You’ve got to love Saturday mornings. The promise of the weekend ahead. The mix between wanting to lie in and getting out there and {BEING}.
I’m loudly advocating for what I want this morning and that is time to write and muse and drink coffee after coffee.
So I’ve been over on the Earth Sea Love Substack page sharing about a recent literary project I’ve been involved with. I wrote about creativity, motherhood, blackness and publishing on the Substack.
And being a Black mother in the publication.
Entwined: an Anthology of Creativity & Motherhood
A collaborative anthology and art journal to kindle creativity in motherhood. Edited by Sarah Shott.
My writing is included in this anthology of creativity and motherhood and I thought you might want to check it out!
Utterly thrilling. A potentially world-changing, game-changing work. This is the book that will help us transform the institution of motherhood.
– Lucy Jones, author of Matrescence
The Mother Wave offers a welcome critical perspective on the liberal feminist orientation toward gender equality by showing how the focus on equality does not remedy patriarchal systems of oppression that continue to challenge women’s lives, nor does it account for the emancipatory potential in mothering experiences and the affirmation that diversely situated women continue to find in motherhood.
Foregrounding the lived experience of women and others who do the work of maternal care, the contributors make a strong case for matricentric feminism as a new framework: one that treats the maternal as an issue of both biological difference and a set of complex social identities. Informed by the African American feminist commitment to the epistemological importance of lived experience, on the one hand, and third-wave feminist commitment to intersectionality on the other, the collection claims and demonstrates through multidisciplinary analyses that maternity matters more than gender.
– Tatjana Takseva, Department of English Language and Literature / Women and Gender Studies Program, Saint Mary’s University
Toppling and recasting the idea of “waves” that, until now, correspond to stale time periods and stages of the feminist movement, The Mother Wave allows us to begin seeing matricentric feminism as a core feminist theory and burgeoning politic. Positioning mothers and motherwork at the center of feminism, and motherhood as perhaps the uniting experience among most women, O’Reilly and Green allow for a new “wave” of feminist scholarship and mother experience to take hold and crest – a matricentric wave. The editors introduce a vast array of scholarship and creative work within this volume that collectively helps us understand both consistent themes and new surges within this subfield of feminist thought and experience.
– Heather Dillaway, Illinois State University.
Matricentric feminism seeks to make motherhood the business of feminism by positioning mothers’ needs and concerns as the starting point for a theory and politic on and for the empowerment of women as mothers. Based on the conviction that mothering is a verb, it understands that becoming and being a mother is not limited to biological mothers or cisgender women but rather to anyone who does the work of mothering as a central part of their life. The Mother Wave, the first-ever book on the topic, compellingly explores how mothers need a matricentric mode of feminism organized from and for their particular identity and work as mothers, and because mothers remain disempowered despite sixty years of feminism. The anthology makes visible the power of matricentric feminism as it is theorized, enacted, and represented to realize and achieve the subversive potential of mothers and their contributions to feminist theory and activism. Contributors share the impact and influence of matricentric feminism on families and children, culture, art/literature, education, public policy, social media, and workplace practices through personal reflections, scholarly essays, memoir, creative non-fiction, poetry, and photography. The mother wave of matricentric feminism invites conversations with others and offers a praxis of feminism that aims to coexist, overlap, and intersect with others.
This is where you’ll find my own chapter called
‘I Am Becoming My Mother: Conjuring Black Motherhood on Our Own Terms’ which is a hybrid piece exploring my matrilineage which I mentioned throughout 2023 here.
Get your copy while you can and support Demeter Press.
I was invited go participate in this year’s Timber Festival by All the Elements. “An incredible weekend festival of celebration, debate and reflection in the National Forest. Timber invites you to stand up and be counted as we rethink our relationship with trees and forests.”
Frankie and Soraya, directors All the Elements
I facilitated a visual journaling workshop which I think went down really well. There wasn’t enough space for everyone who wanted to take part so I had to turn people away. I kept it simple and laid out a step by step approach for creating the visual journal but of course once you know the steps you can do them in any kind of order. You can suit yourself with this practice.
When we’re out in the field, literally here, exploring visual journaling we use just sheets of A4 paper and cover them in paint. Once we’ve got enough we fold them into a book and start searching for images and text.
We kept in mind the thought about what seeds we were willing to plant this season. It was still summer, still time to map out the way we wanted to feel and be during this season.
Each participate went away with their own visual journal, resources and ribbon to tie it all together.
What was so good for me during this festival was the community. All the Elements created a warm and welcoming space and I got to meet people I had only met online before this. I made new contacts too.
I’m really grateful for the opportunity to be part of this festival.
