The Art of Slow Writing

Collaborative anti-racism broadsides collaborative project with Theresa Easton

I started my Patreon Page in April 2018 with the focus on Slow Writing.

I stated:

The Art of Slow Writing

“When our lives change, when the world changes, we must reinvent ourselves as writers.” – Louise DeSalvo.

Taking inspiration from Louise DeSalvo’s book, The Art of Slow Writing, I’m choosing to create fine writing; writing of quality and writing of worth. I believe in order for this to happen, I need to find my way back to slow writing.

Slow writing is a meditative practice, creating time and space for understanding my relationship to my writing, the writing process and working towards my best work.

I envisioned it as the space where I wrote the memoir ( memoir then, Mixmoir now).

I said through a facelift of my Patreon Page that:

I’ve been writing a creative non-fiction memoir which includes personal essays, poetry, quotes, paintings, photography etc and this continues as this piece of creation centres the black woman’s body with/in nature. What I envision now is this piece taking on a more critical and political perspective with climate / environmental justice taking up space as this is my reality, our reality, even if there are systems in place which would lead us to believe otherwise.

Using my art is my resistance, is my activism and I just see it as time to start owning it. Blatantly so.

All that I’ve been wanting to achieve and working towards has morphed into one – this idea of black / brown bodies with/in nature. This is my full-time obsession and I’ve been making big changes in my personal life to reflect and accommodate this. This includes Patreon.

It was within this space that I created the term Mixmoir to describe what I’m trying to create. There, here, everywhere.

When you take on a project, a writing project that is arduous and long and messy, there’s a tendency to get lost along the way. Get tangled up in the details, get into your own head and manipulate your own weaknesses and doubts to the point of stop writing and just spending your time and energy just wishing.

I’ve got to the point of feeling sick and tired about feeling/acting/behaving this way. This inactivity within a writing project I feel so deeply about. Which is so vital to my being.

So this is me attempting to change the story and get the damn book complete on my own terms by any means necessary by glueing my arse down to the seat and just writing.

Welcome to my practice.

The Focus For June – Mixmoir

Mixmoir Day 1.

For the past few months, I’ve been managing to turn up here at this blog daily.

I’ve been sharing my obsessions and you’ve been following along. Thank you for sticking with me.

June cannot go by without me attempting to continue the tradition/ challenge/ focus. And I think this is going to be the toughest yet!

There’s some magical energy that comes along at the beginning of each new month that I’ve just got to dive into and ride the wave to where ever it may take me. It’s about surrendering to the process and trusting that it will not lead me astray.

So what is the focus for June. It’s Mixmoir Time.

What is ‘Mixmoir’? This is the new name I’ve come up with for my mixed-genre memoir which I’ve been trying to write now for 4 or 5 years, I think. And I am writing it. That’s no lie but sometimes I’m creating more words/pages/pieces than others. I allow fear and distractions and that sense of failure to get in the way of me showing up and completing the damn thing.

At the back end of 2021, I put in for an Arts Council England, Developing Your Creative Practice grant to receive the time, space and money to complete this beast. As there has been no announcement of success here, you will know that I was not successful. Competition at this point for public funding is fierce. And to be honest, I’m not really sure if I was feeling the application.

Also with hindsight, now in June 2022, when this project was due to be complete, I’m pleased that I didn’t receive the funding because 2022 has been a year of tribulations so far. Knowing that I’d have to deliver on the completed manuscript at the end of this month would have been too much pressure with everything else that’s been happening. I actually feel grateful that I’ve had a flexible start to 2022, with me being more or less in control of how I’ve been spending my time. The bank balance might not be in agreement but there is much more to life than making money. Peace of mind, health, practicing ::SLOW:: and ::CARE:: have been taking priority and I’m not complaining.

So what to expect for the month ahead?

