music

The Sinners Series – 005

| Sheree

With it being awards season and all, I felt called to watch Sinners again. This might have been my fifth or sixth time. I’m sorry, I’ve lost count. It still hasn’t lost its magic. The film just keeps on giving for me. To me.

This time, I’m struck by how many times freedom is mentioned. How to get free? How to be free? How to protect that freedom?

I think Sinners explores the price of freedom. The price of being free. There’s always a cost for attempting to live life on your own terms.

From the beginning, we might be introduced to sharecroppers, working for the white men, still on plantations. But this will be a self-sustaining community. More than bodies for working on the farms, the land they do not own. But they have each other. Each character is developed at the beginning of the film. The viewer is allowed to get to know them and see them in their element. They be vibrant and they be fixing to be free. Free from the restrictions of white supremacy culture, capitalism, patriarchy the whole shebang. And this isn’t without pain but also joy and laugher and love.

Sinners is what happens when a community, when people are living their own lives and are infiltrated by others, who want what they have. Outside threats come to ruin the day. Vampires come and covet what this community has. Sammie. Sammie has a gift, the gift of music that connects him with all ages. Griot.

Delta Slim’s says, “With this here ritual, we heal our people. And we be free.” This is the power of music and how a community can tell their stories through music. And outside forces, in this case vampires, who hear, see, realise this power, are threatened by it as well as want it. Want to control it take it away from this black community who are gain strength and sustainance through it all. And be free.

Sammie’s gift, the music, the very culture needs to be/ has to be protected from these outside threats at all costs. As culture, its very existence is threatened from being sucked dry by the devils coming tonight.

So as a people, as black people, we do whatever we can do to tell our own stories, protect and preserve our music, our culture as through this we heal. And we be free.

The Sinners Series – 003

| Sheree

The second time I went to see Sinners, again it was fitting it in before going away somewhere else. But I knew I had to see it again.

A different cinema, and much fuller this time. I was sat between two black women out for one of theirs birthday’s and a white couple.

The black women introduced themselves to me. Something that has never happened before to me in the pictures. I thought it was a lovely gesture. It meant I could also tell them that they were in for a treat.

Again I got lost in the world of Sinners. Even thought I’d seen it before, I still jumped at the frightening bits. And I say frightening bits, the bits that are in there to make you jump. There’s blood but most of time the biting by the vampires is done off screen or you see it from behind and hear the noises.

I love this movie for so many reasons but I think the first thing is how Coogler plays with the genres and conventions and expectations. This is a mixture of genres ; horror, action, romance, musical etc. Coogler takes creative liberties with what’s gone before to create something rich, unique and full.

I love how this is a massive permission slip to any creative to go with their own flow. Bring in all the possibilities you want to express your point. It applies to the Creatrix in me because when the energy flows, when I’m in the zone and listening, the creations knows no boundaries or limits or rules. It just be.

Sinners is just that. And more. It’s layered , culturally and spiritually explorative and travels through time and space with music as the connection.

This second viewing of Sinners was important because for the first viewing, I had to rush off into try dark and catch a bus, therefore missing the multiple endings. So this time, I stayed put and also told those around who were fixing to leave, ‘there’s more.’

I’m not going to spoil the film for you by telling you what happens in the multiple endings but please don’t leave until the very end. Even if the lights come up, hang on in there to the very end. Even if they’re coming in to clean up after you, hang on in there to the very ends.

The Sinners Series – 002

| Sheree

I’d seen the trailers. And forgot. It was already out a week or so when I realised and I only had a small window of time before I was off on my travels again.

So on the spur of the moment. I booked my ticket, walked and bussed there. A late night showing. I’d be coming home in the dark.

I should say, I have a love /hate relationship with horror movies. I get scared easily. I’m very impressionable. And images especially horrific ones haunt me afterwards. But I also enjoy being scared. In a weird twisted way. It’s an adrenaline rush.

This film has vampires. And I was travelling home alone. Considering walking ( I didn’t my after all).

