Practicing Lines

Spending my time creating colour combinations to smooth across just a small journal, A5 in fact. Not a lot of space to cover, not a lot of room to freak me out. And it’s working. This week I’m practicing lines.

That long narrow mark or band which is so simple but so effective. It can be used is so many different ways and I’m enjoying the exploration.

Hanging out in my artist journal is a luxury but such a necessity. It’s here that confidence is built, experiments made and boundaries pushed.

Hope to share some of this weeks creations later on. Until then follow this line _________

December

I’m happy to see this month come around even though I can’t believe that we’re hurtling towards Christmas and the New Year . Where has this year gone?

I’m glad to see the back of November after far too many visits and hours spent in hospitals and doctor’s surgeries.

We might be moving toward the shortest day of the year, but I’m feeling the light in more ways than one.

New moon on Tuesday and my intentions are already set. To shift my energy, my outlook, my state of mind through going deeper into my practice.

I’ve been in my retreat cave for a few months now, withdrawn from IG and Facebook for months. But it’s only now as we turn towards the dark further, do I feel more unhinged and released from the public realm and demands.

I mixed colours today; went through a 40+ box of acrylic paints, mixing them with white gesso to create new, more muted tones. And I’ll not lie, I was singing to the little paint pots I created. This simple act fed my soul. I was so grateful for colour. I could have stayed there all day just mixing and enjoying the colours that came to fruition.

I can’t wait to make some swatches of them as well as start painting with them. Using them each day this month is my plan as a means of deepening into my practice and retreating further into my cave.

Have you set any intentions for the coming circle of the moon? For the last few days of 2019? Please share if you have.

Book-making

While laid up for a while ( and that’s another story), I’m spending my time being creative. This is the only way to keep me sane and to keep my mind and hands occupied as my body feels the pain.

This is the first book I’ve made, after a few years of not making any books. It may look shabby and wonky and still a bit plain, especially the cover. But I love it. I’m so proud of my creation.

Hand-made junk journals are the way the go. Expect to see more as well as see how this one develops as I start to fill it up with text and images.

I feel a Christmas themed one calling …

Art Journal Play

When things get overwhelming, I take to colour. I think this is the reason I love Autumn so much. The myriad of colours; crimson, pumpkin, golden and umber. See what I did there? I elevated my vocabulary as sometimes I can be lazy and just use the obvious.

Anyhow. Back to the colour fields. Playing with colour fills my pot. Shifts my energy. And makes me happy. A simple task but well worth the effort.

Lately, I’ve started new journals. Square journals. Altered books. Notebooks. Any blank page I can fill with colour I will. I share some of the results here to inspire you to play. To let go and just lose yourself in the process. Forget the result. Forget perfection. And surrender to the joy of play.

Black British Art – a series

I’m a Black British artist. I’ve been involved in the union for artists in England. I’ve been involved in different exhibitions and events around the arts. What I know for sure is that the British art scene is elitist and exclusive.

I’m actively attempting through my own practice as well as research and reading to make visible the invisible; the invisible history of Black British art. For centuries, Black artists have been visible amongst themselves/ ourselves being involved in individual and collaborative projects. But within official records and archives, the Black presence remains little and absent.

Histories and lives and stories are missing within British arts from an African diaspora perspective and I hope through my creating and agitating and archiving I’m changing the narrative.

Through a series of posts I hope to explore the Black British art tradition to bring this rich and diverse and valuable history to light and more recognition. I look forward to sharing my findings with you.

5 ways to cultivate creativity

In the past, I’ve struggled with creativity. I thought I could neglect it and keep it under wraps. But creativity is an energy which won’t be silenced or railroaded.

It has to be respected, nurtured and practiced. Frequently.

Here are a few ways that I stay creative, they might even work for you too.

1. Turn up daily.

Being creative is a practice and you can only practice when you turn up. Turn up at the page, the canvas, the computer. Turn up without expectations, just commit to giving creativity some time and attention and see where it takes you.

2. Never give up, never surrender.

Some days the ideas are flowing. The words are all making sense. The colours are working together. I’m in the creative flow and I feel so much joy. But other days, I’m finding it difficult. I’m struggling to make sense, to feel good about what I’m doing. It’s icky. But I keep going. I keep turning ip because I know I’ll get back to the flow and joy and sweet spot.

3. Fall in love with the process

Process over product every time. Through focusing on the process, I’ve a much enjoyable ride. I learn so much about tools and skills and techniques. I’m present in the moment rather than jumping ahead to the end and stressing about if anyone will like what I create. With focus on the process, it doesn’t matter if anyone gets what the finished piece is about because the value comes through the practice.

4. Diversify

I suspend attachment and worries and stress when I create multiples or dabble in multiple creative projects. When I create in batches or move between different art form such as writing poetry and painting an abstract, it means I don’t place all my eggs in one basket. It means I’m not focusing on perfection or completion. I’m focusing on this mark now. And then the next mark. And how they talk to each other. I’m lost in the movement and the creating.

5. Trust yourself

This is probably the hardest thing to cultivate in terms of creativity as far too often we listen to our fears and self-doubts. We spend time and energy overthinking the process or second guessing our actions. We doubts our abilities and intentions. We fall into the comparison trap and before we know it we’re paralysed. We cease to create and feel a failure.