Well nothing is set in stone but expect extracts from the Mixmoir, reflections and musings on the practice of slow writing and the process of creating a mixed-genre creation. I’ll also be pulling a card a day while working with Mariëlle S. Smith, Fleshing Out The Narrative: A 31-Day Tarot and Journal Challenge for Writers. This is hoped tp give me some further focus not only on getting some words on the page but also to go behind the scenes and shed some insight on the reasons for writing this Mixmoir and why this form and what I hope to achieve through it’s completion.

The deck I’d be using to support this journey is The Earthcraft Oracle Deck by Juliet Diaz and Lorriane Anderson and illustrated by Daniell Boodoo-Fortune. This is such a beautiful deck with messages/ wisdom/ guidance which support my continuing connection with Mother Earth. And what better deck to use that this as isn’t the Mixmoir exploring my relationship with nature? It all makes perfect sense and will hopefully aid a fruitful and productive month of writings and musings and happenings.

I hope you with stick around and join me. #onwards.

What is Creatrix?

When asked what I do, for a few years now I’ve replied by saying, ‘I’m Creatrix.‘

The bio I send out when requested reads as: “I’m Creatrix : she who makes, with a practice which manifests through poetry, storytelling, image and the unfolding histories of Black people. I engage audiences around Black women’s voices and bodies, black feminism, ecology and memory, nature and wellbeing, trauma and healing . I advocate for Black women’s voices, facilitating national and international creative workshops and retreats in the landscape, encouraging and supporting women on their journey of remembrance back to their bodies and authentic selves.”

But what does ‘Creatrix’ mean as it’s not a term that is in wide circulation? I know when I use it, it raises questions in others. Some are brave enough to ask what does mean, while others are happy the remain in ignorance and apply whatever labels to me they wish.

Creatrix: she who makes is what I call myself because the labels that others have put on me, or even as I’ve tried to define myself in the past, are just not good enough, or expansive enough. I’m more than just a writer, or artist, facilitator or teacher. I’m so much more than what I do in the world or produce. I’m more so interested in the person I am, who I be.

Creatrix originally is defined as a writer, an authoress. Therefore female. But now, the term Creatrix has come to mean, for me, anything that and anyone who is creative. My whole life is a creation, and so is yours. How I express my creativity is multifaceted and diverse. Yes I show up at the page to visual journal every day, but I’m also creative when I decide how I’m going to spend my time each day, what I wear, what I eat, and how I show up in the world.

Creativity is not the exclusive realm of writers, artists or musicians or dancers. I believe that everyone is creative but due to the society and culture we live in we are socialised into repressing it, conditioned into devaluing our natural, innate creativity and in the process move further away from our true selves. Being creative, consciously creative is being in communion with the Self, again another practice which is not really valued or taught within this culture ( white supremacy culture, I’ll add).

Me using and adopting Creatrix to describe myself to others is me reclaiming agency, it’s taking back control and power over how I’m defined, labeled or seen by others. I’m a person made up of many parts, personalities and responsibilities, skills and capabilities. And I bring them all to every situation/experiences/ activity I partake in. I attempt to be whole. I’m becoming whole.

Showing up more and more whole, more and more in my own power and authenticity is a practice. Being creative is a practice. It’s my constant reminder of who I be, not what I do, but who I be.

“A Creatrix is not simply a performer or entertainer – though these are the elements of what she does – she is a dedicated shaper of consciousness and energy, a culture weaver, a dreamer and midwife of new worlds. She is an asker of uncomfortable questions and a liver of taboos.” Creatrix: she who makes by Lucy H Pearce

roots, culture, identity virtual art exhibition, 2022

Roots, Culture, Identity Virtual Art Exhibition, 2022

It gives me great pleasure to share a virtual exhibition which I’m part of.

Running from May until August 2022, you have the opportunity to visit a virtual exhibition to coincide with the TUC Black Workers’ Conference, 2022.

Marking the 10th anniversary of the beginning of this exhibition which came out from one of the recommendations of the TUC Stephen Lawrence Task Group, the exhibition aims to provide an opportunity for Black, Asian and ethnic artists with a focus on young people, who are marginalised and face discrimination in the arts and culture sector, to showcase their work.

