Thank goodness for the long light nights. They’ve been pulling me outdoors. Even after full days of activities, I’m finding solace in evening walks. Alone with my thoughts. Alone with my feelings.
I appreciate these spaces and places I roam. Allowing my senses to land upon some beauty. Some part of nature to hold my attention. To hold my hope.
In the dream, he comes back to me, whole and young.
He was always young in my eyes. When I used to ask him at each birthday how old he was, Daddy would answer, 45.
He was always 45 in all the years I knew him. All the years I was living, he was dying.
In the replaying of images, I play it differently.
I keep my distance until he asks for me to bring his slippers or newspaper. I offer them with bowed head. I don’t throw them at him as I used to. Escaping his rage, escaping the beats.
I keep my distance, but I want to be close to him. To hold him. To feel his love for me. Then and now, still needed after so many years gone.
To serve, he brought me up, to serve. Instead of getting the vacuum clearer out, he had us on the floor picking up the bits of fluff and crumbs. To hear his pride at a job well done was enough.
When I enter the chapel of rest, it’s like I’m floating on air, light as the flowing curtains concealing a prize. I see him now, as then …
he‘a surrounded by gold satin, his mahogany black skin shines, relaxed and unlined, sea-black lips wave-curled and still.
He looks younger than 45. Even though the plaque on the coffin lid reads 1920 -1981 – he was 61. And the time he was dying. I was living.
“We are not the idea of us, not even the idea that we hold of us. We are us, multiple and varied, becoming. The heterogeneity of us. Blackness in a Black world is everything, which means that it gets to be freed from being any one thing. We are ordinary beauty, Black people, and beauty must be allowed to do its beautiful work.” Kevin Quashie describes in Black Aliveness, or, A Black Poetics of Being.
As it stands I’ve completed 20 miles of the 52.4 miles for the month of May. Nearly half way there and not even half way through the month yet. So pleased with how I’m moving.
I’ve mentioned my mum and walking , but she’s not my only inspiration when it comes to putting one foot in front of another.
At this time of year when growing up in Bradford, May light nights and rising temperatures, after tea ( as I am a Yorkshire lass!), each evening we would go out for walks. Dad and Mum, sis and me.
Of course I didn’t want to do it. It felt like a punishment. A cruel exercise is working out our energy before bedtime. How I hated going to be in the light nights.
We set out from our maisonette flat, take the bridge over the dual carriage way, to walk up the hill past the textile factories and into the rabbit warren estates of ‘Little Jamaica’.
My only joys of these evening walks, we’re picking up scraps of fur from the toy making factories and lining my pockets with them so I could stroke their softness while I walked.
The only other joy was if we called in Dad and Mum’s friend Beverley who lived over on the other side of the road, who had a son called Ivor, that I quite liked. He had Thunderbirds toys I liked to play with too.
These evening walks were something I endured. Something to get through. Now as I’m older, appreciating the light nights for walks out, I’m inflicting the same ritual on my daughter when she’s staying with me. Ignoring her complaints and marching her out the door.
And on those evenings that I walk alone, covering more miles and sinking deeper into my body and the present moment, no longer needed are scraps of fur in my pocket to keep me walking.
The act of walking itself, being outside with all nature has to offer, with heart and soul open is enough to feel joy and gratitude and light.
I recently talked about the coming of April and how more poetry would be appearing on here as I attempt to ‘play with words’.
You can not imagine the delight as well as confirmation I received this morning while reading an article for the commissioned essay I’m writing at the moment around (Black) Motherhood.
A bone of contention with me is when I see the words ‘mother’ and ‘motherhood’, even though I have birthed children, I do not see these terms applied to me. ‘Mother’ and ‘motherhood’ come with the connotations of white and whiteness for me.
Test it yourself. Be honest. When I first mentioned ‘mother’, what image came to mind for you? If not a white woman and child. I’ve seen image after image of the idea of motherhood, the natural beauty of ‘The mother’ and nine times out of ten the image is of a white woman and child. As if a Black woman is not/ cannot be seen as a mother, even though a Black woman is the source of the whole human race. Go look that one up!
Anyway, I’m going off topic here ( but not in terms of the hybrid essay I’m writing for the forthcoming special Demeter Press collection, The Mother Wave: Matricentric Feminism as Theory, Activism, and Practice (2023)).
Reading this article this morning, ‘ Conjuring the Ghost: A Call and Response to Haints’ by drea brown, there is a mention of poetry lying in the body, coming from that dark place within where our true spirits lies hidden and growing, argues Audre Lorde. But poetry is also our way, Black people’s way, or theorising and making sense of things. Through our stories, narratives, riddles, poetry; playing with words and language, we not only gain an understanding and reimagining of our lives but these are also tools of surviving.
As Black women, speaking from my lived- experience here, through our creativity, through our playing with language in such a spirited way, we enter in the process of not just theorising and strategising but also self-making and through this practice passing this on to others. Passing on this power to others. It’s what we do, have been doing through time. Starting with the mothering we do of ours and others babies