conversation with Saidiya Hartman, both of whom we will be exploring further, said,
“I often use – and I always think of it in relation to Fannie Lou Hamer, because it’s just me giving a theoretical spin on a formulation she made in practice: to refuse that which has been refused to you. And that’s what I’m interested in.”
That is fugitivity as a method, kin-making and place-making, as a practice that I intend to explore within this project archive.
I’ve got a chapter to write and it’s going nowhere fast.
I hate it when I think I have all the time in the world to complete a writing task and then I procrastinate.
I know I procrastinate because it’s important to me. Very important to me and I don’t want to get it wrong. So I do nothing instead.
Well not really nothing. This is my bedroom wall, where I’ve started to put up post-it notes to help me with the chapter on fugitivity.
This makes me feel as if I’m doing something. Seeing this everyday also, I hope, makes something go into my creative brain subconsciously. I’m hoping that living with it makes the wheels start turning and connections being made.
What I’m learning with fugitivity is that is’s not linear. Not a straight line from captivity to freedom, from unfreedom to freedom. It is argued that fugitivity performs freedom ‘as a constant struggle’ ( R. Slavitt cited in Davis, 2016).
This I hold close as I attempt ( struggle!) to write this chapter around fugitivity as this is not going to be a linear chapter from A to B to C etc. This chapter with its content and structure and form will be dancing with unfreedom and freedom, constantly struggling to convey meaning around fugitivity at the same time as remaining free from the academic frameworks and restricts and expectations.
In order to write about fugitivity I need to take on board fugitive methods and practices.
I’m spiralling and circling back and forth in a good way, in an honest way and hopefully the chapter will be the result.
For those of us who live at the shoreline… Audre Lorde
It will be 10 years this August that I started my visual journaling practice.
Then it was called Dreaming on Paper, as I completed the course of the same name by Lisa Sonora
I needed a safe space to explore the tumult of my feelings and thoughts. I was going through a traumatic experience of escape really. Escape from the life I’d spent the past 12 years building up, that was took away in the flick of a Facebook post.
I ran away from the public, the writing community, my home as I travelled into the Scottish Highlands and Islands. To heal.
Visual journaling helped me heal. Helps me continue to heal.
Overtime, I’ve come to understand my visual journal practice as a fugitive practice. Within these paints, images and words, dreams of freedom are planned out and eventually come to fruition. Projects, happenings, events – all on my own terms.
I mean, the whole point about escape is that it’s an activity. It’s not an achievement. You don’t ever get escaped. – Fred Moten
Within these visual journal spreads, I work out how to escape, how to get outside white supremacy culture while still having to be living on the inside. Coming to terms with the thought of that the outside can only occur from the inside. Being here.
Visual journaling is me trying to create an opening, a break in the fabric in which to slip on through into the otherside/ outside, into the woods running between the trees with the dogs barking at my feet. Creating beauty, creating a beautiful space in which to linger in while the terror rages around me.
Visual journaling is a safe space, is a nurturing space, is a free space.
Summer Solstice came and gone. I had plans to hit the sea at sunrise, but didn’t make it because I had a restless night what with the heat and house and car alarms going off during the night? Are they sensitive to the heat? I do not know. I thought I was trapped in some kind of twilight zone with the incessant calling alarms and no one moving to switch them off. But I digress. maybe I’m just sensitive to senseless noise!
Mid-year reflections. What can I say? I’m not getting anywhere fast and I’m okay with that.
I FaceTimed with a very dear friend many miles away today and she asked and what’s happening with me. What’s happening in Sheree World?
At first I felt I needed to fill in the gaps with some of this shit and that. Or I’ve been asked to do this shit and that? That I had to show I was hustling and beating the grind real good. But shit ain’t happening in Sheree World and in all honesty I’m happy about that.
I hibernated well into April this year what with going to Paris and celebrating my babies’ birthdays. By the time I came out of my cave, everyone was well into their year, well into 2025. And I could do one of two things ( probably other things too but focusing on just the two for now!).
I could drop everything my heart desired and focused on catching up with everyone else. Max out my diary with jobs and commitments and watch the money roll in.
