visual journaling

End of June Reflections

| Sheree

How do you practice self-care?

Visual Journal May/June 2023

As we near the end of June, I near the end of my current visual journal. This beauty has seen me through some ups and downs these past two months, as I’ve navigated major life changes and shifts.

Being able to keep coming back to the page in order to work out my shit, my internal shit, before I meet all the external shit is a gift. Is a massive gift I take for myself in the name of self-care.

Before visual journaling came along, I did keep a journal but it was maybe a lined notebook sometimes plain paper and pen. Simple and effective and got me through a lot of life’s changes.

But when 2015 came along and my life changed forever, words on the plain page would never be enough again. Could never be enough to express all the turbulence and upheavals within my life. I needed more and I also needed to feel safe.

So paints and images and quotes and collage and photography and text came together, merged and played off of one another to provide the time and space and safety I needed to have an ongoing, developing and becoming conversation with myself.

I feel blessed now to know I get to do this / {BE} this daily. I give myself the opportunity to get off this merry-go-round of life and take deeper breaths, while being in communion with myself, checking in on myself, making sure I’m okay and if not what I need to do in order to get back to being okay. But all in good time and a few visual journal spreads later.

This is one of my self-care practices which I am truly grateful for.

I’ll be sharing some more spreads, images and reflections on this process over the summer as this practice is multifaceted in terms of all the goodness of offers me. I gain insight, clarity and love in the present moment of the practice. But I also gain a lot of joy in the looking back over pages, reliving the feelings within my body of the practice. I also gain pleasure from sharing this practice with others.

Check out further posts to come.

Spring Blossoms

| Sheree

I’m not sure when my love affair with cherry blossom came into being. I’m not sure where I was when my heart began to swell at the mere beginning buds of cherry blossom on the trees. Bradford, where I was born and stayed until I was 10? Or Newcastle, where I enjoyed my formative years before escaping to London for my degree?

I’m not really sure when or where my deep appreciation and joy at seeing these puff balls of pinks or white or cerise came to be part of my being. I just know that I experience a child-like delight when I come across a tree in full cherry blossom bloom. My heart skips a beat and I’m jumping with glee, inside and outside, when cherry blossom comes into view. And the blossom is never here long enough for my liking.

Using the delicate pinks of cherry blossom, collaging with the images of cherry blossom in my visual journal, is my way of keeping the blooms alive, in my eyes and in my heart. Not just the sight of cherry blossom in my journal keeps these fragile blooms alive, but the feelings of joy and delight that they bring to my heart is kept alive too.

I created a special spread of cherry blossom for the BALTIC commission last year, that ended up being blown up from an A3 spread in a journal to an A0 poster size on a gallery space wall. In the middle of that spread is a Black woman smiling, almost dancing between the blossom, exuberating lush joy. This is me sharing my jubilation and love of cherry blossom with others.

This is my love letter to cherry blossom as well as giving thanks for the beauty of nature and how we are connected. How we are one.

Archive: a Country Journal of a Blackwoman

| Sheree
A Visual Journal Spread from The Country Journal of a Blackwoman (Northumberland), archive

Right now my practice is on display within The BALTIC: Centre for Contemporary Art.

As I was out of the country when the group exhibition, Hinterlands, launched on Friday 22 October, 2022, I managed to get into seeing it after such event the following week.

I really didn’t know what to expect as you visualise the end result, the culmination of months of hard work, dreaming and winging it. But to actually see it all come together in a white cube space is another thing.

I visited my archive last week, with my daughter, excited and nervous and unsure. I got to see The Country Journal of a Blackwoman(Northumberland) exhibited on level 3 of The BALTIC. I was shocked and surprised to see my work out of context within this space. It was an emotional as well as nerve wracking experience.

Because of my absence, I had to leave instructions about the installation as well as extensive notes and labels for each art piece. There are about 50 items if not more within this creative archive. It’s to be expected that things got lost or mislaid in translation. So my focus for this trip was to make sure everything was how I wanted it to be.

After some discussion and sending of correct audio files, everything is now complete and as I want it to be presented to the world.

I’m not sure how I feel that during the launch of the whole exhibition, that things were wrong or missing. But I do know that after seeing everything in terms of my contribution and making things right after my visit, I felt great relief and was able to enjoy the achievement. It was also weird to be there at the same time as seeing peel interacting with my work. I’m not sure I want to have many experiences like that as their reactions did affect my state of mind, pride and achievement. And it would be very unsetting, I feel, to be there and witness someone laughing and disrespecting my work. I think this is something I need to gain a thicker skin for. But right now, my skin is thin for a number of reasons, tat I might explore here in time.

I know I have to return now, to take in the rest of the group show as well as the rest of The BALTIC’s exhibitions for this season, as this is a strong presentation.

I’m honoured to be showing at the same time with them.

Of course more reflection and images to come around this achievement.

HINTERLANDS
22 October 2022 – 30 April 2023, BALTIC: Centre for Contemporary