This photo essay comes from the Instagram account of For Black Women and Girls UK.
It is reproduced here to raise awareness of a troubling increase in the number of black women going missing and later found dead by/ within bodies of water.
I had the pleasure of gathering with the WOC Azadi again in Sheffield today.
We gathered to share ideas around how to plot/plotting our healings, our liberation together.
Visual journaling was on hand to capture our thoughts, feelings, plans and plots.
It was such a nurturing and nourishing space in nature. It was a gathering of hope and aspirations.
It was an honour to be part of the day retreat. Ideas for The Plot of Our Repair came about from a reading is Saidiya Hartman’s essay , The Plot of her Undoing (2020).
The plot of her undoing begins with his dominion. It begins in the fifteenth century with a papal bull, with a philosopher at his desk, pen in hand, as he sorts the world into categories of genus and species. It begins with a bill of sale, with a story in the newspaper that enumerates her crimes, with a note appended to the file: she answers questions easily, but appears stupid; it begins with a wanted poster that reduces the history of her life to a single word-condemned.
And then towards the end of this essay there is a switch. A turn to explore how we can undoing the plot of her undoing. How we can move against the forces aiming to ruin/ control/ oppress the black/brown woman.
The undoing of the plot proceeds by stealth. It is almost never recognized as anything at all and certainly never as significant.
…
It begins with the earth under her feet. It begins with all of them gathered at the river and ready to strike, with all of them assembled in the squatter city, with all of them getting ready to be free in the clearing.
The undoing of the plot begins with her runaway tongue, with her outstretched hands, with songs shared across the unfree territory and the occupied lands, with the pledges of love that propel struggle, with the vision that this bitter earth may not be what it seems.
The undoing of the plot, the plot developing towards our repair was started before us. We stand on the shoulders of our ancestors. We continue this journey, this plotting together. Today makes me feel that we have already won.
What is your mission?
If you’ve been watching the news this week, you’ve seen that it’s been dominated by what is happening in America. Or the actions America has taken elsewhere in the world. Flexing their muscles, going in for the strike.
In my opinion, what is happening, right now, is that white people can see the power of the state being used against people who look just like them.
This is where AfroSurrealism takes on significance – because the reality of blackness is the power of the state is always and, repeated for centuries and generations, been used against black people. Being black is a surreal experience. THEN. RIGHT NOW. ALWAYS.
The abuse of power has been turned up to the max so that no one is safe. But some people can’t see this yet. Maybe even deny it, spin a false narrative around it.
There’s a quote somewhere that I remember which goes something along the lines as, they’ll come for me in the evening, but then they’ll come for you in the morning.
Fascism had raised its head once again. But did it ever go away for black and brown bodies? Did it not just change its mask, switched up its playbook?
There’s protests across American cities against the unlawful killing of a white woman/ mother by an ICE agent. These protesters scream out, “say her name.”
The thing is this – no disrespect or condoning of this violence or unlawful killing as it is an abuse of power and murder. I am outraged but …
I am also outraged because #SayHerName was an awareness campaign started by Kimberle Crenshaw to bring attention to the unlawful killings of black women by law enforcement that were going unreported/ not getting the same level of outrage and attention as when black men and boys are killed by law enforcement, in comparison. And this doesn’t even start into the ‘white woman syndrome.’
#SayHerName was needed to highlight and remember and get justice (?) for black women who have been killed in custody, or when calling 911 for help, or when sleeping in their beds, or for just breathing while black.
#SayHerName is needed for these unlawful killings of black women not for the white woman killed in Minneapolis on Wednesday because everybody knows her name and everybody is saying her name.
What happened in Minneapolis was wrong and the Trump administration is lying about it and blaming the victim. This is an abuse of power and is being played out, as the images of the bloodied seat and the bullet hole in the windshield, as a threat.
