challenge

The Zinester Returns

| Sheree
the zine that documents the zines I want to create moving forward into 2026

I’ve just been over on my Patreon page sharing about the first zine of the year. Do you want to know what I shared about it?

Okay, I’ll tell yo here too!

A few years ago, I gave myself the challenge of creating a zine a month. Check back using the ‘zine’ tags and no doubt you’ll find them, still there ready to download and peruse.

This year, I vaguely set myself this challenge again, to create a zine a month and share it here. I think. As I’m still in the process of committing. But last night, at a Zinester Sanctuary that I’m creating witha fellow fugitive, I had the time to create my first zine of the year. See the video above.

I looked back at one of my zines from my first challenge, this was a zine about the zines I wanted to create. I looked back to see if this list of zines with illustrations were still zines I wanted to create.

After this reflection, I then set forth to create the zine that hopefully is the blueprint for 2026 creations.

In the video what you are seeing is the front cover stating that ‘Abolition is a Global Struggle’ with FREE PALESTINE but also the caveat that this has to be completed ‘with patience and care’.

The next page with a wheel of a VW Campervan and the text ‘ like a bird flying into’, is a nod towards my love of nature and how she will always appear in my zine creating, some way or another.

The next double spread with an image of two little girls standing on the beach, myself and my estranged sister and the text reads, ‘me in all my fucked up glory’. This signifies the task of creating perzines, using the format to explore my life stories.

On the green page with a roughly drawn book in black pencil refers to my desire to dive deep into my black studies, studying blackness as fugitivity, fugitive spaces. ‘You will find comfort in blackness’ the text reads to accompany this intention.

The next page is a quote from Octavia E Butler, from Parable of the Sower which states, ‘All that you touch you change, all that you change, changes you. The only lasting truth is change.’ This was a small print I received from a printmaker friend called Theresa Easton.

The second double spread, because I hadn’t finished yet with my intentions (so who says you can’t add in another page?) is a recognition of my word of the year which is AFROSURREAL. I’ll be exploring what this means further throughout the year here and on my website.

This is partnered with a splash of purple/ mauve as the text reads, ‘ in mauve there is a quiet power.’ This is a reminder for myself to use my zines to share my poetry. My voice is my power. This was how I started making small zines, booklets before my first collection of poetry, Family Album was published. Because I was reading at all these gigs and people would come up afterwards and say where can I buy your work and I had no where to point them to. So I got creative and created these little zines , one dedicated to the poems I’d written about my daddy and one other dedicated to my mummy, and sold them for £1 each. I’d forgotten about them until I just wrote about them here now. Don’ you just love the creative process?

And then moving towards the end of this first zine of 2026, which apparently has been announced as the year of the zine – 2026, we’ll see what happens there as zines could become if not already commercialised and co-opted and become unrecognisable from their origins ( which I’ll be exploring and sharing further about here), there is a polaroid photo of myself smiling. This was taken last year at a Outdoor Citizen gathering, and these were taken to put on the wall with details about ourselves so we could be putting names to face,s be recognised within the crowds. This image is here with the title ‘fugitive sista’ as a reminder of who I {BE} but also who I {BE}coming through my continuing thoughts and praxis around fugitivity.

The final page with the outline of a goddess in black pencil and spiral within her gut/ womb and the text, ‘ Today I will praise. I will praise The Black Woman.’ Today ,tomorrow and always, I will praise the Black Woman. I support this praise with my continuing reading and practicing of Black Feminist thought and praxis. This is my foundation always.

The back cover ends with another sticker and this time it states, ‘ From the river to the sea, Palestine will be free.’ Again reminding myself that I do this work, explore my creativity and share whatever comes up within a constantly changing context of struggles, struggles for liberation, peace, justice, self-determination and love.

2026, the year of the zines. Let’s make it the year of the zines that give voice to the struggles near and far , struggles for liberation, peace, justice, self-determination and love.

Challenge completion, continue

| Sheree

A couple of days ago, I completed the 30 day sketchbook challenge, successfully. Not a day missed.

