How many of us have heard about Keith Porter Jr.?

I’ll tell you the truth, I heard about Keith Porter Jr. 1 day ago.

Keith Porter Jr., a 43 year old father of two girls. He loves fishing and spending time with his family. Laughing.

Keith fundraised for battered women’s shelters, supported street artists, advocated for health services. With real family and friends, real daughters and a real presence in his community, Keith Porter Jr. is no longer with us.

Rest in Power Keith.

On New Year’s Eve, in Northridge, Los Angeles, Keith was seeing in the new year with family and friends in his neighbourhood. Tradition was to fire a gun into the air in celebration.

An off duty ICE agent, heard the shots, and inserted himself into the situation. A situation he shouldn’t have been in as an ICE agent is supposedly trained in compliance, transportation, custody paperwork. Immigration.

ICE is not designed or trained in community engagement responses. community law enforcement.

It is argued that after a short verbal exchange, the ICE agent shot and killed Keith.

Official reports from federal agencies say the ICE agent was responding to an ‘active shooter situation’. The department of homeland security says Porter fired at the agent before he was killed (in cold blood).

Watch how they change the narrative. Remember Keith Porter Jr. the man laughing with his family, caring and empathetic will become the monster who deserves to be dead.

Family and community advocates dispute this claim, stating that there is no independent released video evidence showing Keith Porter Jr. posed an imminent threat or fired at the agent.

Rather than lethal force, this off duty ICE agent should have done his citizen’s duty and called local Police as this was not an immigration issue. This was not his jurisdiction, his authority.

Keith Porter Jr. became an imminent threat only when this ICE agent turned up.

ICE has no community engagement training. They might have authority but not in the community, they don’t have the judgement and empathy to be on the streets. But obviously this ICE agent, off duty, thought otherwise.

Nearly two weeks ago Keith Porter Jr. was shot and killed. And people, the average person, even those online are just starting to find out about this murder. Only after Renee Good’s cold bloodied murder.

There is selective outrage in America. As I wrote last week, I have no issue with the response to Renee Good – that’s how we should be respond in this situation.

But

#SayHisName

Keith Porter Jr.

His family had been struggling to get his story, his unlawful killing into the current media cycle. This just compounds what I’ve been saying about the lack of visibility in mainstream media of black people being unlawfully killed by law enforcement.

Be honest have you heard of Keith Porter Jr? But you’ve heard of Renee Good?

There are arguments we can put in place here . You might not have heard his name, Keith Porter Jr. because he was killed by an off duty ICE agent not on duty with a large crowd there. Might be because there’s little video evidence circulating around. But the main reason is because Keith Porter Jr. was a black man.

This is part of the reason for not using #SayHerName for Renee Good. 

No one’s even heard of Keith Porter Jr. No national attention for his murder but within 24 hours everybody knew Renee Good’s name.

This is the very reason #SayHerName was created for the invisible black women and black men who are causalities of the state, of state terror.

And it’s only now that white people are waking up to this terror when black people have been enduring if for centuries. This is why I argue to consider the language used and to give credit and recognition for where it originated, why it was created in the first place.

And yet the same stories are being used to justify the unlawful killings of Renee Good and Keith Porter Jr. They were both pointing weapons at ICE agents, posed a threat and had to be eliminated.

I say

2 different people

2 different cities 

but the same structural problem.

Later down the line this might get read as the one bad apple or one bad moment. But this is clearly a system which once hidden no longer neededs to remain hidden.

A system that is built without limits or accountability.

De facto special powers bestowed by the Trump administration on ICE that seem to supersede police powers. ICE is now inserting itself into everyday life and every day neighbourhoods. And as we are witnessing this very presence is killing people. Killing more and more people who weren’t even their targets.

But that no longer seems to matter.

As I’ve said before and I’ll say again, I don’t have an issue with the response to Renee Good – that’s how we should be responding in a situation like this. I just argue that the others, and there’s a long list that is growing of people who have been killed by ICE during this administration, deserve the same energy that is surrounding the murder of Renee Good.

As last time I checked, these are not animals, criminals or just talking points but human beings. Real human beings with grieving families. And this is something that gets forgotten in the media.

We need to continue to have these conversations and we need to keep fighting, on the small and large scale, against fascism near and far.

 

An Archives of Memories, Feelings and Skyr

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

The verdict is in about the word of the year, 2026

Damon Davis and Kiki Salem

If you’ve been around here for a few years then you’ll know that I choose a word each year to act as a guiding source for the year ahead.

