Life Writing

During my time of hibernation, (have I mentioned that here?) I’m resting of course but I’m also writing and dreaming and catching up on the things I want to do with my time and energy.

Another one of my abstracts was accepted for a special publication by Demeter Press around mothering and life writing. I completed an essay in 2023, around my Black Matrilineage and last year I complete an essay around Black Mothering and Creativity. This is probably going to have to be redrafted this year, but in all honesty I was just happy to submit something, as I had a major block around this essay. I think it was because I allowed my creativity and energy to be sucked into other people’s creative dreams and lost sight of my own last year. So when it came to writing the essay my well was dry.

Anyway, I’ve started the reading and writing around my third essay now which is all about Black mothering and fugitivity. I love fugitivity and it is one of the supporting words for 2025. As I mentioned before, I’ve been exploring fugitivity for the last few years and what this means as a practice. So I’m mighty pleased in having the time and space to explore it further and deeper through writing this essay.

While going over my abstract again and riffing off from it, I remember my creative non-fiction novella I created called rubedo. I think this came out in July 2016, after the 2015 shit hit the fan episode in my life. rubedo was my exploration of this time in my life and how I got through it. It was through finding myself after years of repression and not listening to my inner wisdom that I came to be who I am today.

Anyway, I revisited rubedo with this chapter/ essay in mind, realising that 2025 is 10 years since this episode in my life. It sometimes feels as if it was just yesterday. I know I felt it keenly last year when Darkling came out. Darkling is my first poetry collection since Laventille (2015) and the shitstorm episode. And to tell the truth, I’m waiting for the the shit to hit the fan again, as I’m sure there are people picking their way through Darkling as I type to try and find evidence of plagiarism again. As they say once a plagiarist always a plagiarist! It’s not a term or label I identified with then or do now. As that’s not me, that’s not who I am but that didn’t stop people then or now from looking for the evidence to prove/support it.

But I’m not here to talk about that. What struck me about rubedo is the raw honesty of it all. And how writing, writing it all out literally saved my life. I’m so grateful that Ian brae enough to pick up my pen and writing through the shit to now.

Here is what I wrote about my capacity to love no matter what:

“But something does inside die this day. And the days that follow. Something
inside of me, the capacity to have patience and make allowances for other
people’s bullshit was destroyed during this lynching. No doubt, using the term
‘lynching’ will invite criticism. I know when Andy Croft my publisher used the
term to condemn what was happening to me on social media he received a
fair amount of criticism. But I do not use this word lightly.


Ironically, in the months leading up to my death by social media, I was
researching and writing poems about lynchings in America. I was referring to
the postcard images that were collected as souvenirs by the spectators of
lynchings at the time. There were those people who got their hands dirty
during a lynching, who actually tied the knot of the noose, beat the victim,
mutilated the bodies. And there were those who came along to watch the
spectacle. Viewing the death of another human being as just another social
event, a festival, something to be enjoyed. Both killers and spectators relish
the sport.

This in my opinion is what happened to me. A public lynching and
souvenirs where taken. One person on Facebook, joined in the thread of
conversation with a comment as a means of marking it. This person was
rubbing their hands with relish, saying that they didn’t want to miss a thing as
this spectacle was just too good to let pass by.


When I died this cruel death something inside broke. I’ve recently come to
realise that is was my heart that broke that night. I’ve been visualising my
heart with a rose in the centre. This rose is closed. This I read as a symbol of

me shutting down, dying inside, shutting off the natural flow of love from my
heart for my family, friends, for the world around me. My heart was broken, so
I have been denying myself and others love. I’ve been living in fear, fear of it
being hurt again, fear of my heart being broken again, fear to love.
In a way, this had to happen to me. For one, I’ve always disliked that capacity
in me to keep forgiving others, letting them back into my life when they’d let
me down and not lived up to my expectations. I’ve taken on board the
responsibilities of others, thinking I’ve had too high standards and I’d been
unfair. That capacity has been obliterated. I can’t take anybody’s bull shit
anymore. But at the same time, this capacity to forgive is part of my large
capacity to love. And if this is who I’m really are , then I shouldn’t fight it any
longer but accept it.


My true self is my capacity to love, to love fiercely and powerfully. I accept
that now and I’m no longer blocking up my love. I can’t live in constant fear of
being hurt, of getting my heart broke again because then I would not be living
true to my capacity, true to me. I would just not be living at all.

I’m so pleased that since then I have found others, such as bell hooks and Joy James, who write about revolutionary/ radical love and validate my ways of loving, which at times hurts me but also brings me a while heap of joy also. You can’t love without the expectation or knowledge of getting hurt.

A Small Stone

A small stone is a few words or lines that tried to describe a moment observed; a fragment that tried to capture a moment.