You get in the way of us, protest our regime then this is what happens to you, is the message. They rule with fear, threats and intimidation. The ICE agent is immune from prosecution because he was just doing his job. His job for the state. Above the law. Lawlessness is the state. This is the only way to get the mass of population behind a fascist society. Fear, threats and intimidation.
Check the historical playbook.
The reality though, the truth that has to be stated otherwise I’d be silenced through fear and intimidation, is that #SayHerNane centred black women, centred blackness. But using it here in this instance for the murder of a white woman, this is just another thing that is whitewashed and co-opted by white people.
I’m thinking this and berating myself for thinking this. Condemning myself for seeing this play out in reality. I had to go online and check myself. Check that I’m not being unreasonable, or hateful or wrong. But I’m not alone in seeing this reality.
This truth.
( And do you also notice how much and often I’m couching my opinion in diplomatic ways, highlighting my intentions not to cause harm. Obviously needed as far too often people choose to see only part of the argument. Take issue with what isn’t the real issue as a means of not listening and not addressing the real issue! Kill the messenger and all that!)
I also have to ask ( myself, anybody else) if the woman who was killed by ICE was black or brown would there be such media attention, protests, calls for justice? Would her unlawful killing/ murder be used as a touchstone, as a moment that changes American history moving forward? Or would that be another case of #SayHerName?
I say this not to distract from the horrendous crime that has been committed by the state against a white woman. I say this because it’s all part of the same system that has been operating for centuries and it is just now, in this moment, that more people, white people are seeing that this shit is killing them too. It has been all along but just slower than black people (Fred Moten).
These are strange times (white) people are arguing. Democracy is being eroded. Violence is no longer buried and concealed. Violence is (now) at their (white) doors.
AfroSurreal. This has always been the reality of blackness. The violence. The absurdity of it all. No rhyme or reason except profits and power.
Now white people are waking up to seeing on their feeds people who look like them being murdered by the state. Unlawfully murdered by the state for demanding justice and fairness.
It’s awful that some (white) people are just starting to experience the dangers of oppression right now.
This is nothing new for / to black people. And saying this isn’t to wish ill will on anyone else or to take glee or satisfaction in violence inflicted on anybody.
Just speaking truth to reality.
I’m remembering the summer as well as archiving the events that went down @Earth Sea Love.
In August we managed to pull off a black women’s creative retreat. A weekend of creative camping in the middle of a forest. We cooked, and created, shared stories and slept under the stars. It was a magical time as we stepped out of time, to steal our lives back on our own terms. We laughed and cried and sang and walked and reconnected with ourselves, each other and nature.
I’ve just spent some time, updating the Earth Sea Love website with some events that took place over the summer, this retreat included because it’s important to have a record, an archives of these happenings. My heart and body remembers these days, these events because they have a profound effect on my {BEING}. Events like these reinforces everything that I {BE} and do for myself and others. And it is finding those ways of getting free, more often and for longer stretches of time.
This image above is of Pauline Mayers, one of the women to come on the retreat. And as you can see from her facial expression, and the sheer glow coming off her being, we had fun out there in nature together.
I’m now fixing to create more opportunities like this one. It was a dream come true, a dream started in a visual journal spread one day a few years ago. And who says dreams don’t come true. All you have to do is believe. Believe in yourself and the community around you and all will come to fruition.
Today, Dal and I were in Manchester as the Over Here Zine Festival again. I think is out third year there together, sharing a table of our creations and laughing far too loud for such a small room in People’s Museum in Manchester.
It was good to be in a space that was created for people of the global majority to share their zines. It’s usually a safe and supportive space. And it still is in some respects. But what is worrying is that more and more white people are infiltrating our safe spaces. I know that white people come in to see and buy our creations. I can this is who we are selling to, while we swap with each other. But at the same time, I noticed white people behind the curtain, on the wrong side of the tables selling zines. But I could be wrong?