The cinema wasn’t really full. I settled in and right from the beginning of Sinners directed my Ryan Coogler, I knew I was going to be in for a treat. The cinematic colours and quality of the film, shot in IMAX and 70mm film, pulled me into the world created.

Set on 1932 in the Mississippi Delta, during Jim Crow, a musical supernatural action film was a beauty to behold. Michael B Jordan playing a double role as the twins Smoke and Stake, I was gripped.

Of course I jumped and screamed all at the right parts but I also got lost in the characters and their relationships and the horror of it all. The death, grief, pain and joy.

If you haven’t seen Sinners, please go see it. Best movie for this year, best movie by far for a long time. This is a movie I have no qualms about haunting me.

This is what I’m listening to …

| Sheree

 

Listening and allow it to touch you soul.  I just love the powerful lyrics in this singer-songwriter’s  Danielle Ponder,  recently performed at NPR’s Tiny Desk Contest. ‘ Poor Man’s Pain.’

“Freedom, won’t you, call out their names, Freedom, won’t you, call out my name. “

Day 15 – NaPoWriMo – Musician

| Sheree

black and white bus stop sign
Photo by Autumn Dunne on Pexels.com

Ted Blaine, musician
After Gabrielle Calvocoressi

I journey back sometimes
and remember when I was riding
up front in that hot metal can.

I could see her in the rear mirror,
patting down here hair
and fixing her lipstick.

I should have done things
differently, little things,
like carried her bags

into the service elevator.
Let her know that I didn’t
think it was right, the way

they treated them Negroes.
One time, I heard her humming
while watching the world whizz by.

It was awful sweet the way
she could drift off into the music.
My mama was the same when she

had breath in her body. Sometimes
I dream of singing. Mostly
it’s that Billie’s comes back.

We’re traveling in the hot tin bus
but we’re upfront together
and she’s telling me

a thing or two about improvising
as the trumpet runs off
dancing with the piano.

The Goddess Series is going on show!

| Sheree

I recently got this photograph from the #100daysofthegoddessandlove series enlarged and printed onto photo board.

I sat for a few days with her in my living room exhibited on a black metal easel. I would sit and just look at her. I would say to anyone passing, I made that. I was blown away by how beautiful my work looked. And it didn’t bother me if no one else loved it/ her it was enough that I did. I’m proud of my creation. I look at her and smile. I feel a deep swell of love for her. But really it’s for myself and my achievements. I don’t need anyone else to tell me I’m ‘doing good’. External validation is not sort or needed.

I didn’t make this physical piece of art to sit in my sitting room though. I’m preparing for an exhibition of prints; prints of the Goddess.

I’ve been invited to exhibit this series at a special fund raising event for a charity which is close to my heart, with which I’ve been developing a relationship with over the last couple of years.

The Angelou Centre, Newcastle, is a unique Black-led space dedicated to supporting and uplifting Black, Asian and ethnic minority women across the North East region of England. This centre offers a holistic approach to improving the lives of these women, some who are very vulnerable and are suffering. At a national level, the Angelou Centre strives to make sure these women’s voices are represented and heard, especially in relation to the issues that they face every day.

The Angelou Centre is celebrating 25 years this year and are organising an inspiring fund raising event to mark the occasion. It seems fitting that the Goddess should make an appearance at this special event because she is so very good at teaching myself and others what it really means to love and care for ourselves. There will be music and dancing, food and spoken word. I will be performing my poetry and reciting ‘Still I Rise’ by Maya Angelou. Such an honour.

I’m looking forward to the event but also nervous as I will be exposed in more ways than one on the evening. But I know in my gut that I’m so ready for this.

Friday 25 October, at the Grand Hotel, Gosforth Park. More details can be found here. See if you can come along. It’s for a great cause.

Painting the Feminine

| Sheree

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I have been blessed. Someone out there is watching me and liking what I’m doing as I share my journey with creativity and encourage more women to listen to their creative needs and wants and just do it.

