along with other themes and issues like abolition, emergence, black study, black anarchy, fugitivity, living archives , ancestral wisdom, African cosmologies
Already, just a few pages in, and I feel that this is going to shift my practice along even further down this path of refusal, stealing my body away through liberatory practices and beings.
This photo essay comes from the Instagram account of For Black Women and Girls UK.
It is reproduced here to raise awareness of a troubling increase in the number of black women going missing and later found dead by/ within bodies of water.
I had the pleasure of gathering with the WOC Azadi again in Sheffield today.
We gathered to share ideas around how to plot/plotting our healings, our liberation together.
Visual journaling was on hand to capture our thoughts, feelings, plans and plots.
It was such a nurturing and nourishing space in nature. It was a gathering of hope and aspirations.
It was an honour to be part of the day retreat. Ideas for The Plot of Our Repair came about from a reading is Saidiya Hartman’s essay , The Plot of her Undoing (2020).
The plot of her undoing begins with his dominion. It begins in the fifteenth century with a papal bull, with a philosopher at his desk, pen in hand, as he sorts the world into categories of genus and species. It begins with a bill of sale, with a story in the newspaper that enumerates her crimes, with a note appended to the file: she answers questions easily, but appears stupid; it begins with a wanted poster that reduces the history of her life to a single word-condemned.
And then towards the end of this essay there is a switch. A turn to explore how we can undoing the plot of her undoing. How we can move against the forces aiming to ruin/ control/ oppress the black/brown woman.
The undoing of the plot proceeds by stealth. It is almost never recognized as anything at all and certainly never as significant.
…
It begins with the earth under her feet. It begins with all of them gathered at the river and ready to strike, with all of them assembled in the squatter city, with all of them getting ready to be free in the clearing.
The undoing of the plot begins with her runaway tongue, with her outstretched hands, with songs shared across the unfree territory and the occupied lands, with the pledges of love that propel struggle, with the vision that this bitter earth may not be what it seems.
The undoing of the plot, the plot developing towards our repair was started before us. We stand on the shoulders of our ancestors. We continue this journey, this plotting together. Today makes me feel that we have already won.
What’s one small improvement you can make in your life?
I’ve been noticing how my work/ being has been reactive. There’s been a sense of scarcity and time urgency that’s been guiding my thoughts and actions. There’s been a hopelessness. Because some incidents are out of my control but which have impacted me. There’s been feelings of not being appreciated, feeling a lack of trust and working without purpose, moving away from my core values and moral compass.
I might have been using food or drink to numb my way through the shit. Through the ‘work’, not allowing myself to feel and be present. Really present to all the feels.
Do you feel me?
I know I need to take a step back and really look at the life I’ve been living. This is the only life I have and cannot be relived. I have a deep desire to change the system. To abolish the system and live otherwise.
And yet in order to change the system, I have to change my life, how I live my life. The way / how I live has to reflect the way/ how I want the world to be.
What does this mean in reality?
How I am just as much as what I do within the system will have an effect on system change. I have to be living my life with intention and purpose. Making sure I’m living my values, that I’m not compromising my integrity. That each decision I make is coming from that place of love and trust and hope.
That I’m not shutting down but open to togetherness but also trusting my gut that when I say ‘no’ it’s not from a place of malice but from a place of capacity and boundaries.
I’m learning, I’m sharing and I’m growing. Alone and in collaboration.
And I’m feeling and shifting into the practice and recognition that this is coming from a place of love and care rather than exhaustion and pain.
Small steps. Small acts. Small makes up the large. Small scales up to large.
I’ve got to be practicing the world I want to see now in my own life. Daily. Practice.
Love not hate.
Cooperation not competition.
Conversation rather than condemnation.
More care less harm.
More listening less violence.
The turn towards Mother Nature rather than against her.
A recognition in the value and worth of every human being regardless of race, class, gender, religion, ethnicity, age, sexuality, body type and body and mind abilities.
A couple of days ago, I completed the 30 day sketchbook challenge, successfully. Not a day missed.
I’m really proud of this achievement as it proves to myself that I can turn up for my art-making consistently. That I can use my sketchbook as a place of play and wonder. A place to take risks, safely.
The importance I place on the creative sketchbook practice is immense but not to the point of paralysing myself and then not creating out of fear of failure.
The plan is to continue the practice. And I have been turning up each day since. I’ve been using my own prompts, following my curiosity, leaning into my own style. Listening to my voice.
The original course came with an additional 30 prompts. So I’ll start them when I run out of my own ideas. Then I can also restart the original course again and then explore a comparison between the creations and reflections of the first round with the second.
This is definitely, at the point, turning into an 100 days project, an just saying that as another milestone to meet and to keep myself accountable.
And again, I’ll keep the pages for my eyes only, not ready or even wanting/needing to share the pages I create or to move onto larger, external canvas or panels.
I do not feel the need or the call to create any formal work as yet or share. I’m happy exploring within my sketchbook and following where that takes me within the pages.
I realise that has been where I’ve gone wrong in the past. Skipping the sketchbook phase which I’m thinking is simply like the drafting stage of writing. The loose, trial and error phase, where we’re just playing. I’ve been missing out this phase and going straight to the big stuff, the art put into the world. The exhibitions, the judgments and appreciations.
And what I’ve produced mainly carried little meaning for me or messages for the viewer. I feel that it’s fallen flat and felt like a void. And I think this is because I wasn’t sure of my voice, my style, my meanings and messages.