Trust in myself as a Creatrix has developed over time through practice. Through showing up and doing the work and enjoying the process. The more I do the more confident I am in what I have to say and share creatively with the world.

Loosening The Bounds

I missed submitting for the special challenge with Nine Muses Poetry this month. The challenge is to respond or be inspired by a different photograph posted at the beginning of each month. For April the image was fittingly Viewing Cherry Blossoms at Ueno, by Katsukawa Shunzan. I completed this poem this morning in response.

Loosening the Bounds

I wish I could say,
the orchard is a rare find.
That I never think of blossom.
That the pure smell doesn’t
undulate to the sea.

But that would be lying.
At this time of year,
there’s no escaping the stain,
the crowds. No escaping him.

His neck is red. Pain in his head.
That must be why he seldom smiles.
I know I put them on a pedestal.
I want what they had.

How they kept the blossom from dying.

Perhaps, the sea is history
and the lop-sided pagoda clinging
to the shoreline, made me think
we were going somewhere.

Same images played over and
over again. The trickster,
just using my face. My skin. My voice.
Give me the cherry blossom every time,

time with my sisters,
lost in the crowds, easing off
our sandals, loosening our bounds
like blossom caught on the bsea breeze.

My Year of Deepening

tintype-577394653.781030While reading an email course I’d signed up to about community, there were links to the person’s website and courses. Before I knew it, I fell through the rabbit hole, following links and thinking of signing up to get another course which promised to support my quest in getting more in touch with my intuition.

Forget that, I probably couldn’t afford the course, the wonder and excitement juices were already flowing. The thrill of the new was taking over as I was pulling out the credit card. But wait. I took a step back. Backed off the ‘buy, buy, buy’ button and hit the breaks. What was I doing?

Buying another online course I wouldn’t finish? Spending money I didn’t have to spend? Fooling myself into thinking that this course held all the answers I was looking for?

All fantasy and stories we tell ourselves to justify the buy, the need and wish to accumulate yet another thing, I know off by heart. I don’t need width. I don’t need to buy another course, another book, another life. I need to focus and appreciate and dig deep into the things, the books, the skills, the course, the life I already have.

Around the beginning of the year, I’d heard about a #depthyear, but wasn’t sure what it was. I thought it was in connection with choosing a word for the year. But today, I found out what it means. The idea came about through an article by David Cain called ‘Go Deeper, Not Wider.’ Within it, Cain stresses a new tradition or intention of not starting any new hobbies, or buying any new things for a year but to revisit, reconnect, reuse the things he already had.

“No new hobbies, equipment, games, or books are allowed during this year. Instead, you have to find the value in what you already own or what you’ve already started.
You improve skills rather than learning new ones. You consume media you’ve already stockpiled instead of acquiring more.
The guiding philosophy is “Go deeper, not wider.” Drill down for value and enrichment instead of fanning out. You turn to the wealth of options already in your house, literally and figuratively. ”

In the age of consumerism, this is no easy task, as it’s habit to buy the newest gadgets and clothes. Value is placed on the new and the young rather than the used and the old. But what could be achieved and accomplished, if we just focused on what we had already and we took satisfaction and sustenance from that?

Subconsciously, I feel as if I have been going deeper through my #100dayprojects, first with abstract paintings and now with the black female portraits and figure paintings. Somewhere in my being, I felt the need to drill deeper into these practices in order to get better at them as well as to understand them. However, during the process, I’ve brought new art supplies and tools and books. I think this demonstrates a lack of trust in my own abilities by looking elsewhere for guidance and permission and inspiration.

All I need I have already. A lot of what I need is inside me to excavate, and if not then I can find the answers or further questions in the mountains of books and articles and courses I have accumulated over the years.

So take this post as the beginning of my year of deepening. Saturday 20 April, 2019.

By taking a whole year to go deeper instead of wider, I hope to develop a rich and joyful and carefully curated collection of interests, pursuits, skills and knowledge. I hope to reduce the power of newness and possessions has over me, in order to foster a deeper gratitude for what I have, the luxuries I already enjoy or have neglected.

Going deeper requires patience, practice, and engagement. Interestingly enough, these attributes have featured as my words of the year for the past few years. Maybe a sign that all has been leading to the point of awakening as I plan to delve deeper into this one glorious life I have.

What are some of your essential tools?

Recently I’ve been asked a few questions about my practice and process with my artwork. One question which struck a cord was, what are some of your essential tools for creating?

 

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My practice changes but what I can say is that I’ve fallen in love with mark-making while completing #100daysofabstracts, so anything that can manipulate paint on the page is something I want to get my hands on.

My trusty old disused credit card is always by my side as I use it to create the background for my visual journaling, but lately this has been accompanied by a Catalyst pebble sculptor No.6 white, a plaster’s trowel and a spaghetti scoop.

I love creating mixed media layers of papers, pencil, pastels, gesso and acrylic paint and then scraping layers away so the past is revealed.

Take the term, palimpsest which I’ve come to understand through my writing practice as a piece of paper where the text has been scraped or washed off so that it can be reused but each use is still visible, like a ghost.

I see the abstracts I’ve been creating in the same light when I create layers and scrap areas back so previous layers or versions haunt the finished piece. I’ve always been interested in how to read history and heritage in light of the present so we can learn for the future, through these abstracts I’ve been exploring these concepts visually.