I’m really proud of this achievement as it proves to myself that I can turn up for my art-making consistently. That I can use my sketchbook as a place of play and wonder. A place to take risks, safely.

The importance I place on the creative sketchbook practice is immense but not to the point of paralysing myself and then not creating out of fear of failure.

The plan is to continue the practice. And I have been turning up each day since. I’ve been using my own prompts, following my curiosity, leaning into my own style. Listening to my voice.

The original course came with an additional 30 prompts. So I’ll start them when I run out of my own ideas. Then I can also restart the original course again and then explore a comparison between the creations and reflections of the first round with the second.

This is definitely, at the point, turning into an 100 days project, an just saying that as another milestone to meet and to keep myself accountable.

And again, I’ll keep the pages for my eyes only, not ready or even wanting/needing to share the pages I create or to move onto larger, external canvas or panels.

I do not feel the need or the call to create any formal work as yet or share. I’m happy exploring within my sketchbook and following where that takes me within the pages.

I realise that has been where I’ve gone wrong in the past. Skipping the sketchbook phase which I’m thinking is simply like the drafting stage of writing. The loose, trial and error phase, where we’re just playing. I’ve been missing out this phase and going straight to the big stuff, the art put into the world. The exhibitions, the judgments and appreciations.

And what I’ve produced mainly carried little meaning for me or messages for the viewer. I feel that it’s fallen flat and felt like a void. And I think this is because I wasn’t sure of my voice, my style, my meanings and messages.

This is what I’m taking away from this sketchbook practice now. And I’m so enjoying the process and I’m open to what surfaces. But I’m also patient and loyal in terms of showing up and doing the work. I trust all will become clear and strong and full in the process.

Deciding ahead of time to navigate the discomfort

| Sheree

I would say for the last quarter of 2025, I was getting myself into a spin because I wanted to get back to painting but wasn’t.

I was spending my spare time on Pinterest scrolling through all these beautiful artworks wishing I was painting and knowing that when I did, my work was never that good. I’d fail and fall into the comparison trap.

The more I spent on Pinterest the more I longed to be painting but the further away I became from my practice.

Until … as I mentioned in a previous post, I gifted myself the 30 Day Sketchbook Challenge with Insight Creative created by Cheryl Taves.

At day 26 yesterday, and I came to the page late as it was the first day back at school after the Christmas break and girl was I tired. Still am and it was touch and go if I was going to make it to the sketchbook. But I thought to myself if I can get up and do the fucking dishes, then that shift of energy is going to get me into my cave a create.

And so be it. The focus was about risk taking. How we might be okay with it at the beginning of a piece, be loose and alive but to hold this energy to the end of the process, not to overwork things by holding on too tight but maybe take some risks was the challenge.

Using browns was the first risk for me – I’ve probably shared it before how I have a hating relationship with brown. But not so much now. My feelings are softening towards the colour. Practice using browns helps.

And then when I thought I was finishing up with this piece I just stopped. I didn’t carry on to complete or tidy up but left it edgy and raw in a way because I feel it still has a fresh energy and isn’t overworked or tight.

Keeping my sketchbook practice isn’t about making good or bad art pieces. It’s about information. What am I learning as a result of the time spent within my creative sketchbook?

Like yesterday, what have I learnt or better understand about the role risk-taking plays in the creative process? Keeping a creative sketchbook practice isn’t a great, safe space to take risks, explore my style and voice at the same time as really leaning into this place of discovery for me and of me.

I know for a fact that knowing this creative sketchbook is for my eyes only means I’m not performing or looking for feedback or admiration or criticism. It reduces the pressure to make art, formal art-making, good or bad art. It’s play and exploratory feeding my curiosity rather than my ego.

It’s a place where I can be alone in the company of my thoughts and feelings and offer myself kindness and compassion and no judgment at the same time.

I’m glad I said ‘yes’ to myself and my art-making practice. It’s strengthening that muscle of saying ‘yes’ to my art-making rather than ‘no’, more often than not.

A Feast of Blogging, 2025

| Sheree

I made a commitment to myself in 2025 to be creative everyday. To show up here and post something everyday. Anything.

