Protecting my peace

i ain’t smiling

I’ve been in a battle with myself.

The lessons I try and pass on to my kids are not to allow anyone else to change you. You go about your business as yourself. Don’t change for nobody.

I’ve been in a battle with myself.

I know my nature. I smile a lot. I lean into the joy of life because I’ve always said life is too short after being touched by death so young ( I now think life is long but that’s another conversation).

I’ve been in a battle with myself.

I’ve noticed I’m walking out now and not smiling. To myself or others. My face is fixed in a neutral stare, going about my business. I don’t not need/ want to look, speak or touch anyone else.

I’ve been in a battle with myself.

Is it my nature to smile and make contact with other (white) people because that’s who I am? Or do I do it to make them feel comfortable and not to think I’m a threat to their safety? Do I smile because I’m happy? Or do I smile to keep others happy?

I’ve been in a battle with myself.

Through speaking with a ( black female) friend recently things have become clearer and more resolute.

i ain’t smiling.

Not smiling, gazing or connection with (white) people while out walking/ coffee drinking/ shopping/whatever, is me, protecting my peace.

i ain’t smiling

i ain’t smiling

People have said to me before – you have a beautiful smile.

Or – you’re beautiful when you smile.

Or – your smile is contagious. I see you smile and I just smile backatya.

Bullshit.

Where I live, black faces are few and far between. But I’ve lived here close to 16 years. It’s my home now. I wouldn’t want to live anywhere else because I’m close to the sea.

But still when I’m walking the streets. My streets. I’m still looked upon as a stranger. That is when they see me.

Because I’m a joyful person, I smile. I smile a lot. Especially after a dip in the sea. Then I can take on the world. I can face the world with a smile.

I have lost count of the number of times I’m walking out, look up to make eye contact with someone walking towards me. Even give a smile or a nod of recognition, a greeting. And there’s been nothing in return. No eye contact. No smile. No recognition of a fellow human being. No connection. Nothing.

And if there has been a gaze at me, it’s not welcoming or positive. It’s been hostile, or questioning or vacant.

Don’t gaslight me into thinking this isn’t the case. This is my experience. You weren’t there. And I’m sick and tired of giving the others the benefit of the doubt.

I’ve never been given the benefit of the doubt. That is never bestowed on me. I’ve accepted it. Allowed it. Made excuses and explanations for it. But no more.

i ain’t smiling.

I ain’t making eye contact. I’m not stepping off the pavement to make room for others. I’m taking up space. My space. Nobody else’s. Mine.

liberation already exists

i ain’t smiling

“The stories begin from the premise that liberation is an already existing and unfinished and unmet possibility, laced with creative labor, that emerges from the ongoing collaborative expression of black humanity and black livingness.”

Excerpt From
Dear Science and Other Stories
Katherine McKittrick

I’m not smiling. I’m not making eye contact. I’m going about my business.

I’m taking up space. My space. Nobody else’s. Mine.

There’s something that’s been happening. I’ve been noticing a shift in the way I’ve been operating.

I’d say it’s since I went on the Black Women’s Creative Retreat at the end of August. probably it’s been rumbling in the background. But this experience crystallised it for me.

It was me with 3 other black women camping in a field in Hamsterley Forest. I need to write further about this experience. But for now, I’d say that for a short time we existed in our own timespace. For a short time, we built our own world. A world in which we were centred and celebrated. Seen and heard. And loved unconditionally.

And then we had to return to ‘civilisation’. What a shock to the system! People are rude. Period.

And I’m no longer giving them the time. My time. My attention. Because they do not see me. They look right through me or they be ignorant towards me.

The image above is part of a new series I’m playing with.

i ain’t smiling.

More to follow.

the season of self-study

“Reading across our curiosities, the story and imagination are testimonies grounded in the material expression of black life”

Excerpt From
Dear Science and Other Stories
Katherine McKittrick

I’m a multi-passionate Creatrix ( I don’t use artist because it’s a term historically linked to imperialism and colonialism and we need to unlearn that shit!).

Reading feeds these passions. I can get myself lost up in a book or trip on many different subjects/ disciplines .

Today I was reading a crime novel, then a self-help book around self-sabotage, a healing and grief article, a Substack newsletter on erotic engineering, permaculture design, a Black feminist thought anthology, and instructions on a tube of Polyfilla!

I’ve always been curious. I got beats as a child for asking questions. For asking why?

For me fugitivity flourishes in and with having the time and space to lean into my multi-passions without anybody else telling me to stop, or move along or get back to ‘work’.

During my favourite season of the year, I’m leaning into my reading. I’m devising my own reading list of self-study around getting free.

I’m reading across disciplines and I’m reading into black studies and black livingness. I realised today, while, reading Katherine McKittrick, what I’m doing and have been doing is searching for and following the breadcrumbs that are shared through the writings and practices of black scholars, creatives and beings that have at their centre/ purpose/ inspiration black freedom.

a much appreciated gift

After a really successful visual journaling retreat in Sheffield, which I’ll share about soon, I was gifted this handmade journal.

Made from wallpaper, eco-dyed papers and love, Dal Kular, a wonderful friend and fellow mischief maker gifted me this journal. Off shots from a bigger, much bigger journal she created in connection with her creative in residence in Peak District National Park, Dal wanted me to have this beauty.

I know Dal was proud of it and knew that I would put it to good use. I dived into using it start away. I needed the clarity of a new journal, while on the road with Kiwi and this journal is fulfilling that need and want, remarkably well.

I’ll be back later this week to share the completed journal spreads.

pink frosting and all things nice

you can not say i did not give generously.

you can not say i did not give openly.

you can not say i did not give my truth.

you can not say i did not give my care.

you can not say i did not give my sweetness.

you can say though, i did not take your shit.

you can say i did not take your childish ways.

you can say i did not take your attention or care

and i most definitely did not take you heart.

peony practice

peony, oxeye daisy, foliage and rose.

i practice their names like i practice how to breathe

without you. i smell you still upon the covers, upon my skin.

citrus, moss and burnt wood. your magic seeped under

my skin into the blood. hypnotising my senses and made

me light, made me forgetful and soft. no regrets.

i only wish, i had kept my eyes open in order to see your guise slip

like a big blousy peony petal to the earth.

the orange fish is softer and warmer than you

let me embrace the orange fish. the orange fish compliments my dress.

compliments my wanting lips and heart, much better, much softer than you.

as i hold my heart in haste and protection, let me embrace something that is willing

more open to my grace than you. i thought i made myself clear, i’m not here to

stare into cold glass eyes, twisted thoughts and warps hands and heart.

let the wind blow through my hair and take all promises of you away too.

the rooms may be empty but this orange fish will make me warmer,

the sweetness is ruined

stuck in the dark, you ruminate over what went wrong.

did you give too much in too little time?

did you show your soul too soon, too full?

stop. you will never know his being, his concealment.

his omission. grieve if you must. but it is his loss.

you are still full, still sweet, still in control

of the cake, the knife, your heart.