Eurovision Has Been Co-opted


Photo: Jens Büttner/Getty

I was brought up on the Eurovision Contest. We would gather together at my mum’s with food and drink, and sing along to every song even though we didn’t know the words.

It was an occasion of celebration and fun. We laughed and cried, argued and commiserated.

Whenever I think of Eurovision, I automatically think of my mum. But I can no longer hold Eurovision close to my heart. I cannot continue to support this institution any longer as it has become co-opted by Isreal.

Within hours of Russian invading the Ukraine in 2022, it was banned from Eurovision. Why hasn’t the same happened to Israel?

We have to ask the question what is happening behind the scenes? Especially when last year Israel received the biggest support from the public vote when we know that the genocide in Gaza is not supported by the majority?

Nemo, who won Eurovision in 2024, probably the last time I watched Eurovision, has returned their trophy in protest at Israel’s inclusion. As well as the 1994 winner Charlie McGettigan(from Ireland) returned their trophy in protest too.

There is something rotten in Eurovision.

There is no music that can cover up the atrocities that are happening to the Palestinians. No amount of music can justify a genocide. There is no stage that should platform genocide and apartheid.

Spain, Slovenia, Iceland, Ireland and the Netherlands are boycotting this year’s Eurovision because they cannot continue to ignore the genocide in Gaza.

No Music For Genocide has an open letter which states :

We refuse to be silent when Israel’s genocidal violence soundtracks and silences Palestinian lives. When children in Israeli prisons endure beatings for humming a tune. When all that’s left of nearly every stage, studio, bookshop and university in Gaza is piles of rubble, under which slaughtered bodies still await recovery and proper burial. 

As artists, we recognise our collective agency – and the power of refusal. We refuse to be silent. We refuse to be complicit. We call on others in our industry to join us. And we stand in solidarity with all principled efforts to end complicity in every industry.

No stage for genocide. #BoycottEurovision.

Consider signing the letter and standing with Palestine here.

Irish TV, RTÉ, will be broadcasting the 1996 episode A Song for Europe , Father Ted as Ireland boycotts Eurovision in protest against Israel’s inclusion.

It’s a funny episode which I won’t mind watching as Father Ted and Father Douglas perform their song My Lovely Horse. I’ll not spoil it by telling you how many points they get!

Slovenia are planning to air documentaries under the theme of Voices of Palestine.

These countries boycotting and showing their condemnation of Israel and support for Palestine is what more countries and people should be doing, and I don’t use ‘should’ lightly.

One more point, the Father Ted episode is satire. The Irish put them into Eurovision because the song was so dreadful that they hoped they wouldn’t win again so that they wouldn’t have to foot the bill for hosting the next year’s contest.

Ireland has won the contest 7 times, and back to back wins in 1992 and 1993, is said to nearly have bankrupted the country as they had to host the concert again and again.

For me this is a clear indication of Eurovision, the non disqualification of Israel, the lack of calling out the genocide all comes down to money and vested interests.

To start living how I want the world to be

What’s one small improvement you can make in your life?

I’ve been noticing how my work/ being has been reactive. There’s been a sense of scarcity and time urgency that’s been guiding my thoughts and actions. There’s been a hopelessness. Because some incidents are out of my control but which have impacted me. There’s been feelings of not being appreciated, feeling a lack of trust and working without purpose, moving away from my core values and moral compass.

I might have been using food or drink to numb my way through the shit. Through the ‘work’, not allowing myself to feel and be present. Really present to all the feels.

Do you feel me?

I know I need to take a step back and really look at the life I’ve been living. This is the only life I have and cannot be relived. I have a deep desire to change the system. To abolish the system and live otherwise.

And yet in order to change the system, I have to change my life, how I live my life. The way / how I live has to reflect the way/ how I want the world to be.

What does this mean in reality?

How I am just as much as what I do within the system will have an effect on system change. I have to be living my life with intention and purpose. Making sure I’m living my values, that I’m not compromising my integrity. That each decision I make is coming from that place of love and trust and hope.

That I’m not shutting down but open to togetherness but also trusting my gut that when I say ‘no’ it’s not from a place of malice but from a place of capacity and boundaries.

