I recently got this photograph from the #100daysofthegoddessandlove series enlarged and printed onto photo board.
I sat for a few days with her in my living room exhibited on a black metal easel. I would sit and just look at her. I would say to anyone passing, I made that. I was blown away by how beautiful my work looked. And it didn’t bother me if no one else loved it/ her it was enough that I did. I’m proud of my creation. I look at her and smile. I feel a deep swell of love for her. But really it’s for myself and my achievements. I don’t need anyone else to tell me I’m ‘doing good’. External validation is not sort or needed.
I didn’t make this physical piece of art to sit in my sitting room though. I’m preparing for an exhibition of prints; prints of the Goddess.
I’ve been invited to exhibit this series at a special fund raising event for a charity which is close to my heart, with which I’ve been developing a relationship with over the last couple of years.
The Angelou Centre, Newcastle, is a unique Black-led space dedicated to supporting and uplifting Black, Asian and ethnic minority women across the North East region of England. This centre offers a holistic approach to improving the lives of these women, some who are very vulnerable and are suffering. At a national level, the Angelou Centre strives to make sure these women’s voices are represented and heard, especially in relation to the issues that they face every day.
The Angelou Centre is celebrating 25 years this year and are organising an inspiring fund raising event to mark the occasion. It seems fitting that the Goddess should make an appearance at this special event because she is so very good at teaching myself and others what it really means to love and care for ourselves. There will be music and dancing, food and spoken word. I will be performing my poetry and reciting ‘Still I Rise’ by Maya Angelou. Such an honour.
I’m looking forward to the event but also nervous as I will be exposed in more ways than one on the evening. But I know in my gut that I’m so ready for this.
Friday 25 October, at the Grand Hotel, Gosforth Park. More details can be found here. See if you can come along. It’s for a great cause.
The month draws to an end. And so does my challenge of walking out every day, taking photographs and reflecting on the practice. I didn’t manage it every day as mid-way through sickness hit our household. But I do think I completed more walks than if I wasn’t trying to complete the challenge.
Today was a glorious window of light, that I’d be a fool to miss out on. So it was a quick dip in the bay and it was bitterly cold. And then a brisk walk along the shore to warm up. It was a great way to start my day and help with productivity for the rest of it.
As promised to my Patreon sponsors, I delivered my first essay from the forthcoming mixed genre memoir. I’ve made a commitment to share one essay and reading list that I used to complete the essay at the end of each month for the rest of the year. Yes only four months but still that’s four essays done than not.
The theme was climate justice this month and I enjoyed writing it once I got into it. This essay’s been brewing since I first came across the work of Wretched of the Earth. So the time and space and audience to finally complete the beginnings of an essay around this. This is just a draft but at least I now have something to work with moving forward. Making this commitment made me accountable. For which I am thankful.
You can jump on Patreon for as little as $1 to read it if you want. And as always, I appreciate feedback, comments and arguments.
Here comes October, my birthday month. Yay!
This was a great walk along a 6 mile stretch of Hadrian’s Wall to finally seeing in real life the iconic Sycamore Tree. Tree of the Year, 2016 and the most photographed spot in the whole of Northumberland National Park, I’ve had this site on my bucket list all summer. So to finally be able to spend time with this majestic tree growing from within a gap in the Roman wall was a moment indeed.
Whin Sill the bedrock beneath the wall, in this area, has been naturally worn away by large amounts of meltwater flowing beneath the ice sheets to create channels, or gaps. Other gaps can be found at Rapishaw Gap and Milking Gap.
This tree has become famous not for its geology but for appearing on the big screen and TV, starting along side Kevin Costner in Robin Hood Prince of Thieves, Brenda Blethyn in the TV series Vera and Robson Green in More Tales from Northumberland.
“Walk as if you are kissing the Earth with your feet.” – Thich Nhat Hanh
I walk and think. Sometimes about my worries and concerns. Sometimes about my day ahead. But always, after a while, I get to the point where I’m not thinking or analysing . I’m being in the walking. I’m present in the rhythm of putting one foot in front of another. My projections of self fall away and I’m just a body in motion. Here. #wewalk
At the beginning of August I started my third and final #100daysproject of 2019.
I started 2019, painting 100, A3 sized abstracts. Then come April when the official #the100dayproject took place, I jumped on board with painting and drawing Black women’s faces and bodies. I’ve found these practices challenging at times, especially when I’ve been traveling and had a shortage of time. But the flip side has been such a overflowing pot of creativity which has had a knock on effect with my writing and general outlook.
Now nearly 30 days into photographing my golden goddess statue, I‘m figuring out how this practice works in anchoring as well as inspiring me.
With these 100 days, I‘m carrying my beautiful goddess statue out into nature and taking instant photographs of her there. I’m using her as a surrogate for my own body in nature. She takes up space so confidently and with such a ‘don’t care less’ attitude, that her essence is rubbing off onto me.
How she behaves and holds herself is how I want to behave all the time when I’m out there in society, hustling and getting by. I want to have her self-confidence and self-awareness and magnitude. She is badass but so gracious with it. To have what she has, to be so in love with self and grateful for it is how I want to live my life.
Hopefully, from the practice and folllowing the goddess‘s lead, I could get there, well slightly there, over the next 100 days.
Posted Instagram today : 2/100 – Private Farm, Brattleby, Lincolnshire
I wrote in my morning pages today: I want to be debt free in so many meanings of the word. I want to be able to eat and eat healthily. I want to be able to love my body now. Love how my body serves me now so I no longer abuse her and I’m not waiting for the weight to drop off before I love her. #100daysofthegoddessandlove #100daysproject #the100dayproject #blackwomenmatter #blackwomensbodies #selfcare #selflove #healthyatanysize #creativepractice #blackbodiesinnature #brownbodiesinnature #womenscreativity #womensempowerment #instax90 #instaxmini90neoclassic #photography #bodylove #goldengoddess #darkgoddess #mothernature #earthgoddess #goddess
I come here today not realising how long ago I was here. It’s been ages since I’ve posted anything, updated the website etc. My head has been down. July saw me trying to get through the last days of the school term before the holidays. And then the holidays come and all I want to do is rest.
But have I got to that stage of rest yet when I let all of my load down? I’m not sure I even know what that state is never mind feels like, as I’m always carrying around something; some project, some event, some concern. So is life and I accept it rather than spend time and energy trying to run from it.
Anyway, August is here and I’ve feeling the moving at a slower pace. The sharp angles at the edge of my consciousness have softened and become hazy in a sense as they lose focus and I become more present in my here and now and relax. I realise I have some time now to focus on me, my passions and my desires, those things that make me sing from the inside out.
I’ve started my third #100daysproject over on Instagram and it’s all about the goddess and love. #100daysofthegoddessandlove.
I’ll be sharing come creations here too but initially it’s all about black bodies in nature, my body in nature and how I use a surrogate of a golden goddess statue to go places I might feel I don’t belong or won’t be welcomed. She’s pushing me into places where I might fear to go in both internal and external landscapes. I’m excited to see where she takes me. More to follow on this project in time.
For now, I’m off to enjoy these long lazy days of summer and hope to pop back here more regularly as I shift my focus and attention towards my joys and passions. Happy summer.