A small stone creates an intimacy with whatever is being observed. It creates a close relationship with whatever is true in the world rather than being distant and disconnected.

A small stone forces us to slow down and connect with the world around us. I used to have this as a daily practice as I tried to tune into my experiences within the world. As I tried to become aware of the beauty within each moment.

As I dive deeper into hibernation mode this winter, I’m resurrecting the practice of a small stone a day because I’ve been feeling out of sorts. I’ve been feeling disconnected from my surroundings, from nature, from this beautiful world around me.

I want to pay attention more, I want to be once more aware. More awake. A small stone a day is a practice that will support my journey of being on this world and wanting to be more sympathetic to others, be less judgemental and more open.

So I’m giving myself December to get back into the practice is a small stone a day. You are more than welcome to join me.

Darkling

Cover design

I’m not sure how much I’ve shared here. I’m not sure if I wanted to speak it into existence out of fear of jinxing it. Maybe.

Last year, my last publisher Andy Croft got in contact with me asking for my poetry collection. Smokestack Books is planning to close its publishing doors and Andy wanted to go out having published my next collection.

We have a history as Andy published Laventille (2015) and stood by me throughout the whole ‘shit-hit-the-fan’ experience when my life and profession and writing were ruined ( or there was an attempt to ruin me as I’m still here to tell the tale).

So I said yes, maybe naively. As since then I’ve been on a rollercoaster of feelings as I attempted to bring the collection into existence.

Darkling was the result.

At some point I will share some of the poems within the collection. Some of the poems started within this blog. But even though I just got asked last year to complete this collection, I feel, no I know, this collection has been nine years in the making. Ever since Sheree Mack was cancelled in May 2015, I’ve been making my way back to Sheree Mack, someone I didn’t even know existed until she was forced to start again from nothing to building a much stronger and truer foundation.

Darkling is Smokestack Books swan song. Darkling is my rebirth song.

There will be a reading planned of the collection with special guests as support. Check out the details here. Thursday 7 November, 6-7.30pm (GMT).

October Fall

I love this season. This is my season. This is birthday season. And I usually have so many things planned that I blink and miss the season. And I also feel a bit gipped because this season is taken up by Halloween and Christmas celebrations that no sooner that I have my autumn leaves wreath on my front door that I’ve got to replace it with the Christmas one.

So as a gift to myself as well as some breathing space, this season I’m bringing out the poetry and I’m writing a poem a day to cherish the moment. To live and breathe into the season.

I hope to share my creations here.

I know I have a lot to share here about the last few months too. I’m not sure what I have shared here. But I do know it feels good to take the time each day to exercise my imagination and be inspired to write again for me. But I’m sharing too.

I was thinking this morning back from the school run what can I do this season to support myself. Support the ease into hibernation mode but still get through the last few commitments and chores of the year. And I feel in my heart that writing poetry or attempting to dive into my dreams ( and nightmares) is a way of giving myself that much needed support. Keeping me creative but also keeping me sane.

I hope you join me in this journey one more time.

For Blackbirds

Book cover

Things are happening this Autumn.

I was invited to submit my chapbook, for blackbirds pushing against glass, to a new press, The Wildheart Press, created by Eleanor Cheetham.

I was part of Eleanor’s Soulbook course offering in 2023 where I had the time and space to explore my creative fugitivity. Breaking the rules were welcome.

So Eleanor was familiar with my work when she approached me to submit my feral words to her press. I jumped at the chance because the words were already created. This was an opportunity to share my words further. And I just love supporting a person and a press who recognises that I do not colour within the lines. My writing does not stay on the straight and narrow path. My words like to wander and meander and that is mighty fine with me.

I’m grateful to find a home for them in The Wildheart Press.

Website image

Please consider ordering an advance copy of the chapbook. There are four other chapbooks coming out for the Autumn series too. Go and check them out

There will be a launch reding event on the evening of 26th September if you’re interested in meeting the writers and hearing our words.

Check out The Wildheart Press for details.

Satda Mornings

You’ve got to love Saturday mornings. The promise of the weekend ahead. The mix between wanting to lie in and getting out there and {BEING}.

I’m loudly advocating for what I want this morning and that is time to write and muse and drink coffee after coffee.

So I’ve been over on the Earth Sea Love Substack page sharing about a recent literary project I’ve been involved with. I wrote about creativity, motherhood, blackness and publishing on the Substack.

And being a Black mother in the publication.

Entwined: an Anthology of Creativity & Motherhood

A collaborative anthology and art journal to kindle creativity in motherhood. Edited by Sarah Shott.

My writing is included in this anthology of creativity and motherhood and I thought you might want to check it out!