I used to have this practice of everyday creativity. For years I posted every day. I fell out of practice as well as out of love with the practice about 10 years ago.

But last year, I didn’t manage every single day but I ended up with 350 posts. The most posts on this website within one calendar year ever.

I’m mighty proud of that achievement. For me it speaks of consistency and trust in the process. 

I’m not sure if I’m going to keep on going into 2026 with being creative everyday however, I’m sort of into the rhythm/ habit/ groove of it now and it would be a shame to let the momentum go to waste.

We’ll see. I’ll not be holding the commitment as tightly this year, but then again if I’m into the practice of posting everyday I won’t need to be so obsessed or disciplined as it would just happen no matter what.

We’ll just have to wait and see won’t we! 

where does your energy go?

| Sheree
i ain’t smiling

i’m protecting my peace so i have the energy for me, to {BE} in service for we, the we that looks/{BE} like me

this is all becoming clearer now

i’m not expending or wasting any more time, energy, attention on those (white) people who do not see me. or when they do see me, they do not see me as human

as Akwugo Emejulu says, the black woman can never be a human being

for decades i’ve spent time, energy, attention, through my practice and day to day life, trying to convince others ( white people) of my humanity. i would bend over backwards trying to get accepted, recognised, cherished as a fellow human being

look, please, i’m human. look, please, i feel, i hurt, i bleed. i breathe

no more. i am no longer prepared to play that role. dance this stupid dance. as i will never be accepted, recognised, loved as a human being. the system won’t allow it. (white) people won’t allow it

i’m no longer wasting my energy on proving jackshit

i’m refusing what has already been refused of me ( fugitivity)

i knowing who i be. i am smart, i am kind, i am important ( The Help). and i don’t need/want/entertain any (white) person to tell/grant/recognise me as such

and i’m no longer apologising/ playing it down or safe/ tempering for how i feel/act/ {BE} about this situation

as that just expends/takes/sucks out of me a whole heap and of other energy

i ain’t smiling.

what can i do? what can i say?

| Sheree

Unconsciously I set myself the task of being creative everyday. A good way of marking this practice, was and still is, turning up here on this blog and posting something. Anything. A word, a quote, an image, an essay, an epiphany.

Some days, I’ve not had the time or energy or bandwidth to create anything, other days when I’ve felt this way, I’ve still turned up and done something. Anything. I’ve wanted to bring in some consistency within a world where consistency is irrelevant and pointless in the grand scheme of things. When the world is on fire, when Palestinians are dying of starvation and gunfire. When anti-immigration riots erupted once more in the UK. When tropical storms kill people in the Philippines. And when Syria returns to bloodshed. The list could go on of more countries and peoples around the world suffering at the hands of others, who do not see them as human or care about them.

I get sick of hearing the news. Watching the news. Seeing the headlines. I look away. I look away because I can and then chastise myself for dong so. There’s something in witnessing it all, even though it hurts my soul. What can I do? What can I say?

I get frustrated with all the hypocrisy I witness. The double standards. The lack of justice. People saying we’re doing this to them because we’ve been persecuted for so long so have a right, or are justified in persecuting other people now. I’m a white man and I rape women and children, but I’m protesting about (illegal) immigrants coming over here and raping our women and children. Everything is operating within this world to keep a few in power and wealth at the expense of other people deemed inferior and dispensable.

I hate hate. I can’t stand it. I see it in the screwed up faces of people hauling abuse at vulnerable people. It’s been there within the marrow of their bones for centuries. Grown white adults, hurling abuse at little black children. Not seeing them as children but as beasts, beasts to destroy. It breaks my heart and disgusts me, but what can I say? What can I do?

I can stop myself from feeing powerless. I can stop my handwringing, and getting frustrated with myself and use this energy otherwise. I can make art to bring about change. No matter how small that change, starting from myself and vibrating out.

I can create stories of an imagined alternative, better, other world. I can create zines which challenge and refuse what has already been refused of us. I can blog about my own experiences in order to connect with others. I can paint/ print posters to raise awareness and change the messages of hate to love and hope. I can create community and create change together, one stitch, one word, one voice at a time. I can create poetry to create conversation. I can self-care so I can in turn community-care. I can donate time, money, resources to a cause I believe in and that is bringing about a better society. I can lean more into mutual aid to divest from racial capitalism.

