Theme of the Year – pt.1, The Crone

The Crone was the first card I pulled for the theme of my year, 2021. I thought this card was very apt as I’m moving towards my 50th birthday on October, as well as this card being the thirteenth in the Wild Unknown Archetype deck. This is my number. So I feel that The Crone has a wealth of wisdom to impart upon me this year and beyond.

The Crone is the third figure in the triple goddess path, and she has been around long enough to have seen it all. She has reached the point of rejecting dualities in life and accepts it all, the beauty with the suffering, black with white.

Often present with crows, a symbol of wisdom as well as death, the Crone gives and takes life, using all energies to reveal hidden knowledge. The Crone resides in us all but is often feared because of her power.

I accept whatever she will bring this year, and look forward to deepening my relationship with her rich and unapologetic magic.

I see The Crone’s appearance now as a reinforcement of the decisions that I’ve already made. I don’t have time for any superficial and petty discussions or relationships. I feel in order to heal myself, that I need to go deeper, deeper within even if this means I travel alone.

This going deeper will be supported by further study into such goddesses as Dhumavati, Hecate, Baba Yaga and Lilith.

Pulling the cards for 2021

Seeing in the end of the old year and into the new is a time I always take for reflection. Visioning and re-visioning my dreams and plans for the year to come is something I do to focus my energies for moving forward with purpose and grace.

As I mentioned in my last post, my guiding word for 2021 is SLOW. To support this process of living into my word with intention, I spend time working through Susannah Conway’s workbook Unravelling Your Year. This year, the pulling of a tarot card for each month of the year is missing from the workbook for some reason, but I’ve followed this ritual for so many years now, that I didn’t need anyone else’s guidance to do so except my own intuition.

So using Kim Krans’ The Wild Unknown Archetypes deck, I proceeded to pull a card for each month of 2021, and one final card as a guiding theme for the year. When I pulled the final card, there were two stuck together so I went with the two as my guiding principles. The Crone and The Hunter were the two cards that will become my over arching cards of 2021.

I intend to go into detail about what each of these cards signify and could mean for the year ahead in the following posts. I will also share about each card pulled for each month in a post within each month moving forward too. This is a good way to keep focused and coming back to the magic and potential that each card can offer as I journey through this coming year.

Nature Writing Workshop – Our Essential Insects

Working in partnership with Northumberland Wildlife Trust, we bring you a unique and new creative writing workshop tapping into the wonder of nature.

The Trust is spearheading a special campaign to raise awareness about the importance of insects to all of life, including us humans. The Trust is trying to raise awareness as well as money that can be used to protect these vital players in life as we know it.

Taking inspiration from these small and mighty creatures, this workshop will be a 1.5 hour generative writing workshop where attendees will explore new ways to write about the natural world as well as our connection within it. Following a series of prompts and possibilities, participants will have a chance to share their work within the group.

This is a virtual event and costs £5. More information as well as signing up can be completed here.

More podcast interviews

As I shared in September, I might not be meeting up with people face to face, and staying home all cosy and safe, I’m becoming more social virtually as I appear on a number of different podcasts.

Well a couple more episodes came out last month which I think I should share here.

The Nurture Project, hosted by Sophy Dale, is a podcast series which came out of an online project on how we can nurture ourselves, which ran in 2020. This is a series which features podcast interviews with a range of inspiring and insightful creative small business owners, including myself. In this conversation, I talk about all things self-care, ranging from wild swimming to hand cream, and the importance of caring for our sources of inspiration as well as ourselves. Take a listen, there is wisdom to be shared.

The next conversation I want to share with you is with the lovely Naomi Woddis for The Two of Us Shorts. Originally broadcast on Reel Rebels Radio, here we discuss the power of creativity to work through trauma and my relationship with nature and its power to heal. This was such a juicy and liberating episode where I take a deep dive into the difficult stuff. Have a listen and let me know what you think by getting in touch.

The Path

“If you can see your path laid out in front of you step by step, you know it’s not your path. Your own path you make with every step you take. That’s why it’s your path.” – Joseph Campbell

My Voice in Virtual Places

During these changing working conditions of moving into visual spaces to connect and share and create, I’ve been enjoying a lovely run of being a guest on a number of different podcasts, separate from The Earth Sea Love Podcast, connecting women of colour and nature.

As mentioned before, I was welcomed onto the Prompted By Nature Podcast with Helen Forester where we talked about working to get more black bodies out into nature with funding from the National Heritage Lottery Fund.

Since the first one, I’ve gone on to be a guest with Yarrow Magdalena with Daydreaming Wolves, where I enjoyed the opportunity to share about my creative practice and sea swimming and not being able to foretell the future but being okay with that.

On Speak from the Body, a podcast on practical ways to reconnect with the body and nourish your soul, hosted by Avni Trivedi, I had the opportunity to speak at length about my creative practice, visual journalling and how it saved my life, 5 years ago now.

And the final one I’ll share with you today, as there are more to come, is from the countryside charity CPRE, Campaign to Protect Rural England. In this episode I’m a guest with Professor Jules Pretty from the University of Essex, where we discuss the health and wellbeing benefits of spending time in the countryside and nature.

Reading and Writing, Writing and Reading

A few weeks ago, when I was in the thick of my separation and wondering how I was going to get through the rest of 2020, I made a commitment to myself to designate October as a creative retreat month. I’m not going anywhere, but I am protecting my time to retreat from the world and outside commitments in order to focus on my creative practice.

Due to circumstances, I’ve allowed things to get lost in transition. Focusing on what brings me joy, like reading and writing and creating haven’t been top of my list for ages, it feels. So protecting October, my favourite month of the year, my birth month, as time and space to re-engage with my creative projects and start some new ones felt right for me.

Only a few days into October, and I was inspired in a poetry workshop to attempt #thesealychallenge. This challenge is to read thirty-one poetry books or chapbooks in the thirty-one days of August. I know it’s October but I’m coming late to the party. But I feel this is just what I need to relight my fire, put pen to paper and write poetry.

So far this month, I’ve read 5 poetry collections and chapbooks. What I’m doing while reading is also collecting words, single words which I like the sound of, or I find are being used in new and usual ways. Words that stir my interest and create a reaction.

What this reading is doing is inspiring me to write again. So from just reading other people’s work, immersing myself in the world of poetry again, I’ve created 6 new poems. So I’m going all the way this time, and trying for 31 poems by the end of the month; 31 poems in 31 days.

This has already gotten me through a block, a fear that was starting to take hold of me that I might be only able to write while in crisis, while in an unhappy state. But by producing something over the last few days, I’ve now put that fear to rest. I’m back, reading and writing, writing and reading.