I’m learning, I’m sharing and I’m growing. Alone and in collaboration.

And I’m feeling and shifting into the practice and recognition that this is coming from a place of love and care rather than exhaustion and pain.

Small steps. Small acts. Small makes up the large. Small scales up to large.

I’ve got to be practicing the world I want to see now in my own life. Daily. Practice.

Love not hate.

Cooperation not competition.

Conversation rather than condemnation.

More care less harm.

More listening less violence.

The turn towards Mother Nature rather than against her.

A recognition in the value and worth of every human being regardless of race, class, gender, religion, ethnicity, age, sexuality, body type and body and mind abilities.

A May Day’s Musing

April was the reset month.

After making plans for the year, 2026, April was a time to reflect and reset after the first quarter of the year.

April didn’t go to plan.

April is always a funny, awkward, weird month for me, what with it being cut up with Easter holidays. And both my babies being born in April. This year was also another April birthday as we welcomed Nath’s partner into the fold.

April is something and nothing.

April, I thought it would be a good time to review the situation. It happened I suppose but not to the depth and width that I would have like. That I probably needed.

April has come and gone.

Come the end of the month and I don’t feel any further forward. And it feels like last year, when I couldn’t get traction after an elongated winter hibernation. Every month that came along was like a reset, a restart as I had no momentum.

I’m not sure if I’m that bad this year but there’s that lingering feeling of what am I doing? Where am I going?

April, Who am I?

I could blame the menopause as I feel as if I’m in that stage of life now. Everything is slowing down or giving up working ‘properly’ bodily, emotionally and psychologically.

Some days I’m missing the plot , dropping the ball, checking all the way out.

In these moments of losing myself, or any kind of sense of self and direction, I fall back into trusted routines and rituals.

I go back to the start, back to ‘go’ and don’t collect my £200. But restart anyway.

I invest in my morning rituals. Those habits that ground me and set me up for the rest of the day.

Waking up early, getting some fresh air into the house and my lungs. Making fresh ground coffee and grabbing my visual journal and letting everything spill onto the page. Get ready and walk out. Walk where? Anywhere. Just be outside and give thanks to be able to {BE}.

May. This is my plan for May.

To stick close to my morning routine and everything else can follow. The sea and Mother Nature are in there too, no doubt.

Hopefully, putting down this trusted track will help support getting me back to myself.

i’m tired …

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

I’m sick and tired of feeling sick and tired.

Fanny Lou Hamer

Karmic Debt

I am not my past.

I am not my mistakes.

I take these lessons with pure heart and abundant gratitude.

I am safe and I am loved.

I know my ancestors, my guides and angels are working with me not against me.

Mornings are for the taking

Describe one positive change you have made in your life.

It’s a luxury I know. It’s probably frowned upon. It’s probably not seen as productive within white supremacy culture. It’s probably classed as dangerous. I know it’s where the best insights happen.

In the morning. In my bed. In a book (non-fiction at that).

As I mentioned yesterday, I’ve taken to my bed. Well really, I don’t leave my bed, in the morning, until I’ve had a thorough lazy read. A slow imaginative wandering through my current squeeze of a book.

A Nation of Strangers by Ece Temelkuran, an exiled Turkish author who is unhomed but can see how we’re all becoming unhomed , one way or another, due to the rise of fascism.

Climate refugees, political dissenters, people seeking asylum from persecution, may be where our minds go when we think of the homeless. And yet, within these times of far right practices, war and genocide, the silent majority may still be in their homes but feel no longer at home.

Home is no longer what we knew it to be. Home is no longer safe and stable. Home is terror and fear. Home becomes strange. We become strangers and unhomed.

Some of us have never felt at home even when we have made our homes here in the UK as the message has always been we’re not welcome here. We do not belong here. Even if born here.

We search for a language to talk, to share our feelings and experiences of being a stranger within our own lands. It’s a practice.

I continue to practice reclaiming my mornings. Reclaiming the slow rise, reclaiming the time and space to read at leisure. Finding some refuge, some peace within a cocoon of sheets and pillows. Warm and cosy and safe for now.