For years, I’m been meaning to submit my work for consideration, however due to other commitments, or not even having the finances in order to ship/ take my artwork down to Marble Hall of TUC Headquarters, London, I’ve never completed the application process.

However, with the pandemic offering a different way of working and exhibiting artwork, this year, due to an extended deadline, I was able to find the time and space to submit something.

The theme for this year’s exhibition is Collective Action for Race Equality. The
inspiration for the theme comes from the horrific impacts of racism we face today globally
from climate injustice to the disproportionate impact of contracting and dying from
coronavirus.

I submitted photography that I felt reflected my connection with nature as well as the work I carry out with Earth Sea Love; to offer opportunity for developing a deeper connection with nature for People of the Global Majority (PGM). I took Community/ Collective Healing as my focus and hope my images offer moments of tranquility and healing, grace and hope.

The White Gaze

Visual journal 06/05

I do love a white gel pen on a black gesso page. I love the contrast but I also love that it reverses/ subverts the norm.

Quite fitting really when I was exploring my understanding/ operating of ‘The White Gaze’ today.

From Wiki: ‘ The White Gaze is the assumption that the default reader or observer is coming from the perspective of someone who identities as white, or that people of color sometimes feel the need to take into account the white reader or observer’s reaction.”

I wonder who wrote this definition? Loaded much, ‘assumption’ , ‘sometimes’ please. It’s our reality. It’s White Supremacy Culture. It’s the norm.

I’m learning ( all the time) how to survive the white gaze. And taking my lead from Toni Morrison, I know I have meaning and depth without the white gaze. My life has meaning without the white gaze. ‘ But we do language. That might be the measure of our lives.’

It might be a daily practice with need of constant reminders but I’m learning to create not for the white gaze, in spite of the white gaze and it’s repercussions.

I am learning to be free.

Let’s Go Outside

Visual journaling 04/05

At the moment, I’m using an altered (romance) book as my visual journal. I go with my moods when it comes to deciding what to use next for my visual journal. I listen to my gut and what she’s calling for in terms of size, shape, texture of page, of journal she needs in order to show up daily for the next month or so.

So with an altered book as my journal I was calling for space to explore colours but also layering, composition and found text.

There will be pages that are heavy with colour and my handwriting while others I’ll crave colour with space and some text cut ups applied.

I’m using Toni Morrison’s The Bluest Eye at the moment to create found poetry for double page spreads. The Bluest Eye was the first book I read in which I found someone who looked like me and who felt the same self-hate I was experiencing around growing up in a predominately white society being within a Black body. It was revolutionary for me and my personal development to find this book when I did.

I suppose using a copy of the book now to cut up and repurpose is saying something about how I’m feeling at the moment and how I want to see myself on the page. How I want to take back the space, take up space and be validated. But on my own terms.

I love how powerful visual journaling is to my psyche and how I move my body through this world but does so through such a simple process. It never ceases to amaze me what comes to light and fruition through this practice.

Photo walk : Come with me to Marden Quarry, Cullercoats.

After Covid in February, I committed to moving my body more in March. I felt tired and sluggish and beat. So I needed to shift my energy. Fast.

One way I committed to this journey was to set myself the task of walking every day. And for some reason it had to be 4 miles a day. I think this roughly worked out as my 10,000 steps a day. Now this is moving from 0 miles to 4 miles overnight. My body wasn’t happy.

What I found soon enough was how much more energy and joy I was experiencing in my day once I got out the door and walked. I walked every where for every conceivable errand and then some days I just walked because I promised myself to do it.

March came and went into April, and I continued the walking. Some days not quite reaching 4 miles while other days far out passing it. I noticed I was walking faster and at first this worried me. I used to think the faster you walked the less you would notice. Not the case.

I noticed the faster I walked the more in tune with my body and surrounding I became. My senses were more alert, colours were brighter, scents were sharper. I was more present. I felt amazing in my body and moment.

When I think I’m not in the moment, not in my body, in my walk then I slow down and start taking photos. I’ve performed photowalks for years now and I’m so pleased to be bringing them back into my practice now.