I can keep showing up here, craving out a safe and brave space on the internet that is liberatory worldmaking, on my own terms.

who has #womensrights?

| Sheree
Neil Kenlock, 1970, Resistence Exhibition, Steve McQueen, 2025

In March the United Nations issued a report about Israel’s systematic use of sexual, reproductive and other forms of gender-based violence against Palestinian women since October 2023.

Those who shout long and hard about #womensrights have said fuck all about this abuse.

Perpetuating a system of oppression through gender-based violence and undermining self-determination is not coincidental.

But those who profess to be standing up for #womensrights say nothing.

Sexual and gender-based violence perpetuated across the Occupied Palestinian Territory is a strategy of war by Israel to demoralise and destroy Palestinians.

Those who shout long and hard about #womensrights have said fuck all about this abuse.

Israeli forces have destroyed sexual and reproductive healthcare facilities across Gaza. Medical support and equipment for safe pregnancies, postnatal care and neonatal care are decimated.

But those who profess to be standing up for #womensrights say nothing.

Women’s and girl’s reproductive right and autonomy as well as their right to life, health and dignity have been erased.

And yet these people, mostly white women, such as JK Rowling, who harp on about #womensrights and the so called threats posed by transgender people, say nothing about the Palestinian women and girls who are subjected to violence right now.

The deliberate starvation by Israel of Palestinian people has a devastating effect on pregnant women resulting in anaemia, malnutrition, miscarriages, stillbirths and undernourished newborns as lactating women cannot produce enough milk.

And yet these people here for #womensrights say nothing.

It would seem that those who claim to be champions of #womenrights pick and choose who has rights as women, fuck it, as human beings.

Doing another ultramarathon

| Sheree
Rubus vestitus ( brambles)

I went out walking this evening. After I stuffed my face and got settled down to watch some ultramarathon training videos on YouTube, I thought it would be more benefit to my body to get out and move her.

I tried an ultramarathon last year along the Pembrokeshire Coastal Path. I didn’t complete it because I ran out of time. I was just too slow to complete the 50k / 31 miles within the official timeframe. But I had a grand day out. It was glorious; the weather, the path, the sights and movement. I really enjoyed my day and I wasn’t too fussed about not completing it. I

knew I would try again.

And so it happened. I’d reached out to Into Ultra a couple of years ago for support for getting into ultra. I thought if not just advise then maybe some help financially with the kit and stuff. It hasn’t really happened till now.

They sent around an email offering free places in races coming up this year. And one took my fancy. SheRaces Trail Series Peak District 50K. There’s a 25K also which I know I can complete but it wouldn’t be as much as a challenge as the 50K.

A couple of days ago running coach Hannah Walsh shared a great Instagram post highlighting that just 0.007% of people have run an ultramarathon, and of these 0.0001% are women. That’s a really small number.

25 Jul 2023 . Source

I like the idea of being able to complete an ultramarathon. I’ve completed 4 marathons, the last one being 2022 in Loch Ness.

To be amongst that small percentage of people, never mind women, never mind black women, who have ‘run’ an ultramarathon, is something to aim for.

And of course I’m not going to run it. I will run walk crawl as per usual. But this time, I know what to expect in terms of the pain, the terrain, the challenge, and toll it takes on the body.

I’m in training now. And there’s never enough time to get to my peak. But what is my peak? I’m an aging overweight black woman, but I’ve never felt more like myself and operating on my own terms. So that’s peak for me!

So this is as good a time as ever to give this ultra malarkey another try.

Consistency breeds confidence. This is my mantra. Consistency breeds confidence.

So as long as I get out walking each day build up the time I spend on my feet, I’ll be grand. And whatever else happens, it will be a grand day out!

Saturday 2nd August is the date of the gathering in the Peak District. You’re more than welcome to join me. Cheer me on. Supply the water and midget gems if you want!