art
Archive: a Country Journal of a Blackwoman
Right now my practice is on display within The BALTIC: Centre for Contemporary Art.
As I was out of the country when the group exhibition, Hinterlands, launched on Friday 22 October, 2022, I managed to get into seeing it after such event the following week.
I really didn’t know what to expect as you visualise the end result, the culmination of months of hard work, dreaming and winging it. But to actually see it all come together in a white cube space is another thing.
I visited my archive last week, with my daughter, excited and nervous and unsure. I got to see The Country Journal of a Blackwoman(Northumberland) exhibited on level 3 of The BALTIC. I was shocked and surprised to see my work out of context within this space. It was an emotional as well as nerve wracking experience.
Because of my absence, I had to leave instructions about the installation as well as extensive notes and labels for each art piece. There are about 50 items if not more within this creative archive. It’s to be expected that things got lost or mislaid in translation. So my focus for this trip was to make sure everything was how I wanted it to be.
After some discussion and sending of correct audio files, everything is now complete and as I want it to be presented to the world.
I’m not sure how I feel that during the launch of the whole exhibition, that things were wrong or missing. But I do know that after seeing everything in terms of my contribution and making things right after my visit, I felt great relief and was able to enjoy the achievement. It was also weird to be there at the same time as seeing peel interacting with my work. I’m not sure I want to have many experiences like that as their reactions did affect my state of mind, pride and achievement. And it would be very unsetting, I feel, to be there and witness someone laughing and disrespecting my work. I think this is something I need to gain a thicker skin for. But right now, my skin is thin for a number of reasons, tat I might explore here in time.
I know I have to return now, to take in the rest of the group show as well as the rest of The BALTIC’s exhibitions for this season, as this is a strong presentation.
I’m honoured to be showing at the same time with them.
Of course more reflection and images to come around this achievement.
HINTERLANDS
22 October 2022 – 30 April 2023, BALTIC: Centre for Contemporary
Whispers within the waves
Light Fading
They’re coming back …
The Healing Properties of the Seas is back for November.
Leaning into the season
This woman likes to wear her secret,
taste tart stars along the evening’s edge.
She be breath, she be mild roughness
all sharpness fading in time.
I’m loving the season, getting out and walking in the crisp morning air. Loving it. Expect to see more berries on these pages. Until then I share my berry ripeness.
Autumn Leaves
I think I’ve found my next mini film project. Autumn leaves.
I’m loving me the first signs of Autumn
Summer Loving
It’s been a short sharp second they’re since I’ve been here.
I’ve been enjoying the fruits of summer. The long hot days and nights. The light. The carefree feeling that a summer breeze brings. Being off the clock and not having to worry about the time.
I’ve also been busy working on the BALTIC commission and really enjoying the process. I’m loving seeing ideas come to fruition.
But this time can’t last forever. I know season’s change but so learning to live in the present with gratitude and grace.
