Getting Paid

I’m in the process of setting up a Patreon campaign. This is an online platform where creatives, like myself, can be supported finacially by people who like their work. It’s a simple way for readers or listeners or viewers to pledge money as a one off payment or as a monthly contribution. Receiving this financial support during the creative process is invaluable. It allows us the time and space to create as well as showing respect and appreciation for our efforts and work.
My page is nearly complete. Again I’m procrastinating out of fear but slowly, I’ll get there. Stay tuned.

One last thing, I created a ‘Mission Statement’. What do you think?

“I give voice to the unheard. I bring the black woman’s experience to the page, shining a light on our trials and joys and courage. Through their experiences, readers connect to my words, appreciating the truths pulled from the darkness.
As a writer who didn’t believe in my voice once, I stand for women to claim their own self-worth and testimony.
My passion lies in telling and sharing our stories via poetry and creative non-fiction. My intention through this writing is to gain recognition for our presence and our contributions, establishing our legacies for now and always.”

 

Update: Page is now live

Remembering last year

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A year ago, March, I was on an artist residency in the #westfjordsiceland – remember? I created this time and space alone for me from scratch because I wanted to return and experience Iceland again after my island tour.
Wow want a difference a year makes. I got lost a bit out there, in the dark and desolate place. But I also found out stuff about myself; that I love solitude, exploring new places, and sharing my joy on my own terms. I’m planning on doing just that in June, when we have a #summersolstice creative retreat happening in #Iceland. This is going to be an intimate affair. Only space for 5 women, including me. It’s half filled already. Writing, art, yoga, nature, Wild swimming, good food, good company, laughter and no doubt tears.
If you’ve been itching to visit Iceland, this is your opportunity. Time away from your everyday,experiencing the sublime within a supportive sisterhood as well as space and time for solitude. As I said, I like my solitude and breathing space. Just to be. Check out the details in my profile. DM if you have any questions. #practice #visualjournal #selfportraitureasmedicine #seeingmyself #wildawimming #outdoors #womenscreativity #walkingwriting #walkingwomen #creativeretreaticeland #icelandcreativeretreat
 

Four Months: Friday

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Friday is our last full today together. It is with great sorrow that I have to bring this circle to an end. I hate goodbyes. I usually sneak out in the dead of night, before anyone else is awake, to avoid saying goodbye. To avoid having to look my fellow travellers in the eye and allow them to see how deeply this time with them, this experience has touched me, changed me.

But today, this time, I stand before you and acknowledge how much you have brought and contributed to this retreat. I couldn’t have done it without you. I acknowledge how much our time together has left such an impression upon me. I know I’m not the same person who arrived here just a few days ago to facilitate this holding of space for you.

I don’t want our time together to end, but end it must but I stand before you saying goodbye confident in the feels that you are leaving here also changed; empowered and inspired and more secure in yourself and who you be.

Before we leave, let’s spend one more morning together with our visual journals. Let’s continue the magic one more time as we play with paint, visuals and texts. Let’s share those images of our days together; the sunrises over breakfast, the tears of recognition as we open up to each other, the smells of fresh cooked pancakes and strawberries and chocolate, the laughter late into the midnight sun. Let’s make a promise to ourselves to keep giving ourselves this time and space to think and dream and breathe.

In the afternoon, we drive to
Jökulsárlón. Jökulsárlón is a glacial lagoon, bordering Vatnajökull National Park in southeastern Iceland. Its waters are a strange turquoise blue, still and dotted with icebergs. On one side is a black sand beach. On the other, the route leads to the Atlantic Ocean. As mesmerising as this glacier lagoon is, it’s here evidence of global warming lies. What we do with this knowledge is yet to be decided. But the conversation has begun.

Four Months: Thursday

We leave our Eco-house early driving into Reykjavik for coffee and breakfast at Braun’s, a delicious bakery selling fresh bread, cinnamon swirls and croissants.

From here we have the length and breadth of the city centre to play with.

We become the Flaneuses, the walking women that we are. Armed with our cameras and pens and journals we begin our adventure.

We walk up the hill to the iconic church, Hallgrímskirkja. We take inspiration from the exterior, designed to resemble the Icelandic landscape with its rocks, mountains and glaciers. This a sharp contrast to it’s clean, understated and simple interior of grey and padded pews. We take the lift to the top of the tower and see the streets of Reykjavík below us as well as the sea and surrounding snow-capped mountains. We are Queens, women unto ourselves up here. We take this sense of power and awe back down as we sit and take time to capture our thoughts and feelings of being here, now. Being present.

Let me take you into a hidden garden of sculptures just by the church. Einar Jonsson Museum. Many walk by and miss this moment of beauty. But we don’t as you have a frequent visitor to Iceland as your guide. Me.  We stop and write here too soaking up the quiet and peace right in the middle of the city.

