ten:three

1. Re-entry into my everyday after being away is harsh.
2. The sun glows low.
3. We walk the shore alone and smell the waves.
4. My everyday life is full of kinks.
5. The terns dance within the foam.
6. Strong black coffee steams.
7. Luther Vandross ‘Searching’ on the radio.
8. Emails plying up as is the washing.
9. Box set bingeing late into the night.
10. Not ready to start it all again tomorrow.

best day of 2017

Day 3 of December Reflections and the prompt is : best day of 2017.

This year has been long and short, amazing and disconcerting, a breeze and a challenge. But I started with an intention – this year was one of the ‘voice’. My voice.

In January I attended a writers’ retreat for finding our voices to talk about the issues we care about.

Visiting #Iceland twice, strengthened my relationship with the land, my vision as well as my voice talking about my body in the world.

And now into the final month of the year, my time with @Idlewomen #shiftingloyalties is coming to an end and the signs I have been receiving are that I am on the right path. Sometimes that path might be lonely, I might be the only loud voice quaking ( we have ducks here) about an issue but support and encouragement is not to too away.

Last night I shared my poetry for the first time since I lost my voice in 2015. I’m emboldened. I heard my voice. My voice is strong and true and she is me.

Inner Truth

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Click here to visit The Phoenix Soul.

We are raw & real. Grit & grace. Truth-speakers. Heart-on-our-sleevers. Love-believers. You are. I am. We are The Phoenix Soul. – Amanda Fall

I chose the wrong month to be on a hiatus as I’m bubbling with excitement. There  are so many amazing things I want to share with you, what are happening right now, in this moment. And they fill me with joy. Big-wide-smiling-joy. You know the kind, you’ve seen my self-portraiture. You know it’s that smile.
It gives me great pleasure to share with you my Truth Tribe interview with the lovely Amanda Fall, creator and publisher of The Phoenix Soul magazine.

The Phoenix Soul has been on my radar for a few years now, ever since I read Beth Morey and followed Teresa Robinson, creator of Right Brain Planner.
What appealled to me about this magazine is the openess, the honest sharing and communication between a sisterhood of inspiring and creative women. I aspired to be part of this community as I worked through the trauma and grief of being alone, ostracised without such support and encouragement.

Over the past couple of years, through my work and practice of becoming my authentic self, I have enjoyed the privilege of sharing my words, images, thoughts and feelings via social media, which at one time was the death of me. Within this digital space, I have found my voice again. So it is really humbling and awe-inspiring when someone I admire, who is doing great work out there, reaches out to me and asks me to be involved in a beautiful project.

I jumped at the chance to be interviewed for The Phoenix Soul because I appreciate the truth-telling that this magazine shares. I gasp at and empathise with the women who share their stories within, expose their vulnerabilities with such strength and courage. I aspired to stand amongst these women. And now I do.

Selling for $6, each issue of The Phoenix Soul magazine is packed with oodles of  juiciness. Pages of hand-crafted mixed media backgrounds in full color with handwritten love notes from Amanda fill the reader with hope, healing and love. Soul-centred and truth-telling, words and imagery combine to provide a powerful, intimate read.

Have I mentioned  how honoured I am to be part of this tribe? Head on over and grab your copy today and I’d be mighty surprised if you aren’t inspired, affected and empowered by what you explore within The Phoenix Soul.
Click here to visit The Phoenix Soul.

unleashing joy 

You can access joy only when three conditions are present: a state of lively engagement with life, a receptive and spacious heart, and a respect for other beings than ourselves. Celtic Spirit: Daily Meditation for the Turning Year, Caitlin Matthews

3 card spread 

This is weird right! Or it is just meant to be?! I’ve just competed my first 3 card spread in the new home. I was asking the questions: who was I/ am I/ will be.
This spread is nearly identical to a recent reading I had with the lovely @rootandrattlesnake regarding my business. The only difference is the middle card.
The cards are telling me something and I am listening.
My old self has gone. The Sheree of many years giving to please everyone and needing outward success and other people’s approval has gone.
The woman standing here now is artistic and introspective with a dark intensity which I claim and nurture.
Those four wands waving at me again signify a completion. In business I saw it as Iceland – The Retreat coming to fruition watch @livingwildstudios
As a person, I see this as all my hard work from reaching rock bottom, from stripping away all the shit and facades in order to see and accept authentic me will pay off/ is paying off each day as I continue on this path, as I become complete – whole.

Peace



Deep within the still centre of my being may I find peace.
Silent,y within the quiet of the Grove may we share peace.
Gently within the greater circle of humankind may we radiate peace.