An article I read the other year, titled ‘Ontological Expansiveness’ by Chris Corces-Zimmerman, Devon Thomas, Elizabeth A. Collins and Nolan L. Cabrera, where I learnt the language I needed to call out this sense of expansionof white people into black and brown spaces where maybe the ethos and intention is exclusivity.
Ontological Expansiveness is a theoretical framework used under the umbrella of Critical Whiteness Studies (CWS) that was conceptualized by Sullivan (2006) to describe the complex and nuanced relationships that exist among race, Whiteness, and space. Sullivan (2006) argues, “As ontologically expansive, white people tend to act and think as if all spaces – whether geographical, psychical, linguistic, economic, or otherwise – are or should be available to them to move in and out as they wish” (p. 10).
Corces-Zimmerman, Chris & Thomas, Devon & Collins, Elizabeth. (2021). Ontological Expansiveness. 10.1163/9789004444836_058.
I could be wrong, but how is feels to me, and how I’ve been experiencing things, is that white people think and act and move as if they have a right to be in any and all spaces. Sullivan suggests that White people tend to think of themselves as though they are the only people to exist or have worth in the world. Black and brown people just don’t come into the equation. Colonialism is the epitome of ontological expansiveness.
In this example as the zine festival, I’m talking about taking up physical space, but ontological expansiveness also applies to language and who white people claim ownership, through creating definition of what is proper English for example. What’s acceptable is the language and tone and style of whiteness, any other forms of communications are wrong. Yet that doesn’t stop white people wanting to use Ebonics or use the ‘N’ word. And then there’s the appropriate of our cultural practices .
As Sullivan (2006) states, White people frequently act as if, “The appropriate relationship is one of appropriation: taking land, people, and the fruit of others’ labor and creativity as one’s own” (p. 122). Frequently, instances of White people engaging in acts of cultural appropriation represent a fetishizing and exploitation of the language, customs, or practices
Corces-Zimmerman, Chris & Thomas, Devon & Collins, Elizabeth. (2021). Ontological Expansiveness. 10.1163/9789004444836_058.
of Communities of Color.
Of course white privilege is wrapped up in this but it’s not enough to say this privilege needs to be given up or shared. Before anything changes white people need to acknowledge what they are actually doing, but how are they going to do this if they are oblivious to what they are doing?
I invite white people to recognise that they will feel uncomfortable when they do enter spaces that are predominantly non-white and get used to it. As in that discomfort is the seed of change.
Come to the planning meeting on Saturday to organise against this state repression!
Saturday 19th July, 5pm
Earthlings Cafe NE4 5QR
Armed police threatened to arrest Kent protester under terrorism legislation for holding Palestinian flag.
“13 Dead, Nothing Said”, the rallying cry rings out.
walking with dignity, arm in arm, a protest, not a riot nor a mob.
a powerful display of unity and resistance. “13 Dead, Nothing Said”,
in the face of adversity. of racism, police conduct, and social justice,
the New Cross Massacre Action Committee respond.
treating black victims as criminals themselves, “13 Dead, Nothing Said”.
on 18 January 1981, Yvonne Ruddock celebrated her 16th birthday with friends,
when a fire tore through 439 New Cross Road in south-east London.
“13 Dead, Nothing Said”.
community solidarity, in the midst of racial tensions and police mishandling,
they marched, 20.000 strong, from the scene of the fire
to the Houses of Parliament to present a petition. “13 Dead, Nothing Said”.
the loss of young black lives barely noted by the media,
no words of condolence from maggie, and to this day, no one
has ever been charged with starting the fire. “13 Dead, Nothing Said”.
The political and media furore over chants at Glastonbury by Bob Vylan, a British punk duo has me reeling at the moment. I couldn’t get my head around it at first, why I was feeling such anger at this condemnation of their chant? At first I was thinking it was because this group are black and I felt it was racism again raising its ugly head. But then Kneecap is getting condemnation as well for ‘hate speech’, ‘inciting violence’, an Irish hip-hop trio from Belfast. I’m not saying that the Irish has not experienced their own form of racism, prejudice and discrimination either.