“When Brian asks me about the word exile as we sit in front of the audience, the words come out of me as if a film ribbon were spooling off its reel.
‘Let me list why this exile thing is no longer plausible and, in fact, already a stale joke. One: Exile is not as sexy as it has been, despite what some still want to assume. I know Westerners still like to think of Europe as the safe haven for the oppressed intellectuals of the Global South, but that is giving too much credit to Europa when thousands are pushed back into the sea to die. Putting the spotlight on “the exile” to divert from “the refugee” operates as a crisis management tool, if not a branding strategy for Europe’s self-image. The Europeans’ need to believe that the continent is still a civilised haven is as critical as the refugees’ need for safety. Two: Exile is a title of nobility that generates undeserved attention. The undocumented refugees, the precarious majority of the unhomed, don’t even get a chance to relay their name so it can be put on their tombstone, whereas an exile is asked too often. Alas, many of us accept the invitation to go on and on about ourselves. We are the boring windbag aristocrats of the greater society of the unhomed. Three: The title exile gives you only two chances in life – you are either kept hostage by your personal melodrama or enslaved by the constant urge to reject your tragedy. Life cannot be diminished into such an unending test of dignity, and it certainly cannot be confined to the limits of the self. Four: If one accepts the title exile, one can never arrive home. But the fifth and the most important reason is …’
For a split second, I catch a glimpse of the listening faces. They are mostly activists, people who are already at work to build a new world, a new home. And it is hard to put your finger on it, but when you know, you know – they are with me, we are in sync. Also, now that ‘the most important’ has already escaped my mouth, I am at that delicious moment of no return. I gear up.
“Yes, the most important reason is that you are no different than me. Do you, I mean, let’s be honest here, do you really think you are more at home than me? Of course not. Otherwise, why would you, as beautiful human beings of the earth, be trying to change the world and talk about building communities all the time? Why would you imagine shelters from, rather than movements against the new fascism building around the globe? Don’t you think there is already a sense of defeat there? Aren’t you already admitting that the world is not your home anymore but a hideous jungle from which you need to seek shelter? Yes, we are many in our discontent, but still, we cannot make enough of a majority; we cannot shape the political reality into a new home. We are not powerful enough to make this world our home again, not yet. From where I sit, you are no less homeless than me. Or, if you like the word better, we are all exiles already. Misfits, outcasts, the displaced and the disowned. We are the strangers of the world”

Excerpt From
Nation of Strangers
Ece Temelkuran

just mercy

I love me a great film.

A film where black people are centred.

A film where injustice is tackled head on and over time is recognise and overturned.

Just Mercy, a film starring Michael B Jordan and Jamie Foxx, co-written and directed by Destin Daniel Cretton, is one such film.

I return to this film , which is a true story about the wrongful incarceration of Walter McMillan and how Bryan Stevenson worked tirelessly for his release, a lot when I want to feel hope. When I want to feel that all is not lost and that there is another way, or option. There’s always something else/other/more we can do/say{BE}.

The point is, not to give up. To not lose hope. To not lose love.

This extract from the script is a prison scene when Jamie Foxx playing Walter McMillan, on death row for a murder he didn’t commit, is trying to calm down his friend Herbert Richardson played by Rob Morgan whose execution is the very next day.

Look at them pine trees that been growin’ since way before we was born, and gonna keep on growin’ way after we gone. They been through all the same shit we been through and more, but they still dancing in the breeze.”

This part stays with me. This right here is what sticks to my bones. That wisdom from nature. That guidance from nature.

Even while going through shit, and going through shit from time, they still be dancing.

Yes, to this. Yes to still living through it all on our own terms, in our own ways. and experiencing/ creating/holding on to the joy.

Come won’t you dance with me x

They want this heaviness to snuff our light out

As an artist, I feel everything. I feel what everyone else is feeling.

This heaviness is manufactured to snuff my light out. To destroy my hope.

As an artist I’m here to create hope. As an artist, I create pockets of hope. Safe spaces where we can create alternative worlds.

Safe spaces where we can be free, if only for a little while.

I’ve been forgetting my task. My service. I’ve been struggling under the heaviness of it all.