I hold this word lightly as a beacon to support my movement through the year as I navigate through society, this world, with the ebb and flow of commitments, responsibilities, projects and inspirations. 

Last year, fugitivity took hold of me and kept me refusing those things that have already been refused of me throughout the year. 

Fugitivity and visual journaling went hand in hand in 2025 to the point that I was able to create a loophole of retreat, a space of freedom and play for most of 2025. No doubt fugitivity is changing my life and remains in my rucksack as I traverse into 2026. The year of the horse ( more on that later).

So what is my word of 2026? 

Usually I have something chosen at the back end of Oct moving into November. It just comes to me, lands and takes up root as something that just feels right. And something I want to carry for a year or more and explore.

That didn’t happen this year. 

I had the feeling of being ‘unapologetic’ to the max but that felt, as a word, so dated. I feel it has been co-opted by mainstream and capitalist culture that to hear it now feel so twee for me. It’s original radical power being neutered.

Then we had radicale ( with an ‘e’) meaning to get to the basic root of something. Its natural origin. It’s fundamental and essential, changing from the roots. As well as radical being judged as unconventional, pushing things to the limits.

But again this word didn’t sit well within my gut. I wasn’t feeling it.

For me my word of the year has to be embrewed with feelings as well as be able to stand the test of time, the year and beyond, as well as act as talisman, inspiration and haven. Words of the past has included voice, water, shakti, open, listen, love etc. 

I have a tall ask for my word of the year but none of my words of the year so far has let me down. I suppose it’s a difficult act to follow after fugitivity as this practice has changed my life in so many ways.

But choose a word of the year I will because after so long in this practice, I would feel naked walking into 2026 without some word(s) at my back as support and/both motivator.

I’m making the commitment here now to go with – AfroSurreal – as my words of 2026.

Of course AfroSurreal is much more than a word it’s a whole artist and literary movement which blends the weird and absurd with the reality of blackness. That the reality of blackness, being black today is  surreal. 

AfroSurreal is  also a way of {BEING} that roots me further into the RIGHT NOW. Creating the future that has to happen right now. 

I’ll be exploring more and sharing about AfroSurreal over the next couple of days to get my basis understanding and direction down. And then look out for more posts about how I’m moving and shaking with AfroSurreal(ism) for the coming year.

I’m excited to see where this word will take me. A good sign if any that I’m chosen the right word ( movement) for 2026. 

A Black WOmen’s Creative Retreat

I’m remembering the summer as well as archiving the events that went down @Earth Sea Love.

In August we managed to pull off a black women’s creative retreat. A weekend of creative camping in the middle of a forest. We cooked, and created, shared stories and slept under the stars. It was a magical time as we stepped out of time, to steal our lives back on our own terms. We laughed and cried and sang and walked and reconnected with ourselves, each other and nature.

I’ve just spent some time, updating the Earth Sea Love website with some events that took place over the summer, this retreat included because it’s important to have a record, an archives of these happenings. My heart and body remembers these days, these events because they have a profound effect on my {BEING}. Events like these reinforces everything that I {BE} and do for myself and others. And it is finding those ways of getting free, more often and for longer stretches of time.

This image above is of Pauline Mayers, one of the women to come on the retreat. And as you can see from her facial expression, and the sheer glow coming off her being, we had fun out there in nature together.

I’m now fixing to create more opportunities like this one. It was a dream come true, a dream started in a visual journal spread one day a few years ago. And who says dreams don’t come true. All you have to do is believe. Believe in yourself and the community around you and all will come to fruition.

where does your energy go?

i ain’t smiling

i’m protecting my peace so i have the energy for me, to {BE} in service for we, the we that looks/{BE} like me

this is all becoming clearer now

i’m not expending or wasting any more time, energy, attention on those (white) people who do not see me. or when they do see me, they do not see me as human

as Akwugo Emejulu says, the black woman can never be a human being

for decades i’ve spent time, energy, attention, through my practice and day to day life, trying to convince others ( white people) of my humanity. i would bend over backwards trying to get accepted, recognised, cherished as a fellow human being

look, please, i’m human. look, please, i feel, i hurt, i bleed. i breathe

no more. i am no longer prepared to play that role. dance this stupid dance. as i will never be accepted, recognised, loved as a human being. the system won’t allow it. (white) people won’t allow it

i’m no longer wasting my energy on proving jackshit

i’m refusing what has already been refused of me ( fugitivity)

i knowing who i be. i am smart, i am kind, i am important ( The Help). and i don’t need/want/entertain any (white) person to tell/grant/recognise me as such

and i’m no longer apologising/ playing it down or safe/ tempering for how i feel/act/ {BE} about this situation

as that just expends/takes/sucks out of me a whole heap and of other energy

i ain’t smiling.

return, remember, reset

I’ve not been into the sea since the beginning of July. I’ve been staying away, allowing my tooth extraction wound to heal. I didn’t want to get it infected, further or again.