But then when I saw the newspaper headlines, and then the Prime Minister coming out say it was ”appalling hate speech’ wanting an investigation in the BBC and how they could allow this to happen, with criminal investigations being filed against both Bob Vylan and Kneecap, I realised why I was getting angry and really enraged. It was because there was all this disgust and moral hand whinging and condemnation of a chant, but not the same level of condemnation and rage and move to stop it for the genocide happening in Gaza, right now, or for the last 1 year, 8 months, 3 weeks and 4 days. As the Palestinians continue to be exterminated by Israel Defense Forces (IDF), there is no condemnation, not opposition from the UK government, the media, those in business, those who are showing again and again that they are controlled, owned by the Israeli Government and State. Proving that they actually have vested interests in Israel and continuing the genocide.
It is ludicrous to witness, the political and media condemnation of a few words chanted at a music festival while Palestinians waiting in a line for aid, starving people who’ve been herded into this state of the queuing dead, are massacred by IDF. These people dead on their feet, seeking aid, did not pose a threat, and yet the IDF, an armed force just opened fire on them because they could. Because they know, no one is trying to stop them. No one is condemning their actions. The world is turning a blind eye to their war crimes, and crimes against humanity. Anyone opposing their horrendous crimes are called anti-semitic and are cancelled, condemned, silenced.
Bob Vylan, facing a criminal investigation have also been dropped but their record company and are on a travel ban to USA. Swift and sharp punishment for expressing their desire to see a free Palestine, from the river to the sea. Mass disgust across the country and further afield about a chant, but where is the mass disgust and action against the mass extermination of a people? The Palestinians, the people of Gaza.
“It’s a Killing Field”, reported by Nir Hasson, Yaniv Kubovich and Bar Peleg within Haaretz, details how IDF soldiers were ordered to shoot deliberately at unarmed Gazans waiting for humanitarian aid. Unarmed people are treated like a hostile force and just shot and killed. Deliberately. Bullets is the IDF form of communication. Not chants, bullets. Where is the condemnation of this? Where is the Parliamentary emergency meeting to discuss this deliberate killing of human life, that is genocide, that are war crimes? None but there is one about Bob Vylan, and Lisa Nandy, British Labour Party politician serving as Secretary of State for Culture, Media and Sport since 2024, standing up in Parliament, in solemn tones criticising the BBC the Glastonbury broadcast and Bob Vylan for the chanting. Claiming her moment in the limelight, making a performance, Nandy condemned the “appalling and unacceptable scenes” at Glastonbury and said the government would not tolerate antisemitism. But the government tolerates genocide. FACT.
I could go on as I’m sick and tired of hearing when someone criticises IDF, and the Israeli state of murdering Palestinians and claiming Gaze, the whole state, from river to sea, that this is being anti-semitic. This is just another tactic used for shutting people up. As when people are criticising the genocide of Palestinians and the stealing of their homeland, they are not saying they hate Jews or the Jewish people. They are saying that the massacre of a people is wrong. The IDF as an armed force is committing genocide. That is what is being condemned, criticised and left to the general public around the world to fight against as the Western countries are doing nothing to stop it.
Conflating these criticisms with Jewish people , calling it anti-semitic is like using a get out of jail free card on repeat. It’s not the same thing. And I would argue that if the chant, ‘death, death to the IDF’, is anti-semitic and hate speech inciting violence, what/who is it killing IDF? A chant, some words at Glastonbury or the Israeli government sending the IDF into war, ordering them to kill unarmed people seeking aid? Tell me which one is a whitewashing of crimes against humanity? The chant is not a chant of hate for Jewish people. The chant is anger at the genocidal actions of a genocidal army, the IDF, who are beginning to ask themselves if this was is just, and what is the humanitarian price the Gazan population paying for this war?
Living Wild Studios 