self portraiture

Get up, get out, into the sea

| Sheree

I rise at 6.30am on a promise. A promise to myself to take my medicine. My medicine is getting into the sea. And sometimes it is diffcult to take my medicine.
Day to day commitments, life just gets in the way. I allow other people’s wants and needs to get in the way.

It’s as if I don’t value my needs and wants. A great growing stone of guilt weighs upon me when I choose me over others. It isn’t the natural order of things. Self-love and self-care isn’t encouraged or promoted in the main, in the mainstream.

The sea makes me feel free. The sea releases me from real worries and cares. The sea connects me to my true me. After being with the sea, the rest of the day flows easier and with gratitude.

Really, it isn’t that difficult to get up and get into the sea, if I get out of my own way.

Things I Know About Starting Over

| Sheree

Work in Progress

In 2015, when the shit hit the fan, I had to change. My whole life was in tatters and I had to find a way to live again. But live on my own terms. Live true to my soul.

For decades I’d been on the production trail. Do do do. Produce produce produce. Because I’d eventually I’d get to the promised land. I’d be successful, famous and accepted.

What I know now from having to start over is that there is no end point. There’s only the journey. I’m in a constant state of becoming. Becoming a better version of myself. But I will never be complete or perfect because that state just doesn’t exist. It’s a fallacy we’re fed to keep us keeping on. The desire or promise keeps us working with our heads down, selling out our souls for very little rewards. We think we are living the life we want to live but really, we’re living the life ‘they’ want us to live. The system, that is.

Now, I’m happy with less. Happy to work small. Happy with little ripples I create because I know in my heart that this is the authentic me at work. I know now, what I do, I do from the heart. I do in service to others with no expectations or need for anything in return. Living my life on my terms is my reward. And that’s enough. I’m enough just being me.

Black British Art – a series

| Sheree

I’m a Black British artist. I’ve been involved in the union for artists in England. I’ve been involved in different exhibitions and events around the arts. What I know for sure is that the British art scene is elitist and exclusive.

I’m actively attempting through my own practice as well as research and reading to make visible the invisible; the invisible history of Black British art. For centuries, Black artists have been visible amongst themselves/ ourselves being involved in individual and collaborative projects. But within official records and archives, the Black presence remains little and absent.

Histories and lives and stories are missing within British arts from an African diaspora perspective and I hope through my creating and agitating and archiving I’m changing the narrative.

Through a series of posts I hope to explore the Black British art tradition to bring this rich and diverse and valuable history to light and more recognition. I look forward to sharing my findings with you.

Plans for May

| Sheree

I announced on Instagram the other day my plan to go on another social media hiatus in May. This is something I periodically do as a means of self-care. In the past, I’ve left it too late before taking a break and I’ve been left rolling in the dregs at the bottom of the barrel. I’ve been burnt out and rendered speechless with nothing productive to say.

I’ve learned from this experience, I’m planning my retreat ahead of schedule, when I’m still in a good position and enjoying the experience. I’m taking a rest while the going is good. And there’s a voice saying to me, I’m a fool for going now, for leaving the party early so to speak. Things are getting exciting, I’m making connections. I’m also receiving a lot of support for my #100daysproject. I go silent and I will loose all momentum, all exposure etc.

My sanity and health is more important. I take breaks from social media as an act of self-care. The time away gives me the time and space to go within and listen more carefully to my own wisdom. Going dark on the internet, gives me a chance to create without distractions or comparisons. It gives me space and permission to breathe.

I’ll still be posting here as well as on Patreon and sending out Studios Notes during this time as I feel as if I’m just getting started with this blogging malarkey.

This break is coming at a time when our new project is beginning, which involves more Black, Asian and ethnic minorities getting out into the British Countryside. I’ll share more details soon.

5 ways to cultivate creativity

| Sheree

In the past, I’ve struggled with creativity. I thought I could neglect it and keep it under wraps. But creativity is an energy which won’t be silenced or railroaded.

It has to be respected, nurtured and practiced. Frequently.

Here are a few ways that I stay creative, they might even work for you too.

1. Turn up daily.

Being creative is a practice and you can only practice when you turn up. Turn up at the page, the canvas, the computer. Turn up without expectations, just commit to giving creativity some time and attention and see where it takes you.

2. Never give up, never surrender.

Some days the ideas are flowing. The words are all making sense. The colours are working together. I’m in the creative flow and I feel so much joy. But other days, I’m finding it difficult. I’m struggling to make sense, to feel good about what I’m doing. It’s icky. But I keep going. I keep turning ip because I know I’ll get back to the flow and joy and sweet spot.