– Cairistiona Worhington

Ordinary Things



There are three slender things that support the world; the slender stream of cow’s milk into a pail; the slender blade of green corn in the ground; the slender thread running over the hands of a skilled woman. – ancient Irish triad.

A recent book I picked up is The Celtic Spirit: Daily Meditations for thr Turning of the Year, by Caitlin Matthews. The quote above is featured for today,  22 October.

Within the Celtic world, the cow is important. It is a unit of wealth along with grains used to make the daily bread.     Before the industrial revolution, all clothing was made by hand. Labour intensive procedures carried out by the women of the household took the unwashed wool, into spinning, into creating the fine linen cloth to wear next to the skin of all the family.

Foodstuff, grain and material; three ordinary things that support any society in it’s existence. To survive. 

Today’s meditation ends with the question, What three ordinary things are the supporters of your life? Make your own personal triad.

Only when the question is asked do I consider what are the essentials for my existence. Ordinary things on a day to day basis I probably take for granted. But when I stop and consider it, I may not be thinking of them every single minute of the day but I know what I am grateful for, especially during this period of change; personal and seasonal, when things are dying but only for new life to be born. In time.

My personal triad, those three clear notes that resonate throughout all I do in life are: water, within and without; creativity feeding my body, mind and soul; and love that wraps around me for myself and for/from others that makes sure I am home where ever I roam.

Now I ask you the question, What three ordinary things are the supporters of your life? 

Countdown Deals

 

Just popping in quickly to let you know that rubedo, the memoir I self-published in 2016 is on a countdown deal with Amazon this week. Totally forgot all about it, as I set it up a couple of weeks ago and then time got in the way. This is probably the only time I’ll be offering any discount deals on this title, as I work on the next instalment.

Get your copy while it’s cheap. Happy reading. 

Talking about my practice

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This is a visual journal entry I completed a few months ago while continuing with my Creative Facilitator Training with Lisa Sonora

22/04/2017

It feels weird coming back to DOP ( Dreaming on Paper) after two years absence. I’ve tried to do it again but just didn’t get into it. But now I’m doing the Facilitator Training, it seems important to get back in. I need to post to the group.

Yes I’m skipping through at a pace as I still do the techniques I learnt back then but it’s good to be refreshed on the techniques I haven’t done in a while -like the stamping as well as the textured page, the wallpaper and marbled effect. I haven’t used a wet one in a while or the stripped effect so it’s good to do this and to not feel any fear but be comfortable with it – like second nature.

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So yes weird but also reassuring that a lot of the habits and techniques have stayed and also how far I have developed since the beginning with flaps* and stuff, and extensions and tearings and pockets and stuff. I’m proud of myself I am, of my progress and practice. I’ve come a long way in the journey and I’m still on it. Thank God.’


*flaps = additional pages added to the journal, see visual journalling post for further explanation.


Technique:

The journals I use most frequently are the Pink Pig pads. I usually pick these up in town, not online, bought three at a time because there is usually a discount on them and they definitely have more pages in.

I prepare my pages with paint ahead of the time I want to use them. So when a journal is coming to the end, I start prepping the next one with paint, so it’s ready with no breaks in between.

I pick the colours that are calling to be at the time. Here for this page the dominate colour is bright orange. I use ready mixed paints, craft paints, kids paint and start with just one drop of paint in the middle of the page. I smear it across the blank page with a disused credit card. I love this part. The spread of colour makes me happy. A simple task, a simple pleasure but oodles of fun.

I’ve gone on to add pink and blue to the orange after this. Using the same credit card for each colour, sometimes all paint rubbed off before a new colour is introduced and sometimes not. I’m not doing this to be neat, to cover away all the white of the page. I like my smearing of paint to be quick and messy.

Sometimes I do right up the edges sometimes not. I prepare three double spread pages at a time and then leave them to dry, sketchbook open with a paint bottle propped between the pages either side so they don’t stick together.

Once dried, I can write on it. Gel pen was used here but ball point pen works just as well. Here I’ve added images of nature and travel and adventure at the bottom of the page. I use glue sticks. I’m not loyal to any particular brand either as long as it does the sticking. These were cut from a tourist leaflet about visiting Scotland.

The images I select usually tie in with what I’m writing, they talk to each other. While sometimes they don’t and this might because I’ve skipped ahead in my journal and stuck in some images to break up the page already. But all the images I include I love, I have an emotional connection to. I’ll talk more about that in another post.

After the writing, I return to the page and use the leaf shaped stamp. See what I did there? I wrote in this journal example about the techniques I haven’t been using in a while and rubber stamping was one of them. I rectified that here.