Or two, I could, continue to roll out of my SheCave slowly and mindfully, carefully and with a whole heap of love and grace for myself and just take things on a day to day basis. No rush no sense of urgency and definitely no panicking.
Which option do you think I chose to follow?
I’m not even sure it was a viable choice because I’m so used to practicing Slow Fugitivity now that it’s the only way I can operate and keep myself sane, safe and thriving.
I’m not measuring my success by how much my bank balance is telling me or more like alerting me to. I’m not measuring my success by how many people are singing my praises. By how many people have my name on this lips and are ready and willing to work with me. Promote me, award me, accept me.
I’m measuring my success on how good I feel moment to moment. How much joy and love am I feeling now? How much care am I giving to my self and those around me? How much am I showing up into situations, gatherings and meetings as myself? Transparent, honest, earnest and hopeful?
How much am I being open hearted, loved, loveable and loving towards myself and those around me?
This is my measure of success.
I’m not turning away from all the shit and cruelty and destruction that is happening around me and in this world. I’m feeling it for the people who are getting caught in the middle of men with big egos who are playing at being leaders and pretending to protect their people. I know what is happening in the name of religion, or history or land and justice. I’m listening and seeing genocide after genocide happening and those responsible not being held to account. I see it and feel it and I want to do more to stop it, to fight against it. So trust me when I say, I do not turn away or ignore it when I choose joy and care and love as my weapons of choice. I’m not living in a fantasy land of all happy happy joy Joy. I’m not being naive or flippant.
I’m choosing to refuse the stories we are being told. I’m refusing to perpetuate the capitalist structures and feed into the patriarchy and imperialist tendencies. I’m choosing to refuse the roles assigned to me as a black woman as just another body to be used and abused and disposed of after I’m no longer useful.
Fuck that fuckery.
So mid-year reflection is that:
I’ve got no regular working gig on the horizon.
I’m searching for my tribe.
I’m dreaming of other possibilities, another way of being.
I’m refusing the shit sandwich that is offer me again and again.
I’m refusing what has already been refused of me.
I’m creating spaces for creative fugitivity.
I’m creating gaps or breaks in the capitalist dome from which we can break free into the land of possibilities filled with imagination and play.
I’m embracing craftivism. My word are my weapons. Always have been, always will be.
I’m lingering in the midst of flight.
I’m taking MY TIME to stretch OUT my tired limbs. Limbs reaching for the sky, eyes focused on the stars above as I’m breathing deeply, and allowing my deep belly laugh to roll out over the landscape as I pick a rhythm to my own beat and I’m shaking shake shake shaking OUT by big beautiful black behind.
Come join me if you dare. Make sure to bring a plate of food and story to tell as we gonna be gathering around the fire soon to build a free community, or as my dear friend Dal was saying just the other day, build a village. Yes thank you, indeedy!
Let’s get to shaking, shake shake, shaking this shit up!
It’s nothing major or anything spectacular. All the the time I’ve lived here which will be coming into it’s third year at the beginning of July, the yard hasn’t really featured on my radar. Yes maybe to put the washing out or store my bike. But as a place to hang out, like an extension my home, no way. Maybe having neighbours who allowed their dogs to pee and shit in their backyard which is joined to mine, separated only by a short fence, was a put off. It was a smelly place I didn’t want to be.
Now we have the sun, the fresh air and the morning bird song, I find myself flocking to the backyard as soon as I wake. I throw open the kitchen door and give thanks for seeing another day. I’m setting up a table and chair and having my morning coffee in the backyard while I visual journal. It’s helping me with my mood. I feel as if Mother Nature is holding me once more as I go through a health issue that is making me stay close to home.
I know I’m privileged to have an outdoor space which is private. It’s waiting for me to put my mark on it. Of course that will involve colour. But for the moment, with my permaculture hat on, I’m just observing and interacting within the space. I’m sitting in the backyard and marking where the sun is and moves. I’m dreaming into the space and opening up to how I want to feel while in this space.
At the moment, I’m feeling expansive within the space, within a contained way. It feels good to feel the sun on my skin and the breeze moving through my hair and clothes. It’s being outside as well as being inside, as my kitchen is just there for a refill. I’m also close to Miss Ella’s bedroom window and I can hear her talking to herself or watching TV, chatting to her friends. The backyard is my sanctuary and I want more.