Down the hill we walk in the direction of the museums and art galleries. We have a few to choose from and it all depends on what they’re exhibiting. The Photograhy Museum is a favourite of mine. The criteria for selection is women, nature and beauty.

We enjoy a workshop within the gallery, stopping for lunch and sharing our creations. Then the afternoon we have the time and space to shop, walk, explore alone or together but really experience the feel and buzz of this compact but vibrant city centre.

As the days are long, we can stay as long as we wish in the city, grabbing dinner, catching a concert at Harpa, experiencing the nightlife. We play it by ear as the adventure just keeps enfolding just beyond our next step.

Four Months – Monday

Miss Ella loves crispy chicken. She leaves it on her plate till last to eat. My mum used to do the same with beef. I don’t understand it me. I take meat or leave it. But, I’m all for the pleasure, satisfaction. Straight away. No delayed gratification.

This explains why, on this retreat, after your self-made breakfast, we start in with the paints preparing backgrounds in our special visual journals. I like to use Pink Pig Pads, because the paper is extra thick, is robust and takes many a coat of paint, ink and glue. So I’ve got an A4 or even a square version of this journal. You bring along your own special journal. One that you’ve been stashing away for a special time or reason. Well this is that special time. Just make sure the pages can take all your creations.

We begin with paints, thick juicy colourful paints, and throughout this session we add images and text, intuitively. Working around the theme ‘Light’, we fill up our pages, working with specially prepared prompts and words for the occasion.

After lunch, we’re out and about. And remember the habit of saving the best till last! Not on this trip. We drive south, towards Vik and the black sand beaches. We stand within the roar of the Atlantic Ocean and feel the chill of the water upon our toes. We’re brave on this retreat, so we strip off, down to our cossies and our full bodies are on. Can you feel the power? Can you feel the thrill? We walk around the rocks to the sea stacks and the caves, soaking up the energy of this magical place.

On the way back we stop off at a number of waterfalls along the route. We walk the cliffs to the top, to the source. We walk behind the falls and feel the fresh spray of water. We are happy to be alive.

There will be free time and down time before dinner, prepared with locally sourced foods by Sarah Spaeth. Come and find out more about Sarah here. After we have time to share our a-ha moments of the day. What are our takeaways?

Still light in the day? Yes of course. This is the time of the midnight sun. Time to walk through the village, down to the shore and watch the sunset.

Botanic Gardens, Belfast

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Day 3 – Pain as Logic and Metaphor #eatmystardust

Botanic Gardens, Belfast

The pain that lives in my body
intensifies confined under
the dome of the Palm House.

Livid burgundy blooms burst
upon ochre and gold stripes
knocking along flat sharp leaves.

How deep it roots depends
upon the heat striking the panes
of glass reaching for the sky.

Process – Part 2

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Sometimes when I sit down to write, I can use the journal of my everyday, my visual journal.  Other times, I need a blank sheet of lined paper with no other distractions. No image, no colour just a clean slate.

Here I might start with the impression I was left with after my walk. Burgundy. Burgundy what? Wall, poster, leaf? I would try to describe the colour for someone who hasn’t seen it. Is it a flat colour? Dull or sharp? No this burgundy was vivid because it was so shocking to the eye around so much green. There I’m starting to bring in comparisons. I’m starting to bring in feelings.

I could worry this line for ages but the aim is to keep going. Just like walking. Keep one foot moving in front of the other and so the writing of lines is the same. Keep moving the pen over the page, keep the words flowing. This is just the first draft. Things are bound to be wrong, messy, cliched. But only when you’ve words on the page are you able to start the pruning and beautifying process. You have to have something on the page to work with before you can create the masterpiece. The poem.

There are many drafts of the poem, of the same line even. Adding in words. Taking others out. Switching of verbs for more specific ones,  verbs that are really working it within this line or that.

At all times the purpose is to leave the reader with an impression. To get them to connect to the words not with their head but with their heart. To move them in some way. Create a shift.

Process – Part 1

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I had the urge to write a poem. My hand was itching but not quite ready to lift up my pen. So I went for a walk. Walking helps the process. Helps me think but in a very freeing way. Thoughts of my life or work flit through my mind. But they don’t stay because something in the rhythm of putting one foot in front of another allows the thoughts to enter and leave without making an impression. This is good as my aim is to get to the point where I leave myself and my troubles behind. That I get to the point of being free, unburdened and open. Open to receive.

Once I become open to the environment around me, my senses kick in. I see things,   but more importantly I start to feel things. Feel the air on my cheeks. Feel the concrete shudder through my legs. And then smell. Diesel, cut grass, midget gems.

And so it goes on the more I walk. There further I walk away from me and the closer I walk to inspiration.  And an impression is made upon me from the outside world that I carry back with me inside to my pen and paper. And usually the impression is a colour. Burgundy today.