I have been gifted a place on Connie Solera’s last session of Painting the Feminine; a painting ecourse where we take the time and space to explore feminine energy and wisdom.

I have completed this course twice before and was fixing to enrol on this final run but finances were just not on my side. But I sent my desires out into the Universe and they were answered with this gift.

I’m truly grateful for this opportunity to dive deeper, listening to my intuition and inner wisdom to paint from my soul and heart. I’m having such a sacred time, as painting becomes a daily practice as well as a special ritual of savouring each moment.

This piece is called: Trust. I think it’s all in their facial expressions. They are so in the know. I love them. I think I’ve found my tribe and they were inside me all along. I love that.
 

Four Months: Friday

| Sheree

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Friday is our last full today together. It is with great sorrow that I have to bring this circle to an end. I hate goodbyes. I usually sneak out in the dead of night, before anyone else is awake, to avoid saying goodbye. To avoid having to look my fellow travellers in the eye and allow them to see how deeply this time with them, this experience has touched me, changed me.

But today, this time, I stand before you and acknowledge how much you have brought and contributed to this retreat. I couldn’t have done it without you. I acknowledge how much our time together has left such an impression upon me. I know I’m not the same person who arrived here just a few days ago to facilitate this holding of space for you.

I don’t want our time together to end, but end it must but I stand before you saying goodbye confident in the feels that you are leaving here also changed; empowered and inspired and more secure in yourself and who you be.

Before we leave, let’s spend one more morning together with our visual journals. Let’s continue the magic one more time as we play with paint, visuals and texts. Let’s share those images of our days together; the sunrises over breakfast, the tears of recognition as we open up to each other, the smells of fresh cooked pancakes and strawberries and chocolate, the laughter late into the midnight sun. Let’s make a promise to ourselves to keep giving ourselves this time and space to think and dream and breathe.

In the afternoon, we drive to
Jökulsárlón. Jökulsárlón is a glacial lagoon, bordering Vatnajökull National Park in southeastern Iceland. Its waters are a strange turquoise blue, still and dotted with icebergs. On one side is a black sand beach. On the other, the route leads to the Atlantic Ocean. As mesmerising as this glacier lagoon is, it’s here evidence of global warming lies. What we do with this knowledge is yet to be decided. But the conversation has begun.

Four Months: Thursday

| Sheree

We leave our Eco-house early driving into Reykjavik for coffee and breakfast at Braun’s, a delicious bakery selling fresh bread, cinnamon swirls and croissants.

From here we have the length and breadth of the city centre to play with.

We become the Flaneuses, the walking women that we are. Armed with our cameras and pens and journals we begin our adventure.

We walk up the hill to the iconic church, Hallgrímskirkja. We take inspiration from the exterior, designed to resemble the Icelandic landscape with its rocks, mountains and glaciers. This a sharp contrast to it’s clean, understated and simple interior of grey and padded pews. We take the lift to the top of the tower and see the streets of Reykjavík below us as well as the sea and surrounding snow-capped mountains. We are Queens, women unto ourselves up here. We take this sense of power and awe back down as we sit and take time to capture our thoughts and feelings of being here, now. Being present.

Let me take you into a hidden garden of sculptures just by the church. Einar Jonsson Museum. Many walk by and miss this moment of beauty. But we don’t as you have a frequent visitor to Iceland as your guide. Me.  We stop and write here too soaking up the quiet and peace right in the middle of the city.

Down the hill we walk in the direction of the museums and art galleries. We have a few to choose from and it all depends on what they’re exhibiting. The Photograhy Museum is a favourite of mine. The criteria for selection is women, nature and beauty.

We enjoy a workshop within the gallery, stopping for lunch and sharing our creations. Then the afternoon we have the time and space to shop, walk, explore alone or together but really experience the feel and buzz of this compact but vibrant city centre.

As the days are long, we can stay as long as we wish in the city, grabbing dinner, catching a concert at Harpa, experiencing the nightlife. We play it by ear as the adventure just keeps enfolding just beyond our next step.