I have missed her, no doubt. I woke early and didn’t give it a second thought. I had the time, the energy and means to get on down there and get in.

It was like starting all over again. The pain of the cold was something I’d forgotten but soon remembered as I inched my way in, allowing the water to seep further and further up my body.

It was worth the pain. It’s always worth the pain.

I feel at peace now as I warm up and give thanks to myself and nature for allowing me this time and space to just {BE}.

creative dispatches

sometimes i’m writing. my body is writing and she doesn’t know . she doesn’t know what / how/ where. the body just doesn’t know yet what to say. how to say it.

my body writes what is doesn’t know yet.

what is put down on the page, the words and language doesn’t know either. what is it trying to say?what does it know? what doesn’t it know?

i was going to say that things become clearer in the process. but that’s not true. in the process more questions are raised. not answers. but more curiosity, wonder and play.

here, i’ve cultivated a safe space. a safe container where i can be intimate and vulnerable. i can experiment and play to locate my voice, my knowledge and wisdom.

i embark on another journey with my body writing what she doesn’t know after completing an amazing commission/ gig/ assignment. i’ll share soon. i feel depleted after fullness. i’m tired but also lost.

i know i need to rest before anything else. so i rest for now. i rest in the not knowing.

continuing to live and learn

Studio Practice Journal, 2023-4

“On the afternoon of May 16, 2020, about a week before George Floyd was killed by the police, twenty-one-year-old Tye Anders was accused by the Midland, Texas, police of running a stop sign. He pulled over in front of his ninety-year-old grandmother’s house.”

Excerpt From
We Refuse
Kellie Carter Jackson

There’s Anders pleading for his life. There’s many policemen with guns drawn pointed at him and there’s bystanders filming it all. One woman who’s filming this is also pleading for the police to not shot Anders saying he’s scared. Hasn’t there been enough killing of unarmed black people, killed just because of the colour of their skin?

Still no guns are lowered and Anders is on the ground clearly empty handed but the situation is just escalating as the police continue to train their guns on his body.

Anders’ ninety-years-old grandmother steps out of her house praying. With cane in hand she walks towards her grandson even though guns are trained in her direction.

There was still panic still bystanders screaming for the police to put their guns up. Some do but still one cop is walking towards Anders with his gun raised. Trying to move and push her out of the way, his grandmother doesn’t believe that her grandson won’t still be shot so she falls onto her grandson, protecting his body with her own body. Not longer after this with the police and crowd pushing and pulsating around her , she loses consciousness.

Anders is arrested for fleeing the police. His grandmother is taken to hospital.

Reading this story this morning made me cry. Not because of the police brutality or the disregard for human life, black life. But because of what the grandmother in the story did. She’s ninety-years-old, frail and only has her prays and body, but used both in protection, in an act of love.

“Her collapse was not a coincidence. Protection is powerful, beautiful, and sacrificial because protection is love. But she should not have needed to put her body between the police and her grandson to protect him.”

Excerpt From
We Refuse
Kellie Carter Jackson.

Protection. She should not have needed to, but she did put her body between the police and grandson to protect him. This act of courage broke my heart this morning. Had me weeping. Maybe it was the last straw that pushed me over the edge into the breakdown. Maybe it was my imagination seeing this playing out.

Maybe I’m just sick and tired of living in a world where white violence is justified and black violence is really self-defence but is never judged that way.

I’ve always been a supporter of care work but even more so now. As care work, along with rest are forms of protection. Through the way I {BE} with myself and others, and the work that I do for self and others, I’m tending daily to the mental, emotional, and physical needs and health of black people, so we are better equipped to survive and thrive within a hostile, brutal, grinning world.

Still healing

Woman got herself dry socket. Exposed bone and nerves after a tooth extraction happens when the blood clot for Porte took doesn’t form properly or get dislodged.

It’s painful and can lead to infection. Guess I’m one of the lucky ones. As mine is infected.

I thought the pain and bad taste and breath were part of the healing process. No pain no gain right?! Seems this level of pain and the foulness is a sign of dry socket and infection. Go figure.

Thank goodness for saltwater washes, walking and self-care. Looking out for myself has become a priority in a world that just doesn’t care.