There is something here in terms of fugitivity. There is a quote that I used just the other day when I finally completed my chapter on black mothering and fugitivity. Hold on let me find it …
In Stolen Life (2018), Moten writes, “Fugitivity … is a desire for and a spirit of escape and transgression of the proper and the proposed. It’s a desire for the outside, for a playing or being outside, an outlaw edge proper to the now always already improper voice or instrument” (131). BECOMING FUGITIVE: refusing what has been refused of us dr. sheree mack
That desire for the outside, I’m feeling it on so many levels. I’m choosing to lean into it. No matter where it leads, I’m enjoying how it feels. I’m enjoying that sense of freedom, out from the enclosure. Continue.
With the warmer weather and the slower pace, I’m so ready to lean into the lazy, easy, light and breezy days of summer.
My six weeks off the clock summer holidays are just around the corner. I can taste the sweet sweet honey of rest. But I’m not quite there yet. Still things to complete, anniversaries to celebrate and forms to send off.
But it’s close. I can smell the cut grass and strawberries and syrup already. The long drawn out of days of doing fuck all. Hell to the yes!
Reading is top of the agenda. Summer self-study of topics and issues that are making me buzz. I’ve already started my crime fiction reading as I get back into the DCI Ryan Mysteries Series from L J Ross, all set in the north east.
And now tonight, with an hour to spare before pick up I dive into We Refuse by Kellie Carter Jackson. This is just what I need coming off the back of completing my black mothering and fugitivity chapter. But it also is adding fuel to my fire of refusal and divesting from racial capitalism.
I’m only a few pages in and my heart is singing and I’m thumping with energy in the recognition of finding my space, my safe place where my desires and wants for freedom on my own terms is not weird or unachievable. But is very much necessary.
These pages are helping me to slow down and settle in. I’m creating, I’m here from my heart space. My heart is so full right now. I want this feeling to continue as I’m so grateful for what we created.
“Reading across our curiosities, the story and imagination are testimonies grounded in the material expression of black life”
Excerpt From Dear Science and Other Stories Katherine McKittrick
I’m a multi-passionate Creatrix ( I don’t use artist because it’s a term historically linked to imperialism and colonialism and we need to unlearn that shit!).
Reading feeds these passions. I can get myself lost up in a book or trip on many different subjects/ disciplines .
Today I was reading a crime novel, then a self-help book around self-sabotage, a healing and grief article, a Substack newsletter on erotic engineering, permaculture design, a Black feminist thought anthology, and instructions on a tube of Polyfilla!
I’ve always been curious. I got beats as a child for asking questions. For asking why?
For me fugitivity flourishes in and with having the time and space to lean into my multi-passions without anybody else telling me to stop, or move along or get back to ‘work’.
During my favourite season of the year, I’m leaning into my reading. I’m devising my own reading list of self-study around getting free.
I’m reading across disciplines and I’m reading into black studies and black livingness. I realised today, while, reading Katherine McKittrick, what I’m doing and have been doing is searching for and following the breadcrumbs that are shared through the writings and practices of black scholars, creatives and beings that have at their centre/ purpose/ inspiration black freedom.
“The stories begin from the premise that liberation is an already existing and unfinished and unmet possibility, laced with creative labor, that emerges from the ongoing collaborative expression of black humanity and black livingness.”
Excerpt From Dear Science and Other Stories Katherine McKittrick
I’m not smiling. I’m not making eye contact. I’m going about my business.
I’m taking up space. My space. Nobody else’s. Mine.
There’s something that’s been happening. I’ve been noticing a shift in the way I’ve been operating.
I’d say it’s since I went on the Black Women’s Creative Retreat at the end of August. probably it’s been rumbling in the background. But this experience crystallised it for me.
It was me with 3 other black women camping in a field in Hamsterley Forest. I need to write further about this experience. But for now, I’d say that for a short time we existed in our own timespace. For a short time, we built our own world. A world in which we were centred and celebrated. Seen and heard. And loved unconditionally.