This is what I’m taking away from this sketchbook practice now. And I’m so enjoying the process and I’m open to what surfaces. But I’m also patient and loyal in terms of showing up and doing the work. I trust all will become clear and strong and full in the process.
This is one of my favourite images from my extensive collection.
I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.
This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.
It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.
I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.
I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.
I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.
I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.
This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.
What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.
i’m protecting my peace so i have the energy for me, to {BE} in service for we, the we that looks/{BE} like me
this is all becoming clearer now
i’m not expending or wasting any more time, energy, attention on those (white) people who do not see me. or when they do see me, they do not see me as human
as Akwugo Emejulu says, the black woman can never be a human being
for decades i’ve spent time, energy, attention, through my practice and day to day life, trying to convince others ( white people) of my humanity. i would bend over backwards trying to get accepted, recognised, cherished as a fellow human being
look, please, i’m human. look, please, i feel, i hurt, i bleed. i breathe
no more. i am no longer prepared to play that role. dance this stupid dance. as i will never be accepted, recognised, loved as a human being. the system won’t allow it. (white) people won’t allow it
i’m no longer wasting my energy on proving jackshit
i’m refusing what has already been refused of me ( fugitivity)
i knowing who i be. i am smart, i am kind, i am important ( The Help). and i don’t need/want/entertain any (white) person to tell/grant/recognise me as such
and i’m no longer apologising/ playing it down or safe/ tempering for how i feel/act/ {BE} about this situation
as that just expends/takes/sucks out of me a whole heap and of other energy
i ain’t smiling.
Summer Solstice came and gone. I had plans to hit the sea at sunrise, but didn’t make it because I had a restless night what with the heat and house and car alarms going off during the night? Are they sensitive to the heat? I do not know. I thought I was trapped in some kind of twilight zone with the incessant calling alarms and no one moving to switch them off. But I digress. maybe I’m just sensitive to senseless noise!
Mid-year reflections. What can I say? I’m not getting anywhere fast and I’m okay with that.
I FaceTimed with a very dear friend many miles away today and she asked and what’s happening with me. What’s happening in Sheree World?
At first I felt I needed to fill in the gaps with some of this shit and that. Or I’ve been asked to do this shit and that? That I had to show I was hustling and beating the grind real good. But shit ain’t happening in Sheree World and in all honesty I’m happy about that.
I hibernated well into April this year what with going to Paris and celebrating my babies’ birthdays. By the time I came out of my cave, everyone was well into their year, well into 2025. And I could do one of two things ( probably other things too but focusing on just the two for now!).
I could drop everything my heart desired and focused on catching up with everyone else. Max out my diary with jobs and commitments and watch the money roll in.
Or two, I could, continue to roll out of my SheCave slowly and mindfully, carefully and with a whole heap of love and grace for myself and just take things on a day to day basis. No rush no sense of urgency and definitely no panicking.
Which option do you think I chose to follow?
I’m not even sure it was a viable choice because I’m so used to practicing Slow Fugitivity now that it’s the only way I can operate and keep myself sane, safe and thriving.
I’m not measuring my success by how much my bank balance is telling me or more like alerting me to. I’m not measuring my success by how many people are singing my praises. By how many people have my name on this lips and are ready and willing to work with me. Promote me, award me, accept me.
I’m measuring my success on how good I feel moment to moment. How much joy and love am I feeling now? How much care am I giving to my self and those around me? How much am I showing up into situations, gatherings and meetings as myself? Transparent, honest, earnest and hopeful?
How much am I being open hearted, loved, loveable and loving towards myself and those around me?
This is my measure of success.
I’m not turning away from all the shit and cruelty and destruction that is happening around me and in this world. I’m feeling it for the people who are getting caught in the middle of men with big egos who are playing at being leaders and pretending to protect their people. I know what is happening in the name of religion, or history or land and justice. I’m listening and seeing genocide after genocide happening and those responsible not being held to account. I see it and feel it and I want to do more to stop it, to fight against it. So trust me when I say, I do not turn away or ignore it when I choose joy and care and love as my weapons of choice. I’m not living in a fantasy land of all happy happy joy Joy. I’m not being naive or flippant.
I’m choosing to refuse the stories we are being told. I’m refusing to perpetuate the capitalist structures and feed into the patriarchy and imperialist tendencies. I’m choosing to refuse the roles assigned to me as a black woman as just another body to be used and abused and disposed of after I’m no longer useful.
Fuck that fuckery.
So mid-year reflection is that:
* I’ve got no regular working gig on the horizon.
* I’m searching for my tribe.
* I’m dreaming of other possibilities, another way of being.
* I’m refusing the shit sandwich that is offer me again and again.
* I’m refusing what has already been refused of me.
* I’m creating spaces for creative fugitivity.
* I’m creating gaps or breaks in the capitalist dome from which we can break free into the land of possibilities filled with imagination and play.
* I’m embracing craftivism. My word are my weapons. Always have been, always will be.
* I’m lingering in the midst of flight.
* I’m taking MY TIME to stretch OUT my tired limbs. Limbs reaching for the sky, eyes focused on the stars above as I’m breathing deeply, and allowing my deep belly laugh to roll out over the landscape as I pick a rhythm to my own beat and I’m shaking shake shake shaking OUT by big beautiful black behind.
Come join me if you dare. Make sure to bring a plate of food and story to tell as we gonna be gathering around the fire soon to build a free community, or as my dear friend Dal was saying just the other day, build a village. Yes thank you, indeedy!
Let’s get to shaking, shake shake, shaking this shit up!
Living Wild Studios 