3. Fall in love with the process

Process over product every time. Through focusing on the process, I’ve a much enjoyable ride. I learn so much about tools and skills and techniques. I’m present in the moment rather than jumping ahead to the end and stressing about if anyone will like what I create. With focus on the process, it doesn’t matter if anyone gets what the finished piece is about because the value comes through the practice.

4. Diversify

I suspend attachment and worries and stress when I create multiples or dabble in multiple creative projects. When I create in batches or move between different art form such as writing poetry and painting an abstract, it means I don’t place all my eggs in one basket. It means I’m not focusing on perfection or completion. I’m focusing on this mark now. And then the next mark. And how they talk to each other. I’m lost in the movement and the creating.

5. Trust yourself

This is probably the hardest thing to cultivate in terms of creativity as far too often we listen to our fears and self-doubts. We spend time and energy overthinking the process or second guessing our actions. We doubts our abilities and intentions. We fall into the comparison trap and before we know it we’re paralysed. We cease to create and feel a failure.

Trust in myself as a Creatrix has developed over time through practice. Through showing up and doing the work and enjoying the process. The more I do the more confident I am in what I have to say and share creatively with the world.

Loosening The Bounds

| Sheree

I missed submitting for the special challenge with Nine Muses Poetry this month. The challenge is to respond or be inspired by a different photograph posted at the beginning of each month. For April the image was fittingly Viewing Cherry Blossoms at Ueno, by Katsukawa Shunzan. I completed this poem this morning in response.

Loosening the Bounds

I wish I could say,
the orchard is a rare find.
That I never think of blossom.
That the pure smell doesn’t
undulate to the sea.

But that would be lying.
At this time of year,
there’s no escaping the stain,
the crowds. No escaping him.

His neck is red. Pain in his head.
That must be why he seldom smiles.
I know I put them on a pedestal.
I want what they had.

How they kept the blossom from dying.

Perhaps, the sea is history
and the lop-sided pagoda clinging
to the shoreline, made me think
we were going somewhere.

Same images played over and
over again. The trickster,
just using my face. My skin. My voice.
Give me the cherry blossom every time,

time with my sisters,
lost in the crowds, easing off
our sandals, loosening our bounds
like blossom caught on the bsea breeze.

My Favourite Influencer

| Sheree

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I’ve started my second #100daysproject of 2019. Joining in with the official challenge, #The100dayproject, I’ve decided to focus on created images where I see myself reflected, #100daysofblackwomen.
I’ve purposely not set up any long, drawn out rules. All I have to do each day is create a face or figure of a black woman. Far too often in art, if a Black Woman is present, she is not represented in an empowering or positive way. She might be the servant, or a sexualised object, ridiculed and degraded.
I want to look upon art and see my multifaceted identity reflected; the good and bad, the truth.
It’s only been in the last few years really that I’ve embraced this practice of creating, painting black women. I know taking Painting the Feminine with Dirty Footprint Studios, hosted by Connie Solera has influenced this development. Creating within a supportive group of women and gently pushed into our own ideas of what femininity can be has been a catalyst for
my explorations and expressions.
A recent discovery has pushed me further into my own visual language. This has been finding the artwork of Mystele Kirkeeng and then watching her create her pieces.
Watching Mystele and learning about her practice and techniques gave me permission to trust my own messy process. Seeing her process made me value my own for the first time and to lean into it more. It’s such a glorious feeling to finally believe in what I create at the same time as not worrying or stressing about whatever anyone else thinks about my artwork. Mystele reminds of the joy and excitement I can have for my own creativity. And this is priceless.

A favourite quote …

| Sheree

It’s difficult to pin down my one and only favourite quote as I love so many. I use quotes as inspiration, as thought points, as guides.

At the beginning of each Studio Note I send out to subscribers, I include a quote, to set the tone, to ease into the topic of discussion.

Toni Morrison is always a favourite writer I quote because it was her book, The Bluest Eye, where I first found myself in literature. Before that, I always had to identify with the white female lead in the story. I found myself wishing I was something I was not; white, blond and blue eyed. In The Bluest Eye, I found myself, a little black girl growing up in a cruel, racist world, thinking if only she was white, then she’d be loved.

My quote isn’t from The Bluest Eye this time but it does touch upon this topic of self-love; my focus this year as my word is LOVE for 2019.

“In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ’cause they don’t love that either. You got to love it, you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don’t love your mouth. You got to love it. This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver–love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.”

Toni Morrison, Beloved