I’ve been sky writing from time that come 14 July I’m on holiday. I’m away from work. I’m not answering any of your emails, WhatsApp messages, demands or urgencies. I’m off the clock.
Because of the weather, this holiday time has come a day early. And I’m bubbling with excitement.
I’m having no leaky boundaries here. I’m gonna protect my down time. I’m gonna have a complete switch off to recharge my batteries.
This feeling of excitement reminds me of when I was a kid and the summer holidays stretched out in front of me. So much time to explore and play and just be.
I embrace this feeling now with so much joy and gratitude that I’m open for what adventures lie ahead. Adventures of my own making as I’m the adult now not the kid. I’m not beholden to anyone else’s whims or demands or plans. Whatever happens over the coming month or so is all of my own doing. And I love the sound of that. The feel of that.
Today I’m grateful that a project which has been 2 years in the planning is finally coming to fruition.
Black Nature in Residence rides again but this time bigger and better. Five creatives in five Northern National Parks. Working with identity on tyne again, we’re proud to make things happen in the creative and cultural industries for others who look like us.
As I was saying over in the introduction to the recent episode released from The Earth Sea Love Podcast, apart from the year flying by, May was the month that kicked my butt. It’s officially going down as the worst month of 2023, so far for me. But hey I’m still here to tell the tale and I’m grateful for that.
I have to give some credit to still being here and getting through the trenches down to my walking practice of May. I completed the Mamathon as hosted by Girltrek and clocked up 53 miles. Of course I did more walking than that in May but these are the miles that were recorded with my Garmin watch. Just trying to keep everything recorded so I knew when I hit the miles, I knew I was banking them towards this challenge.
I’m so glad I took up this task. I started it with Miss Ella and finished it with Miss Ella yesterday afternoon. Even though she was full of cold she joined me to mark the occasion. I also went over on my right foot again. Same place / same injury as the one that stopped me completing the West Highland Way last year. But I’ve been icing and elevating it as well as walking on it today. A bit swollen and bruised but okay to walk on.
And I’m pleased about that as I would be most upset if I was out of action again just when I feel as if I’ve gotten into some kind of walking routine. Girltrek are running their Black History Bootcamp podcast this year again, which entails 21 days of meditations of Black stories are shared. So I’m just gonna keep on walking in June to the sounds of this podcast and clock up some more miles.
The West Highland Way is on again this year. Birthday week with dear friend, Alex, we’re walking the way together. More details to follow. Already excited about completing it. See what I did there? The power of positive energy. It usually get’s me through. Got me through May. Thank you very much.
I totally forgot yesterday, My head was down as I concentrate on my essay I’m writing. But today I remember. And I’ve signed up. The Rise Up Rooted Symposium is live. Check out the schedule for the free virtual symposium about about nature, connection and rewinding.
My conversation is live tomorrow then I share about my relationship with the sea and the healing properties. But there are some ready to be watched now. It’s free to join. Just add your emails and start watching. You can upgrade to an all access pass which means you get to watch all the videos in your own time and pace. I’ll get a percentage of the fee. But no pressure. Watch for free and tell me what you think.
“Cut, Torn & Mended is an online exhibition which celebrates the contributions of (m)others to the collage community. With a range of different styles and techniques, this exhibition allows us to explore the diverse ways in which contemporary artists use collage in their practices. With many of the artworks for sale at affordable prices, it is a wonderful way to add to your collection and support these wonderful artists to continue making.” Lauren McLaughlin, Founding Director.
To accompany the exhibition is a limited edition Cut, Torn & Mended Zine. A5 (210 x 148mm) Full colour zine, 42 pages, perfect bound with laminated silk cover.
Each zine includes an A3 full colour cut-out sheet so you can make a collage inspired by the exhibition!
Pre-order your copy before 21st May and get 20% off with the code COLLAGE20. You’ll get it for £8 instead of £10.
There are 30 artists featured in the exhibition. My piece is within the Mended section. The artists include:
Adele Annett, Amy Whiten, Alexa Mazzarello, Alexandra Kiss, Ashley Fotheringham, Beverley Hood, Diana Salomon, Ellie Shipman, Emily YCL, Jan Ferguson, Jennifer Milarski-Stermsek, Jessie McNeil, Jodie house, Kate Cameron Reid, Kate Marsden, Kathryn Rodrigues, Kim Hopson, Kirsty Whiten, Lauren, Evans, Lynn Murphy, Megan Jacobs, Montserrat Serra Nonell, Rebecca Clouâtre, Sally Butcher, Sana Burney, Sarah Shotts, Sharon Lee Hart, Sheree Mack, Twiggy Boyer, Yagama.
Living Wild Studios 