Do you feel it too? That heaviness?

I’ve been forgetting to take my medicine. That’s what artists can bring to the world. Moments of medicine.

Here feast on this image. Take a moment here, in this safe space, let down this heaviness. Breathe.

We be good, together.

The Zinester Returns

the zine that documents the zines I want to create moving forward into 2026

I’ve just been over on my Patreon page sharing about the first zine of the year. Do you want to know what I shared about it?

Okay, I’ll tell yo here too!

A few years ago, I gave myself the challenge of creating a zine a month. Check back using the ‘zine’ tags and no doubt you’ll find them, still there ready to download and peruse.

This year, I vaguely set myself this challenge again, to create a zine a month and share it here. I think. As I’m still in the process of committing. But last night, at a Zinester Sanctuary that I’m creating witha fellow fugitive, I had the time to create my first zine of the year. See the video above.

I looked back at one of my zines from my first challenge, this was a zine about the zines I wanted to create. I looked back to see if this list of zines with illustrations were still zines I wanted to create.

After this reflection, I then set forth to create the zine that hopefully is the blueprint for 2026 creations.

In the video what you are seeing is the front cover stating that ‘Abolition is a Global Struggle’ with FREE PALESTINE but also the caveat that this has to be completed ‘with patience and care’.

The next page with a wheel of a VW Campervan and the text ‘ like a bird flying into’, is a nod towards my love of nature and how she will always appear in my zine creating, some way or another.

The next double spread with an image of two little girls standing on the beach, myself and my estranged sister and the text reads, ‘me in all my fucked up glory’. This signifies the task of creating perzines, using the format to explore my life stories.

On the green page with a roughly drawn book in black pencil refers to my desire to dive deep into my black studies, studying blackness as fugitivity, fugitive spaces. ‘You will find comfort in blackness’ the text reads to accompany this intention.

The next page is a quote from Octavia E Butler, from Parable of the Sower which states, ‘All that you touch you change, all that you change, changes you. The only lasting truth is change.’ This was a small print I received from a printmaker friend called Theresa Easton.

The second double spread, because I hadn’t finished yet with my intentions (so who says you can’t add in another page?) is a recognition of my word of the year which is AFROSURREAL. I’ll be exploring what this means further throughout the year here and on my website.

This is partnered with a splash of purple/ mauve as the text reads, ‘ in mauve there is a quiet power.’ This is a reminder for myself to use my zines to share my poetry. My voice is my power. This was how I started making small zines, booklets before my first collection of poetry, Family Album was published. Because I was reading at all these gigs and people would come up afterwards and say where can I buy your work and I had no where to point them to. So I got creative and created these little zines , one dedicated to the poems I’d written about my daddy and one other dedicated to my mummy, and sold them for £1 each. I’d forgotten about them until I just wrote about them here now. Don’ you just love the creative process?

And then moving towards the end of this first zine of 2026, which apparently has been announced as the year of the zine – 2026, we’ll see what happens there as zines could become if not already commercialised and co-opted and become unrecognisable from their origins ( which I’ll be exploring and sharing further about here), there is a polaroid photo of myself smiling. This was taken last year at a Outdoor Citizen gathering, and these were taken to put on the wall with details about ourselves so we could be putting names to face,s be recognised within the crowds. This image is here with the title ‘fugitive sista’ as a reminder of who I {BE} but also who I {BE}coming through my continuing thoughts and praxis around fugitivity.

The final page with the outline of a goddess in black pencil and spiral within her gut/ womb and the text, ‘ Today I will praise. I will praise The Black Woman.’ Today ,tomorrow and always, I will praise the Black Woman. I support this praise with my continuing reading and practicing of Black Feminist thought and praxis. This is my foundation always.

The back cover ends with another sticker and this time it states, ‘ From the river to the sea, Palestine will be free.’ Again reminding myself that I do this work, explore my creativity and share whatever comes up within a constantly changing context of struggles, struggles for liberation, peace, justice, self-determination and love.

2026, the year of the zines. Let’s make it the year of the zines that give voice to the struggles near and far , struggles for liberation, peace, justice, self-determination and love.