A Photowalk is just as it says on the tin; you walk and take photos of whatever takes your interest a long the way. I see something first and then stop and then see it again as I take a photo of it. Sharing it here with you, not only brings you along on my walk but also allows me to see whatever it is again and relive the moment, re-engage with my body and memory of the time. It’s a gift that just keeps on giving.

Today, I’ve upped my mileage to 5 miles a day moving forward. Of course I ended up doing far more, over 8 miles, but that won’t happen every day. If someone had told me back in February that you’ll be out every day walking just for the hell of it, I would have laughed as I was feeling pretty rough with and after Covid. But here as I up my time outdoors, living in and through my body, I’m so pleased I made this commitment to myself.

Look out for more Photowalks as the year progresses. I just love the beauty that can be found when I’m open.

Late Night/ Early Morning

Visual journal 03/05

I couldn’t sleep last night. Not sure why but sleep evaded me.

I read. I surfed the net and then I just gave in, got up brewed fresh coffee (yes I know not conducive to sleep) and broke out my visual journaling supplies.

I was no longer tired or annoyed or frustrated about the lack of sleep. I was wired and alert. My energy has shifted up a gear and I was in the flow.

Outside was dark and silent. Inside was just as silent but the lights were on and I was dreaming with my eyes wide open.

I felt as if I was stealing back time from my day. Getting a head start on the day ahead by already connecting with myself before the sun was even up.

I felt I’d been given a gift to be at my journal at this time of night/day. This totally shifted my mood into gratitude and joy.

Try it next time you can’t sleep. See how you feel afterwards. Something would have shifted in the process. Guaranteed!

Hopping Mad Today

visual journaling 02/05

Morning pages: visual journaling/ journaling done for now.

I like to get to the page first thing, the first thing I do each day after going for a pee and brewing some coffee. This is the ritual that is in place. Not every day can I fulfil this ritual, but most days, yes.

I find when I come to the page in this state, my night dreams are still hanging around me. I can still grasp onto them and explore them on the page. What do they mean? What is causing friction in my subconscious mind?

Today’s ramblings where not difficult to decipher as they relate to an email I received yesterday evening. I must bring back the ‘no email checking after a certain time’ rule. It just disrupts my calm flow state of mind when I do read an email late at night and allow it to work it’s way into my brain just before bed.

Anyway, I dreamt on it and was trying to find people who were in agreement with me about it. Hence waking this morning hopping mad as I’m not sure anyone did eventually agree with me. But I stand my ground this morning and go with my gut as she’s never seen me wrong.

It’s just tired really, having to point out yet again how the way someone is treating someone else is not okay. Maybe it’s okay to them and maybe no one has mentioned this to them before and so they continue to treat people this way. But common decency man, it costs nothing but goes a long way.

And maybe I’m taking it personally, maybe they act this way with everybody and not just with me and not because I’m a Black woman and viewed as less than. Maybe maybe maybe. This is how I’ve spent years making allowances for other people’s behaviour and treatment of me. Giving them the benefit of the doubt at the detriment to my sanity and my treatment of myself.

But no more. No one owes me nothing and no one owns me. I do not have to pussy foot around worried about causing offence because they’ve already caused offence to me so that shows me that they do not respect me and they do not see me. Therefore, you do not deserve my allowances, my excuses for your behaviour, or me trying to make you feel/ remain comfortable.

I’m not going to be rude or disrespect them but I will be speaking plainly to them. It will be interesting how they respond when I tell them my truth.

But all in good time, as another one of my practices is ::SLOW:: . Just because it suits someone to send an email at such and such a time, it doesn’t mean that it suits my timeframe and mind set to reply immediately and engage with their requests now. On their timetable, at their sense of urgency.

All in good time means all in good time for ME. Which isn’t at the exact moment as I think it’s another coffee for me and another few pages of visual journaling as I’ve got some shit to work out still.

Ah the beauty of visual journaling. Welcome to my world! See you tomorrow!

Close up of visual journaling 02/05