And then we had to return to ‘civilisation’. What a shock to the system! People are rude. Period.
And I’m no longer giving them the time. My time. My attention. Because they do not see me. They look right through me or they be ignorant towards me.
The image above is part of a new series I’m playing with.
People have said to me before – you have a beautiful smile.
Or – you’re beautiful when you smile.
Or – your smile is contagious. I see you smile and I just smile backatya.
Bullshit.
Where I live, black faces are few and far between. But I’ve lived here close to 16 years. It’s my home now. I wouldn’t want to live anywhere else because I’m close to the sea.
But still when I’m walking the streets. My streets. I’m still looked upon as a stranger. That is when they see me.
Because I’m a joyful person, I smile. I smile a lot. Especially after a dip in the sea. Then I can take on the world. I can face the world with a smile.
I have lost count of the number of times I’m walking out, look up to make eye contact with someone walking towards me. Even give a smile or a nod of recognition, a greeting. And there’s been nothing in return. No eye contact. No smile. No recognition of a fellow human being. No connection. Nothing.
And if there has been a gaze at me, it’s not welcoming or positive. It’s been hostile, or questioning or vacant.
Don’t gaslight me into thinking this isn’t the case. This is my experience. You weren’t there. And I’m sick and tired of giving the others the benefit of the doubt.
I’ve never been given the benefit of the doubt. That is never bestowed on me. I’ve accepted it. Allowed it. Made excuses and explanations for it. But no more.
i ain’t smiling.
I ain’t making eye contact. I’m not stepping off the pavement to make room for others. I’m taking up space. My space. Nobody else’s. Mine.
The lessons I try and pass on to my kids are not to allow anyone else to change you. You go about your business as yourself. Don’t change for nobody.
I’ve been in a battle with myself.
I know my nature. I smile a lot. I lean into the joy of life because I’ve always said life is too short after being touched by death so young ( I now think life is long but that’s another conversation).
I’ve been in a battle with myself.
I’ve noticed I’m walking out now and not smiling. To myself or others. My face is fixed in a neutral stare, going about my business. I don’t not need/ want to look, speak or touch anyone else.
I’ve been in a battle with myself.
Is it my nature to smile and make contact with other (white) people because that’s who I am? Or do I do it to make them feel comfortable and not to think I’m a threat to their safety? Do I smile because I’m happy? Or do I smile to keep others happy?
I’ve been in a battle with myself.
Through speaking with a ( black female) friend recently things have become clearer and more resolute.
i ain’t smiling.
Not smiling, gazing or connection with (white) people while out walking/ coffee drinking/ shopping/whatever, is me, protecting my peace.
i’m protecting my peace so i have the energy for me, to {BE} in service for we, the we that looks/{BE} like me
this is all becoming clearer now
i’m not expending or wasting any more time, energy, attention on those (white) people who do not see me. or when they do see me, they do not see me as human
as Akwugo Emejulu says, the black woman can never be a human being
for decades i’ve spent time, energy, attention, through my practice and day to day life, trying to convince others ( white people) of my humanity. i would bend over backwards trying to get accepted, recognised, cherished as a fellow human being
look, please, i’m human. look, please, i feel, i hurt, i bleed. i breathe
no more. i am no longer prepared to play that role. dance this stupid dance. as i will never be accepted, recognised, loved as a human being. the system won’t allow it. (white) people won’t allow it
i’m no longer wasting my energy on proving jackshit
i’m refusing what has already been refused of me ( fugitivity)
i knowing who i be. i am smart, i am kind, i am important ( The Help). and i don’t need/want/entertain any (white) person to tell/grant/recognise me as such
and i’m no longer apologising/ playing it down or safe/ tempering for how i feel/act/ {BE} about this situation
as that just expends/takes/sucks out of me a whole heap and of other energy
“Wherever blackness dwells—slave ship, spaceship, graveyard, garden, elsewhere, everywhere—those captives accessed what Spillers calls a “richness of possibility.” Hortense Spillers quoted in La Marr Jurelle Bruce, How To Go Mad Without Losing Your Mind: Madness and Black Radical Creativity.
Living Wild Studios 